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Wang Mian
Zen As a Creative Agency: Picturing Landscape in China and Japan from the Twelfth to Sixteenth Centuries
Masterpieces of Chinese Painting 700-1900
Learning to Read in Late Imperial China
READING BODIES: AESTHETICS, GENDER, and FAMILY in the EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING
Subjectivity in Mandarin Chinese: the Meaning and Use of Causal Connectives in Written Discourse
The Traditionalist Painter Lu Yanshao (1909-1993) in the 1950S
Teachers' Guide for Painting
Table of Contents and Contributors
The Perceptions of Horses in Thirteenth- And
A History of Reading in Late Imperial China, 1000-1800
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TRACES of a LOST LANDSCAPE TRADITION and CROSS-CULTURAL RELATIONSHIPS BETWEEN KOREA, CHINA and JAPAN in the EARLY JOSEON PERIOD (1392-1550)” By
The University of Chicago Clawed Skin: the Literary Inscription of Things in Sixteenth Century China a Dissertation Submitted T
Masterpieces of Chinese Painting 700-1900
Teaching Wu Jingzi's the Scholars
Chinese Art 3. the Yuan Dynasty
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