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A Case Study on Dhallywood Film Industry, Bangladesh
Research Article, ISSN 2304-2613 (Print); ISSN 2305-8730 (Online) Determinants of Watching a Film: A Case Study on Dhallywood Film Industry, Bangladesh Mst. Farjana Easmin1, Afjal Hossain2*, Anup Kumar Mandal3 1Lecturer, Department of History, Shahid Ziaur Rahman Degree College, Shaheberhat, Barisal, BANGLADESH 2Associate Professor, Department of Marketing, Patuakhali Science and Technology University, Dumki, Patuakhali-8602, BANGLADESH 3Assistant Professor, Department of Economics and Sociology, Patuakhali Science and Technology University, Dumki, Patuakhali-8602, BANGLADESH *E-mail for correspondence: [email protected] https://doi.org/10.18034/abr.v8i3.164 ABSTRACT The purpose of the study is to classify the different factors influencing the success of a Bengali film, and in this regard, a total sample of 296 respondents has been interviewed through a structured questionnaire. To test the study, Pearson’s product moment correlation, ANOVA and KMO statistic has been used and factor analysis is used to group the factors needed to develop for producing a successful film. The study reveals that the first factor (named convenient factor) is the most important factor for producing a film as well as to grab the attention of the audiences by 92% and competitive advantage by 71%, uniqueness by 81%, supports by 64%, features by 53%, quality of the film by 77% are next consideration consecutively according to the general people perception. The implication of the study is that the film makers and promoters should consider the factors properly for watching more films of the Dhallywood industry in relation to the foreign films especially Hindi, Tamil and English. The government can also take the initiative for the betterment of the industry through proper governance and subsidize if possible. -
Representing Identity in Cinema: the Case of Selected
REPRESENTING IDENTITY IN CINEMA: THE CASE OF SELECTED INDEPENDENT FILMS OF BANGLADESH By MD. FAHMIDUL HOQUE Thesis submitted in fulfillment of the requirement For the degree of Doctor of Philosophy June 2010 ACKNOWLEDGEMENT I must acknowledge first and offer my gratitude to my supervisor, Dr. Shanthi Balraj, Associate Professor, School of Arts, Universiti Sains Malaysia (USM), whose sincere and sensible supervision has elevated the study to a standard and ensured its completion in time. I must thank the Dean and Deputy Dean of School of Arts, USM who have taken necessary official steps to examining the thesis. I should thank the Dean of Institute of Post-graduate Studies (IPS) and officials of IPS who have provided necessary support towards the completion of my degree. I want to thank film directors of Bangladesh – Tareque Masud, Tanvir Mokammel, Morshedul Islam, Abu Sayeed – on whose films I have worked in this study and who gave me their valuable time for the in-depth interviews. I got special cooperation from the directors Tareque Masud and Catherine Masud who provided enormous information, interpretation and suggestions for this study through interview. Tanvir Mokammel was very kind to provide many materials directly related to the study. I must mention the suggestions and additional guidance by film scholar Zakir Hossain Raju who especially helped me a lot. His personal interest to my project was valuable to me. It is inevitably true that if I could not get the support from my wife Rifat Fatima, this thesis might not be completed. She was so kind to interrupt her career in Dhaka, came along with me to Malaysia and gave continuous support to complete the research. -
Tareque Masud's 9Th Death Anniversary Today
https://en.prothomalo.com/bangladesh/tareque-masuds-9th-death-anniversary-today Tareque Masud's 9th death anniversary today UNB Published: 13 August 2020, 13:54 Thursday marks the 9th death anniversary of late filmmaker Tareque Masud, a marquee storyteller known for his majestic creations and garnered critical applause from home and beyond during his lifetime. The short-lived genius died along with media personality Ashfaque Munier Mishuk (popularly known as Mishuk Munier), film production crews Wasim and Jamal and microbus driver Mostafizur Rahman in a fatal road crash on Dhaka-Aricha highway in Ghior Upazila of Manikganj on 13 August 2011 - while returning from the shooting set of his unfinished film 'Kagojer Phul'. Several organisations had been observing this day in remembrance of Tareque and Mishuk with different programmes in the past, which had to put on a halt this year due to the ongoing global pandemic. However, the day is being observed this year through various programmes adopting the new normalcy of virtual events. Tareque Masud Memorial Trust and Moviyana Film Society have jointly organised a two-day programme on Wednesday with an online discussion. Tareque's widow and American-born producer-director Catherine Masud joined the event with film researcher professor Fahmidul Haq, journalist Asif Munir, filmmaker Proshun Rahman, Moviyana Film Society president Belayet Hossain Mamun and others. The organisers will continue the two-day programme through arranging a discussion and candle- light vigil in memory of Tareque Masud and Mishuk Munier at TSC of Dhaka University on Thursday evening. Catherine will also join Bangladesh Legal Aid Services and Trust (BLAST) and Tort Law Project Bangladesh's joint webinar titled 'Accountability for Road Crashes: Compensation under the Road Transport Act 2018' on Thursday at 8:00pm which will be broadcasted live from BLAST’s official Facebook page. -
Annual Report 2011-2012
Annual Report IND I A INTERNAT I ONAL CENTRE 2011-2012 IND I A INTERNAT I ONAL CENTRE New Delhi Board of Trustees Mr. Soli J. Sorabjee, President Justice (Retd.) Shri B.N. Srikrishna (w. e. f. 1st January, 2012) Mr. Suresh Kumar Neotia Professor M.G.K. Menon Mr. Rajiv Mehrishi Dr. (Mrs.) Kapila Vatsyayan Dr. Kavita A. Sharma, Director Mr. N. N. Vohra Executive Members Dr. Kavita A. Sharma, Director Mr. Kisan Mehta Mr. Najeeb Jung Dr. (Ms.) Sukrita Paul Kumar Dr. U.D. Choubey Cmde. (Retd.) Ravinder Datta, Secretary Lt. Gen. V.R. Raghavan Mr. P.R. Sivasubramanian, Hony. Treasurer Mrs. Meera Bhatia Finance Committee Justice (Retd.) Mr. B.N. Srikrishna, Dr. Kavita A. Sharma, Director Chairman Mr. P.R. Sivasubramanian, Hony. Treasurer Mr. M. Damodaran Cmde. (Retd.) Ravinder Datta, Secretary Lt. Gen. (Retd.) V.R. Raghavan Mr. Jnan Prakash, Chief Finance Officer Medical Consultants Dr. K.P. Mathur Dr. Rita Mohan Dr. K.A. Ramachandran Dr. B. Chakravorty Dr. Mohammad Qasim IIC Senior Staff Ms. Premola Ghose, Chief Programme Division Mr. Vijay Kumar Thukral, Executive Chef Mr. Arun Potdar, Chief Maintenance Division Mr. A.L. Rawal, Dy. General Manager (Catering) Ms. Omita Goyal, Chief Editor Mr. Inder Butalia, Sr. Finance and Accounts Officer Dr. S. Majumdar, Chief Librarian Ms. Madhu Gupta, Dy. General Manager (Hostel/House Keeping) Mr. Amod K. Dalela, Administration Officer Ms. Seema Kohli, Membership Officer (w. e. f. August 2011) Annual Report 2011-2012 As always, it is a privilege to present the 51th Annual Report of the India International Centre for the year commencing 1 February 2011 and ending 31 January 2012. -
Masudur Rahman
Masudur Rahman Riyad Villa, 110/A, Dampara, Lane 1, Mohammad Ali Road, Chattogram, Bangladesh Mobile Phone / WhatsApp: +8801682872271; Email: [email protected] EDUCATION MA in English, University of Chittagong, 2009 BA with Honors in English, University of Chittagong, 2008 Post Graduate Certificate Course on Film Direction, National Institute of Mass Communication, Ministry of Information, Dhaka, Bangladesh, 2010 PROFESSIONAL TRAININGS 6-Month Acting Course; Trainer: Ashim Das, Director, FAME School of Dance Drama and Music, and Former Chairman, Department of Drama and Dramatics, University of Chittagong. (2005) 6-Month Theatre Design Course; Trainer: Ashim Das, Director, FAME School of Dance, Drama and Music, and Former Chairman, Department of Drama and Dramatics, University of Chittagong. (2011) 9-Day Workshop on Set, Light and Costume Design; Theatre Institute, Chittagong. (2007) Certificate Course on Screenwriting; University of East Anglia, UK (2017) Workshop on Documentary Filmmaking; Auroville Film Institute, India (2020) Workshop on Application of Sound in Film and Television; Satyajit Ray Film & Television Institute, India (2020) Workshop on Digital Cinematography; Trainer, Cinematographer Mr. Pankaj Pulit. (2012) Participated in three pantomime workshops; Trainers: Partha Pratim Majumder, Zillur Rahman John, and Qazi Moshurul Huda. CURRENT POSITION Instructor and Coordinator, Performing Arts, Asian University for Women, Chattogram: (from 2017 to till date) Key Responsibilities: Teaching Performing Arts courses; Coordinating the Performing Arts program; Leading PA activities; Supervising the Digital Media Hub; Advising a group of students on academic matters; and Member of the Academic Council. Courses Taught (4-Credit Bachelor Courses): 1. Acting (on camera and stage) 2. Pantomime 3. Public Speaking 4. Fiction Filmmaking 5. Documentary Filmmaking Experienced in teaching both face-to-face and online courses. -
British Art Studies September 2019 London, Asia, Exhibitions, Histories
British Art Studies September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner British Art Studies Issue 13, published 30 September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner Cover image: Rubber shavings made during Bettina Fung's performance of "Towards All or Nothing (In Memory of Li Yuan-chia)" at Manchester Art Gallery, 6 March 2019.. Digital image courtesy of Bettina Fung. PDF generated on 2 February 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London, Lotte Hoek and Sanjukta Sunderason Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London Lotte Hoek and Sanjukta Sunderason Abstract This article explores the journeys of two key twentieth-century artists from East Pakistan—Zainul Abedin and S.M. -
Integration of Digital Technology in the Film Industry of Bangladesh: Readiness and Response Functions
Integration of Digital Technology in the Film Industry of Bangladesh: Readiness and Response Functions Thesis submitted to the Faculty of Humanities, University of Manchester As part of the requirement for the DEGREE OF DOCTOR OF PHILOSOPHY 2012 Muhammad S Ahsan School of Arts, Histories and Cultures Department of Drama 2 Contents Contents .................................................................................................................................................. 2 List of Diagrams ..................................................................................................................................... 5 List of Tables ......................................................................................................................... 6 List of Abbreviations ............................................................................................................. 7 Abstract ................................................................................................................................................. 10 Declaration ........................................................................................................................... 11 Copyright Statement ............................................................................................................ 12 Acknowledgements .............................................................................................................. 13 Chapter 1: Introduction ........................................................................................................................ -
Mumbai International Film Festival 2018 Cover
CONTENTS Foreword 3 Messages 5 Juries 11 Competition International 17 Competition National 43 Prism International 87 Prism National 109 Best of Fest 133 Retrospective 143 Homage 169 Special Package 181 Student Films 299 Masterclass, Interactive Session, Panel Descussion, Workshop 315 Special Screenings 322 Selection Committee 332 Organising Committee 334 Index of Films 337 FILMS th DIVISION Presents 15 MUMBAI INTERNATIONAL FILM FESTIVAL DOCUMENTARY I SHORT I ANIMATION With the support of GOVERNMENT OF MAHARASHTRA 28th JANUARY TO 3rd FEBRUARY 2018 At: Films Division Theatres Russian Centre for Science & Culture 24, Dr. G Deshmukh Marg, Mumbai & 31-A, Dr. G Deshmukh Marg, Mumbai Festival Director MANISH DESAI Chief Coordinator Programming Team SWATI PANDEY V. PACKIRISAMY PREMRAJ RAJAGOPALAN Festival Coordinator M. CHELLAPANDIAN ANIL KUMAR N. PRAMOD PATIL Publication Unit Head Design coordinator, Cover page R. K. CHANDEL ASHISH DAS, ANKIT MEHROTRA & TEAM Festival Cell Layout Artist PRAKASH S. BODAS & HIS TEAM DNYANESH Patil (Uchitha) Editor SANJAY Wadhwa Films Division Designed, Processed and Printed at 24, Dr. G. Deshmukh Marg Uchitha Graphic Printers Pvt. Ltd. Mumbai 400026 65, Ideal Industrial Estate Tel: 022-23513176 Mathuradas Mills Compound E: [email protected] Senapati Bapat Marg, Lower Parel W: www.miff.in Mumbai - 400013, India W: www.filmsdivision.org Tel: 9122 4033 6400 Copyright: Director, MIFF 2018 FOREWORD he much-awaited 15th Mumbai International Film Festival relevant and important do not go unnoticed. It is here that MIFF (MIFF 2018) is finally here with more energy and passion stands out and hence has established itself as one of the top Tto deliver the best to all our participants. -
SONG CODE and Send to 4000 to Set a Song As Your Welcome Tune
Type WT<space>SONG CODE and send to 4000 to set a song as your Welcome Tune Song Name Song Code Artist/Movie/Album Aaj Apchaa Raate 5631 Anindya N Upal Ami Pathbhola Ek Pathik Esechhi 5633 Hemanta Mukherjee N Asha Bhosle Andhakarer Pare 5634 Somlata Acharyya Chowdhury Ashaa Jaoa 5635 Boney Chakravarty Auld Lang Syne And Purano Sei Diner Katha 5636 Shano Banerji N Subhajit Mukherjee Badrakto 5637 Rupam Islam Bak Bak Bakam Bakam 5638 Priya Bhattacharya N Chorus Bhalobese Diganta Diyechho 5639 Hemanta Mukherjee N Asha Bhosle Bhootader Bechitranusthan 56310 Dola Ganguli Parama Banerjee Shano Banerji N Aneek Dutta Bhooter Bhobishyot 56312 Rupankar Bagchi Bhooter Bhobishyot karaoke Track 56311 Instrumental Brishti 56313 Anjan Dutt N Somlata Acharyya Chowdhury Bum Bum Chika Bum 56315 Shamik Sinha n sumit Samaddar Bum Bum Chika Bum karaoke Track 56314 Instrumental Chalo Jai 56316 Somlata Acharyya Chowdhury Chena Chena 56317 Zubeen Garg N Anindita Chena Shona Prithibita 56318 Nachiketa Chakraborty Deep Jwele Oi Tara 56319 Asha Bhosle Dekhlam Dekhar Par 56320 Javed Ali N Anwesha Dutta Gupta Ei To Aami Club Kolkata Mix 56321 Rupam Islam Ei To Aami One 56322 Rupam Islam Ei To Aami Three 56323 Rupam Islam Ei To Aami Two 56324 Rupam Islam Ek Jhatkay Baba Ma Raji 56325 Shaan n mahalakshmi Iyer Ekali Biral Niral Shayane 56326 Asha Bhosle Ekla Anek Door 56327 Somlata Acharyya Chowdhury Gaanola 56328 Kabir Suman Hate Tomar Kaita Rekha 56329 Boney Chakravarty Jagorane Jay Bibhabori 56330 Kabir Suman Anjan Dutt N Somlata Acharyya Chowdhury Jatiswar 56361 -
MSS Dissertation on a Study on Film and Media Students' Perception
A Study on Film and Media students’ perception towards Bangladeshi Cinema MSS Dissertation on A Study on Film and Media students’ perception towards Bangladeshi Cinema Supervised by Dr. Towfique E Elahi Assistant Professor, Department of Journalism and Mass Communication Daffodil International University (DIU) Submitted by Rezwana Sarker ID: 181-28-264 Department of Journalism and Mass Communication Daffodil International University (DIU) DATE OF SUBMISSION September 08, 2019 ©Daffodil International University i | P a g e A Study on Film and Media students’ perception towards Bangladeshi Cinema Letter of Approval September 08, 2019 Dr. Md. Towfique-E-Elahi Assistant Professor, Department of Journalism and Mass Communication Daffodil International University 4/2, Sobhanbag, Dhaka 1207 Sub: Application for thesis report submission approval. Dear Sir, I have conducted a thesis entitled ‘A Study on Film and Media students’ perception towards Bangladeshi Cinema’ as a course requirement in my post-graduation. I have tried my level best to work sincerely to cover all aspects regarding the matter which I have been assigned. I believe that this thesis has enriched both my knowledge and experience. I hope you will assess my report considering the limitations of the study. I shall be highly grateful if you kindly accept my thesis. Your kind approval is solicited. Sincerely yours, Rezwana Sarker ID: 181-28-264 Department of Journalism and Mass Communication Faculty of Humanities and social science Daffodil International University. ©Daffodil International University ii | P a g e A Study on Film and Media students’ perception towards Bangladeshi Cinema Certificate of Approval This is to certify that Rezwana Sarker (ID: 181-28-264) has done her Master’s thesis entitled A Study on Film and Media students’ perception towards Bangladeshi Cinema under my supervision and guidance. -
Music and Art in Tareque and Catherine Masud's Film Muktir Gaan
Music and Art in Tareque and Catherine Masud’s Film Muktir Gaan By Rehnuma Sazzad Spring 2013 Issue of KINEMA THE ROLE OF MUSIC AND ART IN TAREQUE AND CATHERINE MASUD’S FILM MUKTIR GAAN The Bangladeshi documentary Muktir Gaan (Song of Freedom)(1) by Tareque & Catherine Masud earned international recognition as did the directors’ autobiographical Maatir Moyna (Clay Bird).(2) The statement of the juries of Film South Asia ’97 reads: ’For its powerful recreation of the euphoria of an event long forgotten by the world, the Jury would like to make a Special Mention of the film Muktir Gaan by Tareque and Catherine Masud.’(3) The euphoria of victory brought by Bangladesh’s Liberation War against Pakistan in 1971 was an event of profound political significance. The author aims to shed light on the form ofrealism the documentary presents, which is enhanced by its remarkable use of music and cinematic techniques. The discussion also brings out the question of cultural resistance of the Bengalis in what was East Pakistan, struggling against the authority of West Pakistan during the 1970s and prior to that period. The documentary came into being as a result of a chain of coincidences. Through a chance encounter that led to the directors’ discovery of Tariq Ali, a member of an artistic group (seen in Figure 1) that took part in the war through music and art, the Masuds were encouraged to search for Lear Levin, the American filmmaker and photographer whose footage the documentary is based on. Interestingly enough, one of Tareque Masud’s cousins, Mahmoodur Rahman (Benu), was a friend of Ali and also part of the ensemble to which Levin got attached in 1971. -
Abstract Chapter 9: Negotiating Identity: Islam in the Films of Tareque and Catherine Masud Juditha Ohlmacher, University Of
Abstract Chapter 9: Negotiating Identity: Islam in the Films of Tareque and Catherine Masud Juditha Ohlmacher, University of Liberal Arts Bangladesh; and Anis Pervez The films of Tareque and Catherine Masud provide remarkable insight into the contemporary social and political formation of Bangladesh. This paper will investigate how they explore, through their films, a number of important issues at the core of the problems confronting Bangladesh, its history and its future. The primary focus will be how Islam is depicted as a constituent of identity in Bangladeshi society in the films because it is our view that an understanding of this crucial element in representing Bangladeshi identity is at the heart of their films. More specifically, it will aim to elucidate how Tareque and Catherine Masud — a husband-and-wife filmmaking team — have portrayed Bangladeshi Muslims in their feature films The Clay Bird/Matir Moina (2002) and Runway (2010). These films portray the multivocality of Bangladeshi Islam and its corresponding effect on life and politics; whereas other films tend to depict Islam from a critical perspective that is also often narrow in scope. It is our contention that the filmmakers are creating a new space for dialogue on the Bangladeshi Islamic identity through their films. These films were selected for discussion because both explicitly deal with issues related to Islam, whereas the Masud’s other feature films, Ontorjatra/Homeland (2007) and Noroshundor/The Barbershop (2009), do not overtly address Islamic identity. It is our contention that The Clay Bird and Runway present a more nuanced view of Islam, and thus the social and political realities in Bangladesh than other films do, whether mainstream or independent.