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- The Problem with White Hipness: Race, Gender, And
- Musicians in Trust: Argentina and the Globalization of Popular Music
- UNIVERSIDADE FEDERAL DE MINAS GERAIS “Sim, Sou Um Negro
- Writing on Jazz and Jazz Writing in Cortázar's “El Perseguidor”
- The Fact of Fiction: Race, Money, Gender, and Nation in American Modernism
- The Emergence of Bebop: Charlie Parker and His Historical Recordings 1944-1948
- Kenny Dorham & Leo Wright
- A Recepção Crítica De Orfeu Negro De Marcel Camus (1959-2008)
- Dizzy À La Mimi: Jazz, Text, and Translation
- To Be, Or Not... to Bop Free
- Bebop Founder Still Taking Fans to Dizzy Heights
- MTO 22.3: Givan, Rethinking Interaction
- “Bebop” As Afro-Modernist Discourse
- REVOLUTIONARY MUSIC: How Kansas City Jazz and Los Angeles Gangster Rap Redefined American Art
- Dizzy Gillespie Biography Mini-Unit
- Eric Porter. Dizzy Atmosphere: the Challenge of Bebop
- Becoming Sonny Rollins