Earl Kemp: E*I* Vol. 1 No. 5
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JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Cry of the Nameless 89
REVIEW??? OTHER WORLDS: 55^5 Raymond Palmer, 806 Dempster St., Evanston, Ill. Official organ of Palmer Publications, Inc., Evanston's pro publisher, with this issue edited by Ray Palmer, and dedicated to Edgar Burroughs because he authored numerous adventure stories which are very me morable to anyone who started young on them, and I did. "The Club House", a department, follows the editorial, and it seems that at the Clevention plain ©anteloupe without the a la mode was eaten by Rog Phillips, and that while doing so he succeeded in thoroughly embarrassing a very nice married couple he had just met, for the sake of a joke. The names of the victims were not given in this anecdote. However, I think it is just as well. Don't you? The Clevention itself, also reported somewhat, seams to have had more on the ball. Why don't you go to this Convention the next Labor Day 1955 that you happen to be in Cleveland? I can't see that this magazine has much of interest to offer anyone not attending this Convention. For example, the description of the plain canteloupe might actually have been very interesting if I had had a helping. * * ♦ THE ABOVE IS A SENTENCL-BY-SENTENCE PARAPHRASE OF ROG PHILLIPS' REVIEW OF "CRY OF THE NAMELESS" in Other Worlds for April 1956, giving as nearly as possible the exact same degree of review coverage as was given the "CRY" by Phillipa. REAL GOOD REVIEWING, HUH? (For a more definitive review of the April '56 Other Worlds, see "SF Field Plowed Under"). -
Dream Quest 7
A R T I C L E S: THE kI33I.NG ELEMENT, by Harry Warner, Jr........................ Zp EDGaR ALLAN POE: PRISONER OP NEVER-NEVER LAND, by Joe Kennedy.6 “R E V I —E ; —W —S: PRO-PHIIE, by Gilbert Swenson.................. 16 Judith Merril’s SHADOW ON THE HEARTH, reviewed by Gordon Elliott......i.24 0 EPART M E N T S: THE GAS JET, by the Editor...**..,...... • •**;....................2 IN ARKHAM HOUSE ("Best, Not Basic"), by Philip Gray..*...... 25 Cover by Howard Miller ‘ Back Cover by Howard Miller... Interiors by Miller, Rotsler, Dougherty # # if # # # ff ff if # if fi if 4 . 'Z if 4 # H if I * # Jf H % if DREAM CfJEST is an amateur publication for fans of science fiction , fantasy^ weird fiction* It is published irregularly* Editor1s address: California Hall, University .of Redlands, Redlands, Calif- >rn-ia. Permanent publishing address: 495 N. Third St., Banning, California. This issue is distributed to subscribers only,with the value sot at 250. No renewals or new subscriptions will be accep ted. -ff Please address mail to Don Wilson (not to the magazine) at the editorial address., # Opinions expressed by contributors are not necessarily those ox' the editor. It’s been a long time, and reports unofficial and semi-official said we had folded or suspended, but the truth of the matter is that we merely entered into a somnolent state. Whether there will be still more issues I can’t say, but at any rate there will be this one , . which ought to prove that there’s still life, at least. -
Earl Kemp: E*I* Vol. 4 No. 6
market for science fiction in terms of properties bought. However, I also feel that the big money and success will continue to be in the area of the movies. Television still seems to be a very limited market and only Star Trek has been a real success in the past 20 years. Even the success of Star Trek was limited; it managed only three seasons compared to the ten-to fifteen-plus seasons of Gunsmoke and other long-running television shows. Star Trek was good because it showed there was a market for science fiction. However, the ratings showed that the market was limited. Your question implies that we should consider other mediums such as computer terminals, video cassettes, etc. I don’t really see much chance for science fiction’s developing a significant market in these areas. I may be wrong, but I feel that books have been around a long time and will continue to be around. I would personally rather read a book than watch television or a movie, and I think the people science fiction appeals to feel the same way. 4) Can it really be almost 20 years since I helped Earl Kemp put together the first Who Killed Science Fiction? Age seems to sneak up on us. I look back and bits and pieces come to my memory. I still remember starting out early one Saturday morning to go to Lynn Hickman’s house to do the printing. My memory of the trip was that it was sometime in the winter. I don’t remember where Lynn lived then, but an examination of a map suggests that Dixon, Illinois, is the most likely candidate. -
Fantasy Review Would Long Since Have Given up the Struggle
FA NI TASY REV It VV Vol. III. No. 15 ONE SHILLING SUMMER'49 EXTENSION In discussing the disproportionate production costs which hamper any publishing venture catering for a limited circle of readers, Mr. August Derleth, editor and publisher of The Arkham Sampler, announces the imminent suspension oI that valuable periodical. Which prompts us to point out that, had it been launched as a proflt-making proposition, Fantasy Review would long since have given up the struggle. Only the continued support of its advertisers-which made it possible in the flrst place-has enabled ii to survive and' encouraged by the tangible entirusiasm of its comparatively small number of subscribers, develop into somet'hing more substantial than it was in its first two years of life. The letters we have published since its enlargement give evidence of the desire of its readers for more frequent publication; and we wish we were in a position to respond to this demand. Instead of which, due to production difficulties which we are powerless to resolve at present. $e have to announce that it becomes necessary for us to issue Fa.ntasy Review a,t quarterly intervals, as a temporary measure. OnIy thus can we contrive to maintain both the standard of contents and regularlty of appearance which have made its reputation, and at the same time embark on the further development which is essential to its progress in other respects. At first sight, this might seem a retrogressive step. But although subscribers must now wait longer for each lssue' they wi]I soon be aware of the improvements which the less frequent publishing schedule will permit us to introduce as from the next (Autumn, '49) issue, which will see a modiflcation in the title of this journal the better to convey the greater seope of its a$icles and features. -
Mr. Monster 3
ometimes I think Earth has got to be the insane asylum of the universe. and I’m here by computer error. At sixty-eight, I hope I’ve gained some wisdom in the past fourteen lustrums and it’s obligatory to speak plain and true about the conclusions I’ve come to; now that I have been educated to believe by such mentors as Wells, Stapledon, Heinlein, van Vogt, Clarke, Pohl, (S. Fowler) SWright,S Orwell, Taine, Temple, Gernsback, Campbell and other seminal influences in scientifiction, I regret the lack of any female writers but only Radclyffe Hall opened my eyes outside sci-fi. I was a secular humanist before I knew the term. I have not believed in god since childhood’s end. I believe a belief in any deity is adolescent, shameful and dangerous. How would you feel, surrounded by billions of human beings taking Santa Claus, the Easter bunny, the tooth fairy and the stork seriously and capable of shaming, maiming or murdering in their name? I am embarrassed to live in a world retaining any faith in church, prayer or celestial creator. I do not believe in Heaven, Hell or a Hereafter; in angels, demons, ghosts, goblins, the Devil, vampires, ghouls, zombies, witches, warlocks, UFOs or other delusions and in very few mundane individuals - politicians, lawyers, judges, priests, militarists, censors and just plain people. I respect the individual’s right to abortion, suicide and euthanasia. I support birth control. I wish to Good that society were rid of smoking, drinking and drugs. My hope for humanity - and I think sensible science fiction has a -
Baycon Hugo Awards Ceremony Transcription, Cleaned Version [Note: Baycon, the 1968 Worldcon, Had Its Entire Program Taped by KPFA
Baycon Hugo Awards Ceremony Transcription, cleaned version [Note: Baycon, the 1968 Worldcon, had its entire program taped by KPFA. As far as I know, the tapes are lost. However, Alva Rogers had a transcript made for a planned Proceedings of Baycon of the Hugo Awards Ceremony. It’s a bit of a mess. This is cleaned up as much as I can do so, guessing in many cases about who was being referred to under the various spellings of names, and interpolating Alva’s handwritten corrections when they make sense. I’ve also had to guess about when various people started and stopped speaking. It’s been easier to retype the whole thing than try to get an OCR system to deal with it. Punctuation is, as always with a transcript from a recording, a guess – I’ve done my best to make it cleaner for the text as something to read. I have not, however, tried to change what people said 47 years ago. This is a document of our history. Anything said then probably wouldn’t be said the same way now. Some other documents from the proposed Proceedings exist, but not many; after we get this cleaned up, I may publish some of them in the same way. Tom Whitmore, cleaner] ROBERT SILVERBERG (Toastmaster): Forgive me for beginning the festivities on a solemn note, but I think I should explain what I’m doing up here, as I’m not the Toastmaster who was chosen for this a year ago when Alva, Ben and Bill made their convention bid. -
DESTINY Tales of Science and Fantasy
DESTINY Tales of Science and Fantasy pi® iiSf fantasy index & ________ .________ I* gorrci^LeX’ jtn-u in dedication... tales of science & fantasy There is always a trend, in any field, to honor the great creators more than the great organizers. But certainly the Linaeus did as much as Darwin; surely the reference library is as great a triumph of modern technology as EDITORS the cyclotron. Thus, it is to the forgotten men of modern science fiction, the tireless bibliographers, that we humbly dedicate this issue: MALCOLM WILLITS EVERETT BIEILER BRADFORD DAY DONALD DAY and SAM MOSKOWITZ DONALD TUCK EDWARD WOOD EARL KEMP VOLUME I FALL 1954 NUMBER XI HERE IS 1953! You are holding an index to THE year of science fiction. During 1953 more issues of science fiction magazines appeared THAN IN THE ENTIRE FIRST SIX AND A HALF YEARS OF SCIENCE FICTION MAGAZINE PUBLICATION. COVER.............................THE DEPARTURE........................Neil Austin You have had it! Never again will your pockets be so pinched, the 1953 index IS and will remain THE largest single year index. EDITORIAL..................................................................The Editors 2 In the fourth/final issue of Journal of Science Fiction, Edward Wood said, ”0f indexing and indexes, there is never an end.............the field is THE DESTINY INDEX OF FANTASY-1953...Edward Wood & 4 covered at least until 1953. It would be unfortunate if a gap were allowed to appear. It is time for someone else to do a little work. They might Heading by James Newberry Earl Kemp even get to like work, an ancient and honorable method og getting things ART EDITOR done,'* THE SF MAGAZINES.......................................................................... -
Fantasy Commentator 173
...covering th© field of imaginative literature... A. Langley Searles editor and publisher contributing editors: William H. Evans, Thyril L. Ladd, Sam Moskowitz, Matthew H« Onderdonk, Darrell C. Richardson, Richard Witter Vol. II, No. & ---- 0O0---- Winter 1948 CONTENTS EDITORIAL: This-*n’-That A. Langley Searles 14S ARTICLES: This Is About Ray Cummings Thyril L. Ladd 149 Fantasy in All-American Fiction William H, Evans 152 Little Known Fantasy - I Darrell 0, Richardson 154 Unwritten Books David H. Keller, M, D, 155 Something About Vampires George T. Wetzel 168 The Immortal Storm (part 10) Sam Moskowitz 171 VERSE: A Wine of Wizardry George Sterling 160 (with four illustrations by Joseph Krucher) REGULAR FEATURES: Book Reviews: Stapledon’s Flames Sam Moskowitz 157 Cabell's There Were Two Pirates Paul Spencer 184 Tips on Tales A. Langley Searles 169 This is the seventeenth number of Fantasy Commentator, an amateur, non-profit periodical of limited circulation appearing at quarterly intervals. Subscription rates: 25$ per copy, five copies for $1. This magazine does not accept advertis ing, nor does it exchange subscriptions with other amateur publications except by specific editorial arrangement. All opinions expressed herein are the indi vidual writers’ own, and do not necessarily reflect those of staff members. Al though Fantasy Commentator publishes no fiction, descriptive and critical manu scripts dealing with any phase of imaginative literature are welcomed from all readers. Address communications to the editor at 19 E. 235th St., N. Y. City 66. copyright 1948 by A. Langley Searles 148 FANTASY COMMENT* TCP THIS-'N'-THAT As usualj editorializing is passed by in the interest of listing new books that are of interest to fantasy readers. -
Efanzines.Com—Earl Kemp: E*I* Vol. 6 No. 2
Vol. 6 No. 2 April 2007 -e*I*31- (Vol. 6 No. 2) April 2007, is published and © 2007 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. Amazing Stories, May 1964, by Ed Emshwiller Contents — eI31 — April 2007 Cover: Amazing Stories, May 1964, by Ed Emshwiller …Return to sender, address unknown….21 [eI letter column], by Earl Kemp Through EMSHwiller’s Eyes…, by Luis Ortiz September 1962, by Earl Kemp Torture Time in Texas, by Michael Moorcock “The Club House,” by Mike Deckinger For Members Only, by Earl Kemp Christ: An Autobiography, by Rog Phillips Godfather Stories, by Earl Terry Kemp Roger Phillips Graham Bibliography, by Earl Terry Kemp THIS ISSUE OF eI is in memory of two of my dear old friends, Roger Phillips Graham and Ed Emshwiller. In the exclusively science fiction world, it is also in memory of Elly (Mrs. Robert) Bloch, Mary (Mrs. Robert) Bonfils, Patrice Duvic, David Honigsberg, David Masson, and Kurt Vonnegut. # As always, everything in this issue of eI beneath my byline is part of my in-progress rough- draft memoirs. As such, I would appreciate any corrections, revisions, extensions, anecdotes, photographs, jpegs, or what have you sent to me at [email protected] and thank you in advance for all your help. Bill Burns is jefe around here. If it wasn’t for him, nothing would get done. He inspires activity. He deserves some really great rewards. It is a privilege and a pleasure to have him working with me to make eI whatever it is. -
Robert Silverberg Market Paperback Companies, and I’Ve Known and Dealt with Virtually Every Editor Who Other Spaces, Other Times Played a Role in That Evolution
$29.95 “IN THE COURSE of my six decades of writing, I’ve witnessed the transition of science- other times other spaces, fiction publishing from being a pulp-magazine-centered field to one dominated by mass- Robert Silverberg market paperback companies, and I’ve known and dealt with virtually every editor who other spaces, other times played a role in that evolution. For much of that time I was close to the center of the field as writer and sometimes as editor, not only deeply involved in its commercial mutations but also privy to all the personal and professional gossip that it generated.All that special knowledge has left me with a sense of my responsibility to the field’s historians. I was there, I did this and did that, I worked with this great editor and that one, I knew all but a handful of the major writers on a first-name basis, and all of that will be lost if I don’t make some sort of record of it.Therefore it behooves me to set down an account of those experiences for those who will find them of value.” — From Silverberg’s introduction ROBERT SILVERBERG is one of the most important American science fiction writers of the 20th century. He rose to prominence during the 1950s at the end the pulp era and the dawning of a more sophisticated kind of science fiction. One of the most prolif- ic of writers, early on he would routinely crank out a story a day. By the late 1960s he was one of the small group of writers using science fiction as an art form and turning out award-winning stories and novels. -
Collector's Bulletin 5
THE COLLECTOR'S BULLETIN #5 NFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFF Edited and published by C. W.(Ned) Brooks, Jr. for the NATIONAL FAN-::- TASY FAN FEDERATION - Collector's Bureau, at 911 Briarfield Road, Newport News, Va. - 23605- Irregular but about quarterly. This is sue should appear late in may or early in June, 1966. Cover probably by Steve Stiles, mimeography probably by the Rev. 0. K. Brooke. NFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFCBNFFFNFFFNFFFNFFFNFFFNFFFNFFFNFFFNF Potpourri By Ye Ed. Observant readers will note the probablys above, this is being typed ahead of time, before the cover or mimeography are done. Yes. CB#5 might have been delayed even longer, it's only been two months since #1}. and I don't want to outdo TNFF, but I learned last night that my uncle, the mimeographer, is likely to be gone to another church after this June. How #6 will be done I don't know, I could stand over Phil Harrell with a gun, or maybe another CB member will do it. Raleigh Roark has promised to type more stencils for us. The articles in this issue by Bob Leman and Paul Crawford were done onto stencil by Raleigh. The rest of the issue by me will be mostly comments from Out There, plus some additions to the Bok Art list and an installment of Bibliomania. And now to the comments: -x-JACK CHALKER told me that Mark Owings INDEX TO THE FANTASY PUBLISHERS would be for sale at the Lunacon... Any time now? -x-FRED COOK sent a copy of BRONZE SHADOWS his Doc Savage zine, very nice.. Says his index will be ready shortly.