- Home
- » Tags
- » Tresillo (rhythm)
Top View
- Clave, Partido– Alto and Other Timelines
- MTO 22.2: Cohn, a Platonic Model of Funky Rhythms
- The Piano As Percussion Instrument in Jazz
- Beyond Salsa for Beginners the Cuban Timba Revolution
- Guía Didáctica Para El Acompañamiento Del Son Cubano En La Guitarra
- Transcribing Astor Piazzolla's Works to Maximize Stylistic Fidelity: an Examination of Three Saxophone Quartets with a New Transcription
- Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa
- Clave Rhythms for Didgeridoo
- Beyond Salsa Piano the Cuban Timba Piano Revolution
- African Rhythm As the Foundation of Contemporary Bass Performance
- 1 Salsa: Latino Diaspora, Music Industry, and Dance Leopoldo
- University of Florida Thesis Or Dissertation Formatting
- Cubaneo in Latin Piano: a Parametric Approach to Gesture, Texture, and Motivic Variation
- Felipe Valdes and the Role of the Cornet in the Cuban Orquesta Típica
- The Similarity of Texted Musical Grammar to Oral Communication: Exploring Grammar, Text and Content with Examples from Fieldwork with (;U()Aultiiraku/Itira
- AFRO-CUBAN PERCUSSION, ITS ROOTS and ROLE in POPULAR CUBAN MUSIC by BRIAN KEITH ANDERSON B.M.E., Kansas State University, 2009 B
- Musicians in Trust: Argentina and the Globalization of Popular Music
- Rhythmic and Metric Theorisation in Rock Music Nicole Biamonte
- Beyond Salsa Percussion the Cuban Timba Revolution
- Of Danzón: a Critique of the History of a Genre
- Machito and His Afro-Cubans: Selected Transcriptions Paul Austerlitz Gettysburg College
- The Musicality of Salsa Dancers: an Ethnographic Study
- Acoustical Letter
- New Orleans, Louisiana
- Nationalism and Its Expression in Cuba's Art Music: the Use of Folklore in Mario Abril's “Fantasia (Introduction and Pacha
- Beyond Salsa for Beginners the Cuban Timba Revolution
- Chapter 5 Transnational Caribbean Musics Text: Robin Moore Instructor’S Manual: Sarah J
- Articulating the African Diaspora Through Rhythm Diatonic Patterns, Nested Looping Structures, and the Music of Steve Coleman Jesse Stewart
- Why Teach Salsa at Ks3? Learning Objectives
- The Conjunto Piano in 1940S Cuba: an Analysis of the Emergence of a Distinctive Piano Role and Style
- Creative Intersections with Cuban Musical Forms
- From Contradanza to Son: New Perspectives on the Prehistory of Cuban Popular Music
- 1 Coro De Cámara Leonel Otero Cabarique Universidad Autónoma