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Tim Burstall
David Stratton's Stories of Australian Cinema
Don's Party
After the Ball David Williamson
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
Attack Force Z Head Credits
Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
The Cinema of Giorgio Mangiamele
Jill Bilcock: Dancing the Invisible
Introduction
Ozploitation Revisited: Not Quite Hollywood
Narrative Closures in Representations of Aboriginal Identity in Australian Cinema
Ned Kelly & the Movies 1906-2003
Literature Review
Cate Blanchett to Receive Australia's Highest Screen Award
David Stratton: a Cinematic Life
Representations of Troubled and Troubling Masculinities in Some Australian Films, 1991-2001
Films with Students, Teachers and Schooling Australia, 1920-2010
The Lost Cult of Wake in Fright by Julian Savage
Top View
Picnic at Hanging Rock (Peter Weir 1975)
An Overview of Aboriginal Representation on Film by Peter Krausz
The Longford Lyell Award
The Longford Lyell Award
History Sydney Film Festival
Six New Stories Tim Burstall's Film of DH Lawrence's
Representations of Indigenous Identity Within Australian Cinema
Graeme Blundell on Alvin Purple Graeme Blundell Introduces Alvin Purple at Big Screen, Darwin, 2008
This May Be the Author's Version of a Work That Was Submitted/Accepted
David Williamson Writer
Madman Cinema
'Leading That Liberates': Liz Jones and Leadership As Life/Work
DAVID WILLIAMSON's First Full-Length Play, the Coming of Stork
Yearinreview
Priscilla Producer, Al Clark, Awarded the Raymond Longford Award
The Kennedy Miller Method: a Half-Century of Australian Screen Production
AUSTRALIAN CINEMA Instead, We Have Two 'Centre' Tickets, the Students' Welfare Action Team, Oavid Stratton Called It the Last New Wave'