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Social commentary

  • Varieties of Modernist Dystopia

    Varieties of Modernist Dystopia

  • In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

    In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence

  • Construing the Elaborate Discourse of Thomas More's Utopia

    Construing the Elaborate Discourse of Thomas More's Utopia

  • Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, Kelrick@G.Clemson.Edu

    Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]

  • 2019 Study Schedule for Aldous Huxley's Brave New World

    2019 Study Schedule for Aldous Huxley's Brave New World

  • Literature Review

    Literature Review

  • Stand-Up Comedy and the Clash of Gendered Cultural Norms

    Stand-Up Comedy and the Clash of Gendered Cultural Norms

  • George Orwell's Down and out in Paris and London

    George Orwell's Down and out in Paris and London

  • Thomas More Studies 1 (2006) 3 Thomas More Studies 1 (2006) George M

    Thomas More Studies 1 (2006) 3 Thomas More Studies 1 (2006) George M

  • Does Literature Work As Social Science? the Case of George Orwell

    Does Literature Work As Social Science? the Case of George Orwell

  • An Analysis of Satire Megan Leboeuf University of Rhode Island, Meganleb@Yahoo.Com

    An Analysis of Satire Megan Leboeuf University of Rhode Island, [email protected]

  • Brave New World Essays

    Brave New World Essays

  • Elysium As a Social Allegory: at the Nexus of Dystopia, Cyberpunk, and Plutocracy

    Elysium As a Social Allegory: at the Nexus of Dystopia, Cyberpunk, and Plutocracy

  • “Evolution Takes Love:” Tracing Some Themes of the Solarpunk Genre

    “Evolution Takes Love:” Tracing Some Themes of the Solarpunk Genre

  • Introduction Utopian Characteristics

    Introduction Utopian Characteristics

  • Orwell Versus Huxley: Economics, Technology, Privacy, and Satire Richard A

    Orwell Versus Huxley: Economics, Technology, Privacy, and Satire Richard A

  • Japanese Cyberpunk-Body Horror and Cinema As Catharsis in the Age of Technology

    Japanese Cyberpunk-Body Horror and Cinema As Catharsis in the Age of Technology

  • Fair Use and Fiction As Social Commentary

    Fair Use and Fiction As Social Commentary

Top View
  • Thomas Carlyle, Fascism, and Frederick: from Victorian Prophet to Fascist Ideologue
  • Constitutive Rhetoric in the Stewart/Colbert Universe
  • Looking at the Present Through the Future: Science-Fiction Urbanism and Contingent and Relational Creativity1
  • How Exposure to Concentrated Disadvantage Shapes Hip-Hop
  • The Development of Social Commentary in Nathaniel Hawthorne's Works: 1828-1844
  • Voltaire's Candide and the Methodology of Dramatic Adaptation
  • Brave New World 2
  • French and Francophone Narratives of Race and Racism
  • The John Oliver Effect: Political Satire and Political Participation Through Social Networks
  • The Comedy and Social Commentary of Dave Chappelle
  • OUTSIDE LOOKING IN: STAND-UP COMEDY, REBELLION, and JEWISH IDENTITY in EARLY POST-WORLD WAR II AMERICA John Matthew Taylor Submi
  • Embodied Materiality and Affect in the Praise of Folly and Utopia By
  • Dismantling Utopia for the Reader: John the Savage As a Central Mediator of Utopian Discourse Proposed in the Tempest and Realized in Brave New World
  • Butschek, Blake
  • The Hermeneutic Dilemma in Thomas More's Utopia
  • Stand-Up Comedians As Sophists, Jesters, Public Intellectuals and Activists
  • "Society and the Role of Technology in H.G. Wells's "The Time Machine" and A. Huxley's "Brave New World"
  • St. Thomas More Feast: June 22


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