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Train to Busan
To Film Sound Maps: the Evolution of Live Tone’S Creative Alliance with Bong Joon-Ho
Cultural Hybridity in the Contemporary Korean Popular Culture Through the Practice of Genre Transformation
Horror Without End: Narratives of Fear Under Modern Capitalism
The Spaces and Places of Horror
SLACKTIVISM a Word Or an Image? a Sentence Or a Scene?
Course TITLE: Korean Cinema in Dialogue with World Cinema
After Corona: Rediscovering a Love for the Planet Through Climate Fiction and Film English/Environmental Studies/Visual Studies Haverford College
Disrupting Heritage Cinema: the Historical Films of South Korea
Is 202 Korean Cinema
Korean Cinema and Popular Culture
Parasite / Gisaengchung (Dir. Bong Joon-Ho, 2019)
Open Editfest Program
Asian Movies Target Overseas Markets
Cinematic Han and the Historical Film: South Korean Cinema and the Representation of Korea’S Geopolitical Conflict in the Twentieth Century
TRAIN-TO-BUSAN.Pdf
Korean Cinema Film 3920 | Room: U107 | Tues 1~4Pm, Thurs 1~2Pm ______
The Aesthetics and Psychology Behind Horror Films Michelle Park Long Island University,
[email protected]
Beyond Parasite (In Black and White)
Top View
The Enlistment of Reproductive Futurism in Aid of Nationalism
Duality of the Railways: Popular Culture Representations of 'The Train' in Bong Joon-Ho's Snowpiercer and Yeon Sang-Ho's
Film Industry Drivers: Overseas Markets and Platforms
A Neuropsychological Account of the Horror Film
New Release Movies Online
The Development of the Zombie Film Narrative
Film Studies Courses Fall Semester 2018
Screaming Silently: Haan, Contemporary South Korean Cinema, and Emotional Realism", University of Southampton, Film Studies Department, Phd Thesis
Train to Busan
Content Analysis of Gender Trends 1
A Bong Joon Ho Film
JGC Film Appreciation Club Presents
Irish Journal of Gothic and Horror Studies 18 (2020)
100 Years of Korean Cinema : Portraits of Korea
The New Zombie Apocalypse and Social Crisis in South Korean Cinema
Analysis of Korean and Foreign Special Effects Make-Up in Representative Films by Period 59
Auteur Criticism on the Detective, Mixed Genre, and the Motif