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Stanley Kwan
The New Hong Kong Cinema and the "Déjà Disparu" Author(S): Ackbar Abbas Source: Discourse, Vol
Cheung, Leslie (1956-2003) by Linda Rapp
1 Comrade China on the Big Screen
Chinese Filmmakers in the United States Wimal Dissanayake
Award-Winning Hong Kong Film Gallants to Premiere at Hong Kong
Hong Kong PUBLIC WORLDS
1 “Ann Hui's Allegorical Cinema” Jessica Siu-Yin Yeung to Cite This
UC Irvine UC Irvine Previously Published Works
Migration, Memory, and Hong Kong: As a ‘Space of Transit’ in Clara Law’S Autumn Moon by Tony Mitchell
Download Here
Coversheet for Thesis in Sussex Research Online
Female Subjectivity, Left-Wing Films, and the Representation Of
Imports Get to the Core of Local Tastes US, Taiwanese and Even Indian Titles Overshadowed Hong Kong Fare at Its Home Box Office in 2011
Chang Chen - Biography
Lgbt Culture in Hong Kong
China, Hong Kong, and Taiwan: The
1 Yesterday Once More: Hong Kong-China Coproductions and The
Undercurrents Sexuality Studies Series
Top View
Cinematic Hong Kong of Wong Kar-Wai
Bibliography of Chinese Cinema Jerome Silbergeld, Wei Yang Princeton University, Department of Art and Archaeology
Hong Kong & Singapore 1997
Hong Kong Film by Andrew Grossman
Gina Marchetti Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong
Vanguards of Modernity: David Eng Considers the Queer Space Of
Ashes of Time Redux
Press Contact Michael Krause | Foundry Communications | (212) 586-7967 |
[email protected]
In Search of Laughter in Maoist China: Chinese Comedy Film 1949-1966
1 Post-Handover Hong Kong Cinema Interviews with Stanley Kwan
Cepa and Hong Kong Film
Ji Sor (1997): Self-Realization of Women in Cinema and in History Tong (Hilary) Lin Claremont Mckenna College
Transnational Chinese Cinema: Identity, Nationhood, Gender, Ed
Excess and Masculinity in Asian Cultural Productions
The Dragon and the Crown : Hong Kong Memoirs
Identity in Chinese Film: Conflict, Transformation, and the Virtual
Queer Representations in Chinese-Language Film and the Cultural Landscape
Hong Kong: Communicating 1997 and Beyond Through Film Author(S)
Yiran Ai-Poster
The Emotional Cinema of Wong Kar-Wai Viktoriia Protsenko
Chinese Cinema
Film Works by Edward Yang
SH/FILM 370 Contemporary Chinese Cinema
Hong Kong Screenscapes from the New Wave to the Digital Frontier
Hong Kong Film Policy
In These Early Years of the New Millennium, When Asian Film Action
MADE in HONG KONG This Season of Asia and the Pacific Screens Presents a Selection of Films Showcasing Hong Kong’S New Wave Cinema and Its Legacies
Global Queer Cinema