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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
Experiences of Millennials' Usage of the Cassette Tape As Music Media
Metal for the Masses”: Or, Will Metal Ever Be Mainstream Again? (And Why We Should Want It to Be...)
31295017082362.Pdf (961.5Kb)
Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
Paranoize Zine
The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing
Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream
Slow and Fast Music Media: Comparing Values of Cassettes and Playlists by Jörgen Skågeby
Bootleg Sound Recordings Enjoy the Benefits of Improving Technology David Schwartz Indiana University School of Law
Chapter 7 Chapter 7
Bootleg: the Secret History of the Other Recording Industry
Affective Intensities In, and Between, Australia's and Japan's Grindcore Scenes
Blacker Than Death: Recollecting the “Black Turn” in Metal Aesthetics Ian Reyes University of Rhode Island,
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Jamband Tape-Trading Culture
TERMS of SALE This Material Is Offered En Bloc for $40,000 and Is Subject to Prior Sale
Cassette Tape: the B Side of Repurposing Culture and the Anti- Capitalist Local Art Movement in Gainesville, Florida
Cassette Culture 2.0: on How the Cassette Prevails in the Digital Age
Top View
Why Collect Heavy Metal?
Tapes, Transgression and Mundanity: the Participatory Engenderment of Death Metal and Grindcore
The Treatment of Women in Black Metal, Death Metal, Doom Metal, and Grindcore
Cassette Culture 2.0: on How the Cassette Prevails in the Digital Age
From Thrash to Cash: Forging and Legitimizing Dutch Metal
Unlocking the Paradox of Christian Metal Music
Metal for the Masses: How Indie Metal Labels Have Adapted for the Digital Era
Choosing Death: the Improbable History of Death Metal & Grindcore Pdf, Epub, Ebook
Copyright by Toni Maria Stickler 2018
Than Movies: Social Formations in Informal Networks of Media Sharing
Affective Intensities in Extreme Music Scenes
Heavy Metal and Globalization Reception Study on the Metal Community in the Global South
Bootleg Sound Recordings Enjoy the Benefits of Improving Technology
Cassette Tape 2.0 Media Plasticity in Underground Music Networks
2010 Diplomarbeit LUKAS MACK
Reed First Pages