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Squirm
The Speed of the VCR
The Picture of Abjection: Film, Fetish, and the Nature of Difference
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
Here We Are on the 200Th Anniversary of His Classic Story, Celebrating His Legacy of Artistic Inspiration and Achievement at the Nexus of the Tale Itself
The Colored Pill: a History Film Performance Exposing Race Based Medicines
Kvarterakademisk
Alexandra Heller-Nicholas
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
MOTHER FEELS BEST: MOBILIZING NEGATIVE MATERNAL AFFECT AS POSTFEMINIST CRITIQUE in CONTEMPORARY HORROR CINEMA by Amanda Greer Ho
Starlog Magazine
Proquest Dissertations
Slasher Films and Self-Harm: a Relationship of Self-Hatred and Trauma
About Anthology FILM Archives
Cultural Borrowings: Appropriation, Reworking, Transformation
The Loft Cinema Film Guide
'Scream Into Your Phone': Second Screen Horror and Controlled
'Why Wouldn't the Wilderness Fight Us?' American Eco-Horror and The
The First Run Market and the Prestige Horror Film in the Early 1960S
Top View
Women, Theory and Horror Film
The Structures of the Film Experience by Jean-Pierre Meunier Film Theory in Media History
The Village Voice Film Guide
A Study of Alfred Hitchcock's Manipulation of His
