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Tareque Masud
A Case Study on Dhallywood Film Industry, Bangladesh
Representing Identity in Cinema: the Case of Selected
Tareque Masud's 9Th Death Anniversary Today
Annual Report 2011-2012
Talks / Events Film Talks / Events September October November December Spec
Masudur Rahman
British Art Studies September 2019 London, Asia, Exhibitions, Histories
Integration of Digital Technology in the Film Industry of Bangladesh: Readiness and Response Functions
MSS Dissertation on a Study on Film and Media Students' Perception
Music and Art in Tareque and Catherine Masud's Film Muktir Gaan
Abstract Chapter 9: Negotiating Identity: Islam in the Films of Tareque and Catherine Masud Juditha Ohlmacher, University Of
Mel Bochner, Giuseppe Penone, Maurizio Cattelan, Matt Stokes Autumn 2012
Simulation in the Afternoon: a "Documentary" Faces Evidence Quest1
Hoek BAS 2019 Journeyingthr
A Compendium of Bangladesh References in Western Media/Pop Culture
Documentary” in the SAGE Publications Sagepub.In/Home.Nav Field of Evidence Quest DOI: 10.1177/0974927616635933
Bengali Political Cinema: Protest and Social Transformation
A Representation Analysis on 'Adam Surot' (The Inner Strength)
Top View
Screening War: Gender, Sexuality and Nationhood in Cinematic Representation of Liberation War in Bangladesh
ANNUAL HUMAN RIGHTS REPORT 2014 CONTENTS Contents
EWUCRT Working Paper-17
Diasporic Responses to Partition in Bengal
Curriculum Vitae
Matir Moina (The Clay Bird)
Road Safety in Bangladesh Ground Realities and Action Imperatives
Department of Sociology Faculty of Social Sciences South Asian University
Evolution of Nationalism and Birth of Bangladesh
Dhaka Art Summit Seismic Movements স ারণ 7–15 February 2020
War and Art: from Muktir Gan to Muktir Kotha – a Historical Appraisal Sarbasree Bandyopadhyay
Bangladesh on the Big Screen REMEMBERING FILMMAKER TAREQUE MASUD
A Documentary Film by Cathy Stevulak USA-Canada-Bangladesh (29:59)