The Loft Cinema Film Guide
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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
SIMONE GODANO Qualunque Sia La Tua Idea Di Famiglia, Ne Avrai Sempre Bisogno
WARNER BROS. PICTURES PRESENTA UNA PRODUZIONE WARNER BROS. ENTERTAINMENT ITALIA PICOMEDIA E GROENLANDIA ALESSANDRO JASMINE FABRIZIO FILIPPO GASSMANN TRINCA BENTIVOGLIO SCICCHITANO Cf:3. e IZIO REGIA DI SIMONE GODANO Qualunque sia la tua idea di famiglia, ne avrai sempre bisogno. DAL28FEBBRAIO AL CINEMA IlCROCEEDELIZIAILFILM #CROCEEDELIZIA :i< PICOMEDIA ®GROENLANDIA ,��-c-.., o,... .. BmG ----WARNERBROS.l'ICTURliS�--� WARNER BROS. PICTURES presenta regia di SIMONE GODANO con ALESSANDRO GASSMANN, JASMINE TRINCA, FABRIZIO BENTIVOGLIO, FILIPPO SCICCHITANO, LUNETTA SAVINO con la partecipazione di ANNA GALIENA con ROSA DILETTA ROSSI, CLARA PONSOT una produzione WARNER BROS. ENTERTAINMENT ITALIA, PICOMEDIA e GROENLANDIA prodotto da MATTEO ROVERE e ROBERTO SESSA Data di uscita: 28 Febbraio 2019 Distribuito da Croce e Delizia CAST ARTISTICO ALESSANDRO GASSMANN CARLO JASMINE TRINCA PENELOPE FABRIZIO BENTIVOGLIO TONY FILIPPO SCICCHITANO SANDRO LUNETTA SAVINO IDA ANNA GALIENA GIULIETTA ROSA DILETTA ROSSI CAROLINA CLARA PONSOT OLIVIA GIANDOMENICO CUPAIUOLO GIANLUCONE Crediti non contrattuali 2 Croce e Delizia CAST TECNICO REGIA DI SIMONE GODANO SOGGETTO GIULIA STEIGERWALT SIMONE GODANO SCENEGGIATURA GIULIA STEIGERWALT AIUTO REGIA FABRIZIO PROCACCINI FOTOGRAFIA DANIELE CIPRÌ MONTAGGIO GIANNI VEZZOSI MUSICHE ANDREA FARRI SUONO ANGELO BONANNI SCENOGRAFIA TONINO ZERA COSTUMI MONICA GAETANI CASTING SARA CASANI (U.I.C.D) ORGANIZZATORE GENERALE PAOLO LUCARINI PRODOTTO DA MATTEO ROVERE ROBERTO SESSA UNA PRODUZIONE WARNER BROS.ENTERTAINMENT ITALIA PICOMEDIA GROENLANDIA DISTRIBUITO DA WARNER BROS. PICTURES ANNO 2019 DURATA 100’ Crediti non contrattuali 3 Croce e Delizia SINOSSI I Castelvecchio sono una famiglia di eccentrici, hanno una mentalità aperta, ma sono narcisisti e disuniti. I Petagna sono tutto l’opposto: gente molto affiatata, di estrazione sociale più umile, dai valori tradizionali ma conservatori. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
The Speed of the VCR
Edinburgh Research Explorer The speed of the VCR Citation for published version: Davis, G 2018, 'The speed of the VCR: Ti West's slow horror', Screen, vol. 59, no. 1, pp. 41-58. https://doi.org/10.1093/screen/hjy003 Digital Object Identifier (DOI): 10.1093/screen/hjy003 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Screen Publisher Rights Statement: This is a pre-copyedited, author-produced PDF of an article accepted for publication in Screen following peer review. The version of record Glyn Davis; The speed of the VCR: Ti West’s slow horror, Screen, Volume 59, Issue 1, 1 March 2018, Pages 41–58 is available online at: https://doi.org/10.1093/screen/hjy003. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 The speed of the VCR: Ti West’s slow horror GLYN DAVIS In Ti West’s horror film The House of the Devil (2009), Samantha (Jocelin Donahue), a college student short of cash, takes on a babysitting job. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Columbia Filmcolumbia Is Grateful to the Following Sponsors for Their Generous Support
O C T O B E R 1 8 – 2 7 , 2 0 1 9 20 TH ANNIVERSARY FILM COLUMBIA FILMCOLUMBIA IS GRATEFUL TO THE FOLLOWING SPONSORS FOR THEIR GENEROUS SUPPORT BENEFACTOR EXECUTIVE PRODUCERS 20 TH PRODUCERS FILM COLUMBIA FESTIVAL SPONSORS MEDIA PARTNERS OCTOBER 18–27, 2019 | CHATHAM, NEW YORK Programs of the Crandell Theatre are made possible by the New York State Council on the Arts with the support of Gov. Andrew Cuomo and the New York filmcolumbia.org State Legislature. 5 VENUES AND SCHEDULE 9 CRANDELL THEATRE VENUES AND SCHEDULE 11 20th FILMCOLUMBIA CRANDELL THEATRE 48 Main Street, Chatham 13 THE FILMS á Friday, October 18 56 PERSONNEL 1:00pm ADAM (page 15) 56 DONORS 4:00pm THE ICE STORM (page 15) á Saturday, October 19 74 ORDER TICKETS 12:00 noon DRIVEWAYS (page 16) 2:30pm CROUCHING TIGER, HIDDEN DRAGON (page 17) á Sunday, October 20 11:00am QUEEN OF HEARTS: AUDREY FLACK (page 18) 1:00pm GIVE ME LIBERTY (page 18 3:30pm THE VAST OF NIGHT (page 19) 5:30pm ZOMBI CHILD (page 19) 7:30pm FRANKIE + DESIGN IN MIND: ON LOCATION WITH JAMES IVORY (short) (page 20) á Monday, October 21 11:30am THE TROUBLE WITH YOU (page 21) 1:30pm SYNONYMS (page 21) 4:00pm VARDA BY AGNÈS (page 22) 6:30pm SORRY WE MISSED YOU (page 22) 8:30pm PARASITE (page 23) á Tuesday, October 22 12:00 noon ICE ON FIRE (page 24) 2:00pm SOUTH MOUNTAIN (page 24) 4:00pm CUNNINGHAM (page 25) 6:00pm THE CHAMBERMAID (page 26) 8:15pm THE SONG OF NAMES (page 27) á Wednesday, October 23 11:30am SEW THE WINTER TO MY SKIN (page 28) 2:00pm MICKEY AND THE BEAR (page 28) 3:45pm CLEMENCY (page 29) 6:00pm -
Una Famiglia Perfetta
Una Famiglia Perfetta Regia: Paolo Genovese Sceneggiatura: Paolo Genovese, Fernando León de Aranoa, Marco Alessi Interpreti: Sergio Castellitto: Leone Claudia Gerini: Carmen Carolina Crescentini: Sole Marco Giallini: Fortunato Ilaria Occhini: Rosa Eugenia Costantini: Luna Eugenio Franceschini: Pietro Francesca Neri: Alicia Distribuzione: Medusa Film Durata: 120’ Origine: Italia, 2012 Il regista – Paolo Genovese Nato a Roma nel 1966, è laureato in Economia e Commercio. Inizia a lavorare come pubblicitario presso la McCann Erickson Italiana realizzando pubblicità di successo. In questo settore ha diretto innumerevoli campagne vincendo premi nazionali e internazionali. Per la televisione, nel 2005, ha diretto la serie televisiva Nati Ieri, con Sebastiano Somma e Vittoria Belvedere; nel 2006 ha diretto con Luca Miniero Viaggio in Italia, esperimento di film "in pillole", trasmesso in 20 micro-puntate a Ballarò, su Raitre; infine nel 2008 ha curato la regia di Amiche mie, una miniserie con Margherita Buy, Elena Sofia Ricci, Luisa Ranieri e Cecilia Dazzi. Il sodalizio artistico con Luca Miniero continua anche in campo cinematografico dove, insieme, scrivono e dirigono i film Incantesimo Napoletano (2001), vincitore di un David di Donatello e due globi d'oro, Nessun messaggio in segreteria (2003) con Carlo Delle Piane, Pierfrancesco Favino e Valerio Mastandrea, e Questa notte è ancora nostra (2008) con Nicola Vaporidis. Dopodichè le loro strade si dividono e, mentre Luca Miniero dirige Benvenuti al Sud (2010), Benvenuti al Nord (2012) e Un boss in salotto (2013), Paolo Genovese dirige La banda dei babbi natale (2010) con Aldo, Giovanni e Giacomo, Immaturi (2011) e il sequel Immaturi - Il viaggio (2012), commedie con Raoul Bova, Ricky Memphis, Luca Bizzarri, Paolo Kessisoglu, Ambra Angiolini, Anita Caprioli e Luisa Ranieri. -
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST to Arrange Onsite Research Viewing Access at UCLA, Please Contact the Archive Research and Study Center [email protected]
SCREEN ACTORS GUILD INFORMAL COLLECTION LIST To arrange onsite research viewing access at UCLA, please contact the Archive Research and Study Center [email protected] . PREFIX LOCATION EPISODE TITLE_SERIES SCREEN ACTORS GUILD DVD 1460 ALFRE WOODARD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1669 ANDY DICK FOUNDATION: CONVERSATIONS ANDY GARCIA MODERATED BY SCREEN ACTORS GUILD DVD 8699 TODD AMORDE FOUNDATION: CONVERSATIONS ANDY RICHTER MODERATED BY SCREEN ACTORS GUILD DVD 7020 SARAH KUHN FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1484 ANGLE LANSBURY FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1409 ANN DORAN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 2010 ANTHONY HOPKINS FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1483 ANTHONY LAPAGLIA FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1434 BARBARA BAIN FOUNDATION: LEGACY SCREEN ACTORS GUILD DVD 1413 BARRY GORDON FOUNDATION: LEGACY BEN AFFLECK MODERATED BY SCREEN ACTORS GUILD DVD 6348 PETE HAMMOND FOUNDATION: CONVERSATIONS BEN COOPER MODERATED BY SCREEN ACTORS GUILD DVD 8697 DAVIDSON LLOYD FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1486 BEN KINGSLEY FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1500 BENICIO DEL TORO FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1674 BETTY GARRETT FOUNDATION: CONVERSATIONS SCREEN ACTORS GUILD DVD 1416 BEVERLY GARLAND FOUNDATION: CONVERSATIONS BILL AND SUSAN SEAFORTH SCREEN ACTORS GUILD DVD 1843 HAYES FOUNDATION: CONVERSATIONS BILL PAXTON MODERATED BY SCREEN ACTORS GUILD DVD 7019 JENELLE RILEY FOUNDATION: CONVERSATIONS SCREEN ACTORS -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
The Picture of Abjection: Film, Fetish, and the Nature of Difference
The Picture of Abjection: Film, Fetish, and the Nature of Difference By Tina Chanter Bloomington: Indiana University Press, 2008. ISBN: 9780253219183. 15 illustrations, 377 pp. £19.99 (pbk) A review by Adrienne Angelo, Angelo, University of West Georgia, USA How do scholars and others with an interest in film studies and psychoanalysis engage with existing theoretical discourses on race, gender, culture and sexual difference in order to bypass the often polemicized and contested paradigm of fetishism and voyeurism, two critical modes that have dominated and continue to dominate film theory? It is this problematic that Tina Chanter explores in The Picture of Abjection: Film, Fetish and the Nature of Difference. For Chanter, drawing largely upon Kristeva's theoretical considerations of abjection, a point of entry to this endeavor lies precisely in further developing the implications of abjection as a "staging of a defensive dynamic that has the potential to significantly rework the imaginary commitments of Oedipal theory, specifically its privileging of masculinity and femininity" (17). Chanter's primary goal appears to be to develop a new critical model at the very center of which lies that which is otherwise neglected, excluded and expelled from dominant cultural discourse for being "too much", too "other". However, for as much as Chanter promotes a consideration of film and film theory, there is less an in-depth reading of films per se than a highly informed reconsideration of theoretical notions of subjectivity and the subject, one read through the lens of abjection and its destabilizing and thus subversive potential for considering marginalized identities and their representation in film theory.