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Entertainment Business Supplemental Information Three Months Ended September 30, 2015
Entertainment Business Supplemental Information Three months ended September 30, 2015 October 29, 2015 Sony Corporation Pictures Segment 1 ■ Pictures Segment Aggregated U.S. Dollar Information 1 ■ Motion Pictures 1 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 DVD and Blu-rayTM titles released - Select DVD and Blu-rayTM titles to be released ■ Television Productions 3 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a non-U.S. network ■ Media Networks 5 - Television and Digital Channels Music Segment 7 ■ Recorded Music 7 - Top 10 best-selling recorded music releases - Upcoming releases ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered as of March 31, 2015 Cautionary Statement Statements made in this supplemental information with respect to Sony’s current plans, estimates, strategies and beliefs and other statements that are not historical facts are forward-looking statements. Forward-looking statements include, but are not limited to, those statements using such words as “may,” “will,” “should,” “plan,” “expect,” “anticipate,” “estimate” and similar words, although some forward- looking statements are expressed differently. Sony cautions investors that a number of important risks and uncertainties could cause actual results to differ materially from those discussed in the forward-looking statements, and therefore investors should not place undue reliance on them. Investors also should not rely on any obligation of Sony to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise. -
Analisis Genre Film Action
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR PUSTAKA Buku Altman, R 1999, Film/genre, British Film Institute, London. Boggs, Joseph M 1992, Cara menilai sebuah film (The art of waching films). Yayasan Citra, Jakarta Bordwell, D & Thompson, K 2008, Film Art: An Introduction. New York, McGraww-Hill. Grant, B 2003, Genre, film, reader III. University of Texas Press, Texas Ida, R 2011, Metode penelitian kajian media dan budaya, Pusat Penerbitan dan Percetakan Unair (AUP), Surabaya. J. Henderson, B. Zimmerman, ed. 1993. Tragedy, Comedy and the Polis. Bari, Levante Editori. Kloker, Robert P 1998, Oxford Giuide To Film Studies, OUP Oxford, Oxford. Kristanto, J 2004, Nonton film nonton Indonesia, Kompas, Jakarta. Kristanto, J 2007, Katalog film Indonesia 1926-2007, Nalar, Jakarta. Lacey, Nick 2000, Narrative And Genre: Key Concept in Media Studies, Macmilan Press, London SKRIPSI ANALISISANALISIS GENRE GENRE FILM FILM ACTION: ... ... RIZKI FEBRIANA HARDI ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA Nowlan, B. 2001. Basic introduction to key concept: film and culture. Material of University of Wisconsin-Eau Claire O’Shaughnessy, Michael & Jane Stadler 2005, Media and society: an introduction third edition, Oxford University Press, Australia Pratista, H 2008, Memahami film, Homerian Pustaka, Yogyakarta. Propp, V.I.A 1969, Morphology of the folk tale. University of Texas Press, Texas Sen, Krishna & David T. Hill.2000, Media, Cultural dan Politics in Indonesia, Oxford University Press, Victoria Australia. Suwardi, H 2006, Kritik Sosial Dalam Film Komedi; Studi Kasus Tujuh Film Nya Abbas Akup , FFTV – IKJ Press, Jakarta Pusat. Stokes, J 2003, How To Do Media and Cultural Studies (Panduan untuk Melaksanakan Penelitian dalam Kajian Media dan Budaya), Bentang, Yogyakarta. -
AUDIO BOOKS, MOVIES & MUSIC 3 Quarter 2013 Reinert-Alumni
AUDIO BOOKS, MOVIES & MUSIC 3rd Quarter 2013 Reinert-Alumni Library Audio Books Brown, Daniel, 1951- The boys in the boat : [nine Americans and their epic quest for gold at the 1936 Berlin Olympics] / Daniel James Brown. This is the remarkable story of the University of Washington's 1936 eight-oar crew and their epic quest for an Olympic gold medal. The sons of loggers, shipyard workers, and farmers, the boys defeated elite rivals first from eastern and British universities and finally the German crew rowing for Adolf Hitler in the Olympic games in Berlin, 1936. GV791 .B844 2013AB Bradford, Barbara Taylor, 1933- Secrets from the past : a novel / Barbara Taylor Bradford. Moving from the hills above Nice to the canals and romance of Venice and the riot-filled streets of Libya, Secrets From The Past is a moving and emotional story of secrets, survival and love in its many guises. PS3552.R2147 S45 2013AB Deaver, Jeffery. The kill room / Jeffery Deaver. "It was a 'million-dollar bullet,' a sniper shot delivered from over a mile away. Its victim was no ordinary mark: he was a United States citizen, targeted by the United States government, and assassinated in the Bahamas. The nation's most renowned investigator and forensics expert, Lincoln Rhyme, is drafted to investigate. While his partner, Amelia Sachs, traces the victims steps in Manhattan, Rhyme leaves the city to pursue the sniper himself. As details of the case start to emerge, the pair discovers that not all is what it seems. When a deadly, knife-wielding assassin begins systematically eliminating all evidence-- including the witnesses-- Lincoln's investigation turns into a chilling battle of wits against a cold-blooded killer" -- containter. -
Review: 22 Jump Street | Nouse
Nouse Web Archives Review: 22 Jump Street Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals Review: 22 Jump Street Delivering more action, more gags and more homoeroticism makes this sequel as funny as the first. Kate Barlow reviews Sunday 22 June 2014 Director: Phil Lord, Christopher Miller Starring: Jonah Hill, Channing Tatum, Ice Cube Running time: 112 minutes Rating: ★★★★☆ One of the most endearing features of a comedy is an ability to take the piss out of itself. 22 Jump Street certainly isn’t lacking in this quality. Its prequel didn’t hold back in mocking its own origins in TV, and now the next instalment mocks itself for being a sequel. Twists are made on the original humour: high school is now college, Korean Jesus is now Vietnamese and the drugs are now much harder to find. While these frequent throwbacks do begin to get a little tiring, the plot soon builds up and the film begins to find a voice of its own. The problem with endlessly referencing 21 Jump Street is that it makes it hard not to compare the two films, and in this scenario the second offering inevitably comes up short. 22 Jump Street returns to the college popularity stereotypes the first film so successfully and originally fought against, seeing Jonah Hill’s Schmidt return as bumbling cop and social reject, and Channing Tatum’s Jenko rise to be football jock and cop hero, emerging as a sort of hench Spider-Man. -
Supplemental Information
Supplemental Information for the Consolidated Financial Results for the Third Quarter Ended December 31, 2017 2017 年度第 3 四半期連結業績補足資料 February 2, 2018 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Unit sales of key products 主要製品販売台数 3 ■ Sales to customers by geographic region (to external customers) 地域別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 4 ■ Amortization of film costs 繰延映画製作費の償却費 4 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費 4 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 4 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes accelerated depreciation expense) セグメント別構造改革費用 5 ■ Period-end foreign exchange rates 期末為替レート 5 ■ Inventory by segment セグメント別棚卸資産 5 ■ Film costs (balance) 繰延映画製作費(残高) 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Goodwill by segment セグメント別営業権 6 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 6 Music Segment Supplemental Information (English only) 7 ■ Recorded Music 7 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music projects - Noteworthly projects ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered Pictures Segment Supplemental Information (English only) 8 ■ Pictures Segment Aggregated U.S. Dollar Information 8 - Pictures segment sales and operating revenue and operating income (loss) - Sales by category and Motion Picture Revenue breakdown - Film costs breakdown ■ Motion Pictures 9 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. -
Eminem Interview Download
Eminem interview download LINK TO DOWNLOAD UPDATE 9/14 - PART 4 OUT NOW. Eminem sat down with Sway for an exclusive interview for his tenth studio album, Kamikaze. Stream/download Kamikaze HERE.. Part 4. Download eminem-interview mp3 – Lost In London (Hosted By DJ Exclusive) of Eminem - renuzap.podarokideal.ru Eminem X-Posed: The Interview Song Download- Listen Eminem X-Posed: The Interview MP3 song online free. Play Eminem X-Posed: The Interview album song MP3 by Eminem and download Eminem X-Posed: The Interview song on renuzap.podarokideal.ru 19 rows · Eminem Interview Title: date: source: Eminem, Back Issues (Cover Story) Interview: . 09/05/ · Lil Wayne has officially launched his own radio show on Apple’s Beats 1 channel. On Friday’s (May 8) episode of Young Money Radio, Tunechi and Eminem Author: VIBE Staff. 07/12/ · EMINEM: It was about having the right to stand up to oppression. I mean, that’s exactly what the people in the military and the people who have given their lives for this country have fought for—for everybody to have a voice and to protest injustices and speak out against shit that’s wrong. Eminem interview with BBC Radio 1 () Eminem interview with MTV () NY Rock interview with Eminem - "It's lonely at the top" () Spin Magazine interview with Eminem - "Chocolate on the inside" () Brian McCollum interview with Eminem - "Fame leaves sour aftertaste" () Eminem Interview with Music - "Oh Yes, It's Shady's Night. Eminem will host a three-hour-long special, “Music To Be Quarantined By”, Apr 28th Eminem StockX Collab To Benefit COVID Solidarity Response Fund. -
The 2014 Sony Hack and the Role of International Law
The 2014 Sony Hack and the Role of International Law Clare Sullivan* INTRODUCTION 2014 has been dubbed “the year of the hack” because of the number of hacks reported by the U.S. federal government and major U.S. corporations in busi- nesses ranging from retail to banking and communications. According to one report there were 1,541 incidents resulting in the breach of 1,023,108,267 records, a 78 percent increase in the number of personal data records compro- mised compared to 2013.1 However, the 2014 hack of Sony Pictures Entertain- ment Inc. (Sony) was unique in nature and in the way it was orchestrated and its effects. Based in Culver City, California, Sony is the movie making and entertain- ment unit of Sony Corporation of America,2 the U.S. arm of Japanese electron- ics company Sony Corporation.3 The hack, discovered in November 2014, did not follow the usual pattern of hackers attempting illicit activities against a business. It did not specifically target credit card and banking information, nor did the hackers appear to have the usual motive of personal financial gain. The nature of the wrong and the harm inflicted was more wide ranging and their motivation was apparently ideological. Identifying the source and nature of the wrong and harm is crucial for the allocation of legal consequences. Analysis of the wrong and the harm show that the 2014 Sony hack4 was more than a breach of privacy and a criminal act. If, as the United States maintains, the Democratic People’s Republic of Korea (herein- after North Korea) was behind the Sony hack, the incident is governed by international law. -
To Film Sound Maps: the Evolution of Live Tone’S Creative Alliance with Bong Joon-Ho
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Nottingham From ‘Screenwriting for Sound’ to Film Sound Maps: The Evolution of Live Tone’s Creative Alliance with Bong Joon-ho Nikki J. Y. Lee and Julian Stringer Abstract: In his article ‘Screenwriting for Sound’, Randy Thom makes a persuasive case that sound designers should be involved in film production ‘as early as the screenplay…early participation of sound can make a big difference’. Drawing on a critically neglected yet internationally significant example of a creative alliance between a director and post- production team, this article demonstrates that early participation happens in innovative ways in today’s globally competitive South Korean film industry. This key argument is presented through close analysis of the ongoing collaboration between Live Tone - the leading audio postproduction studio in South Korea – and internationally acclaimed director Bong Joon-ho, who has worked with the company on all six of his feature films to date. Their creative alliance has recently ventured into new and ambitious territory as audio studio and director have risen to the challenge of designing the sound for the two biggest films in Korean movie history, Snowpiercer and Okja. Both of these large-scale multi-language movies were planned at the screenplay stage via coordinated use of Live Tone’s singular development of ‘film sound maps’. It is this close and efficient interaction between audio company and client that has helped Bong and Live Tone bring to maturity their plans for the two films’ highly challenging soundscapes. -
CYMENE HOWE, Professor Anthropocene And
C YMENE H OWE, Professor D irector of Graduate Studies // D epartment of Anthropology Rice University // 6100 Main St. MS-2 0 // Houston TX 77005 [email protected] JUNE 2020 SPECIALIZATIONS Anthropocene and Climate Change; Environment and Energy; Anthropology of the Elements; More-than-Human Studies; Neomaterialisms; Feminisms and Queer Theory; Media and Social Movements; Experimental Ethnographic Forms; Collaborative Practice Latin America (Nicaragua, Mexico); United States; Arctic Region (Iceland, Greenland); Coastal “Lower Latitude” Cities (with proposed field sites in South Africa and United States). ACADEMIC APPOINTMENTS 2020 Professor. Department of Anthropology, Rice University 2014-2020 Associate Professor. Department of Anthropology, Rice University 2009-2014 Assistant Professor. Department of Anthropology, Rice University 2012-present Lecturer. Department of Anthropology and Graham School of Continuing and Professional Studies, University of Chicago 2007-2009 Assistant Professor. Department of Anthropology, American University 2005-2007 Postdoctoral Fellow. Department of Anthropology, Cornell University 2003-2005 Senior Researcher. National Sexuality Resource Center, San Francisco State University 2002 Lecturer. Department of Anthropology, San Francisco State University 1999-2000 Instructor. Women’s Studies Program, University of New Mexico ACADEMIC TRAINING 2005-2007 Postdoctoral Fellow, Department of Anthropology, Cornell University 2003 Ph.D., Cultural Anthropology, University of New Mexico. “Strategizing Sexualities, Reimagining -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Sony Pictures Classics and Stage 6 Films to Unleash the Raid 2
SONY PICTURES CLASSICS AND STAGE 6 FILMS TO UNLEASH THE RAID 2 NEW YORK (November 5, 2013) – Sony Pictures Classics and Stage 6 Films announced today that they will theatrically release THE RAID 2 in the United States. The highly-anticipated sequel to the action thriller THE RAID: REDEMPTION, the new film THE RAID 2 was once again written and directed by Gareth Evans. The film was produced by Ario Sagantoro for Merantau Films, and Aram Tertzakian and Nate Bolotin of XYZ Films. The film was executive produced by Rangga Maya Barack-Evans for Merantau Films, Irwan D. Mussry, and Nick Spicer and Todd Brown on behalf of XYZ. Matt Flannery (THE RAID: REDEMPTION) and Dimas Imam Subhono served as cinematographers with Joseph Trapanese (THE BOURNE LEGACY), Aria Prayogi (THE RAID: REDEMPTION) and Fajar Yuskemal (THE RAID: REDEMPTION) scoring the picture. THE RAID: REDEMPTION was released theatrically in March 2012 by Sony Pictures Classics to great success. Currently in post-production, THE RAID 2 picks up right where the first film left off and follows Rama (Iko Uwais) as he goes undercover and infiltrates the ranks of a ruthless Jakarta crime syndicate in order to protect his family and uncover the corruption in his own police force. ABOUT SONY PICTURES CLASSICS Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 31 Academy Awards® (27 of those at Sony Pictures Classics) and have garnered 135 Academy Award® nominations (109 at Sony Pictures Classics) including Best Picture nominations for AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON. -
Riche Productions Current Slate
Lafayette Pictures / RicheProductions Movies Previously Released from Lafayette Pictures - Riche Productions Movie World Wide Box Office Empire Records $273,188 Mousehunt $122,417,389 The Mod Squad $13,263,993 Deep Blue Sea $164,648,142 Duets $6,620, 242 The Family Man $124,745,083 Tomcats $23,430, 027 Starsky & Hutch $170,268,750 Bride Wars $114,663,461 Southpaw $71,553,328 - approximate to date – 3/12/17 The Legend of Tarzan $356,643,061 Total: $1,168,526,664 $1.1 Billion Dollars in Box Office Sales Project in Current Release: 1. SOUTHPAW: The Weinstein Company/Wanda - Logline: Father/daughter story set against the world of boxing. Think The Champ meets Raging Bull. - Elements: Screenplay by Kurt Sutter (Sons of Anarchy). Director Antoine Fuqua (Training Day, Olympus Has Fallen, The Equalizer), Stars Academy Award Nominated Jake Gyllenhaal (Nightcrawler, End of Watch), Academy Award Winner Forest Whitaker (The Last King of Scotland), Rachel McAdams (True Detective, Sherlock Holmes, Midnight in Paris), Tony Winner Oona Laurence (Matilda), 50 Cent. -Eminem produced and recorded two original songs and released soundtrack under Interscope/Shady Records. Additional Southpaw revenue streams will include soundtrack and merchandise income. -Currently in theaters both domestically and in foreign countries. Current Box Office Domestic and Early International release at 21 days in release is 57 million dollars. 2. TARZAN: Warner Bros. - Elements: Director David Yates (Harry Potter 4, 5, & 6) Screenplay by: Adam Cozad (Jack Ryan: The Shadow Recruit). Director David Yates (Harry Potter 4, 5, & 6) Stars: Alexander Skarsgard (True Blood), Margot Robbie (The Wolf of Wall Street), Academy Award Nominated Samuel L.