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Sensations of Tone
An Assessment of Sound Annoyance As a Function of Consonance
AN INTRODUCTION to MUSIC THEORY Revision A
The Perception of Pure and Mistuned Musical Fifths and Major Thirds: Thresholds for Discrimination, Beats, and Identification
A Biological Rationale for Musical Consonance Daniel L
Beethoven's Fifth 'Sine'-Phony: the Science of Harmony and Discord
Alexander Ellis's Translation of Helmholtz's Sensations of Tone
Parsing the Spectral Envelope
Audio Processing and Loudness Estimation Algorithms with Ios Simulations
“The Alchemy of Tone”
Choral Resonance: Re-Examining Concepts of Tone and Unification
Correlation Between the Frequencies of Harmonic Partials Generated from Selected Fundamentals and Pitches of Supplied Tones
Psychoacoustics: a Brief Historical Overview
Sounds of Science – Schall Im Labor (1800–1930)
A Study Am) Evaluation of the Acoustics of Music Rooms in the Tucson Public Schools
Musical Tonality, Neural Resonance and Hebbian Learning
Modeling Sensory Dissonance in Space: Revelations in Sonic Sculpture
The Spatial Artistic Model in Music
Helmholtz, Riemann, and the Sirens: Sound, Color, and the ‘‘Problem of Space’’
Top View
The Race of Sound Refiguring American Music a Series Edited by Ronald Radano, Josh Kun, and Nina Sun Eidsheim Charles Mcgovern, Contributing Editor the Race of Sound
Early Auditory Studies Activities in the Psychology Laboratories of American Universities
Tone-Evoked Vowels and Semivowels 1
The Pleasingness of Sequential and Simultaneous Pairs of Tones: Effects of Waveform, Dissonance, and Delay
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Foundations of Modern Cello Technique
The Third Tone According to Hermann Von Helmholtz. Mion Marta
Pitches of Simultaneous Complex Tones
Efficiency Evaluation Method for the Devices with Infrasound Impact on Functioning of Computer Equipment
Resynthesized It Using Granular Techniques
The Theories of Helmholtz in the Work of Vare`Se Philippe Lalitte 5
Papers of the American Musicological Society, 1936
Vexations INTONATION for Any Instruments Which May Be Appropriately Tuned
Is Vibrato Acoustically Necessary for Operatic Singing?
Sounds of Our Times Two Hundred Years Ofacoustics Contents
The Race of Sound