Helmholtz, Riemann, and the Sirens: Sound, Color, and the ‘‘Problem of Space’’
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LOOKING BACKWARD: from EULER to RIEMANN 11 at the Age of 24
LOOKING BACKWARD: FROM EULER TO RIEMANN ATHANASE PAPADOPOULOS Il est des hommes auxquels on ne doit pas adresser d’´eloges, si l’on ne suppose pas qu’ils ont le goˆut assez peu d´elicat pour goˆuter les louanges qui viennent d’en bas. (Jules Tannery, [241] p. 102) Abstract. We survey the main ideas in the early history of the subjects on which Riemann worked and that led to some of his most important discoveries. The subjects discussed include the theory of functions of a complex variable, elliptic and Abelian integrals, the hypergeometric series, the zeta function, topology, differential geometry, integration, and the notion of space. We shall see that among Riemann’s predecessors in all these fields, one name occupies a prominent place, this is Leonhard Euler. The final version of this paper will appear in the book From Riemann to differential geometry and relativity (L. Ji, A. Papadopoulos and S. Yamada, ed.) Berlin: Springer, 2017. AMS Mathematics Subject Classification: 01-02, 01A55, 01A67, 26A42, 30- 03, 33C05, 00A30. Keywords: Bernhard Riemann, function of a complex variable, space, Rie- mannian geometry, trigonometric series, zeta function, differential geometry, elliptic integral, elliptic function, Abelian integral, Abelian function, hy- pergeometric function, topology, Riemann surface, Leonhard Euler, space, integration. Contents 1. Introduction 2 2. Functions 10 3. Elliptic integrals 21 arXiv:1710.03982v1 [math.HO] 11 Oct 2017 4. Abelian functions 30 5. Hypergeometric series 32 6. The zeta function 34 7. On space 41 8. Topology 47 9. Differential geometry 63 10. Trigonometric series 69 11. Integration 79 12. Conclusion 81 References 85 Date: October 12, 2017. -
An Assessment of Sound Annoyance As a Function of Consonance
An Assessment of Sound Annoyance as a Function of Consonance Song Hui Chon CCRMA / Electrical Engineering Stanford University Stanford, CA 94305 [email protected] Abstract In this paper I study the annoyance generated by synthetic auditory stimuli as a function of consonance. The concept of consonance is one of the building blocks for Western music theory, and recently tonal consonance (to distinguish from musical consonance) is getting attention from the psychoacoustics community as a perception parameter. This paper presents an analysis of the experimental result from a previous study, using tonal consonance as a factor. The result shows that there is a direct correlation between annoyance and consonance and that perceptual annoyance, for the given manner of stimulus presentation, increases as a stimulus becomes more consonant at a given loudness level. 1 Introduction 1.1 Addressing Annoyance Annoyance is one of the most common feelings people experience everyday in this modern society. It is a highly subjective sensation; however this paper presumes that there is a commonality behind each person's annoyance perception. It is generally understood that one aspect of annoyance is a direct correlation with spectral power [1], although the degree of correlation is under investigation [2][3]. Previous studies have assumed that noise level is a strict gauge for determining annoyance [4], but it is reasonable to suggest that the influence of sound level might be more subtle; annoyance is, after all, a subjective and highly personal characteristic. One study reveals that subjects perceive annoyance differently based on their ability to influence it [5]. Another demonstrates that age plays a significant role in annoyance judgments [6], though conflicting results indicate more complex issues. -
Bernhard Riemann 1826-1866
Modern Birkh~user Classics Many of the original research and survey monographs in pure and applied mathematics published by Birkh~iuser in recent decades have been groundbreaking and have come to be regarded as foun- dational to the subject. Through the MBC Series, a select number of these modern classics, entirely uncorrected, are being re-released in paperback (and as eBooks) to ensure that these treasures remain ac- cessible to new generations of students, scholars, and researchers. BERNHARD RIEMANN (1826-1866) Bernhard R~emanno 1826 1866 Turning Points in the Conception of Mathematics Detlef Laugwitz Translated by Abe Shenitzer With the Editorial Assistance of the Author, Hardy Grant, and Sarah Shenitzer Reprint of the 1999 Edition Birkh~iuser Boston 9Basel 9Berlin Abe Shendtzer (translator) Detlef Laugwitz (Deceased) Department of Mathematics Department of Mathematics and Statistics Technische Hochschule York University Darmstadt D-64289 Toronto, Ontario M3J 1P3 Gernmany Canada Originally published as a monograph ISBN-13:978-0-8176-4776-6 e-ISBN-13:978-0-8176-4777-3 DOI: 10.1007/978-0-8176-4777-3 Library of Congress Control Number: 2007940671 Mathematics Subject Classification (2000): 01Axx, 00A30, 03A05, 51-03, 14C40 9 Birkh~iuser Boston All rights reserved. This work may not be translated or copied in whole or in part without the writ- ten permission of the publisher (Birkh~user Boston, c/o Springer Science+Business Media LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter de- veloped is forbidden. -
Simply-Riemann-1588263529. Print
Simply Riemann Simply Riemann JEREMY GRAY SIMPLY CHARLY NEW YORK Copyright © 2020 by Jeremy Gray Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-21-6 Brought to you by http://simplycharly.com Contents Praise for Simply Riemann vii Other Great Lives x Series Editor's Foreword xi Preface xii Introduction 1 1. Riemann's life and times 7 2. Geometry 41 3. Complex functions 64 4. Primes and the zeta function 87 5. Minimal surfaces 97 6. Real functions 108 7. And another thing . 124 8. Riemann's Legacy 126 References 143 Suggested Reading 150 About the Author 152 A Word from the Publisher 153 Praise for Simply Riemann “Jeremy Gray is one of the world’s leading historians of mathematics, and an accomplished author of popular science. In Simply Riemann he combines both talents to give us clear and accessible insights into the astonishing discoveries of Bernhard Riemann—a brilliant but enigmatic mathematician who laid the foundations for several major areas of today’s mathematics, and for Albert Einstein’s General Theory of Relativity.Readable, organized—and simple. Highly recommended.” —Ian Stewart, Emeritus Professor of Mathematics at Warwick University and author of Significant Figures “Very few mathematicians have exercised an influence on the later development of their science comparable to Riemann’s whose work reshaped whole fields and created new ones. -
Riemann's Contribution to Differential Geometry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Elsevier - Publisher Connector Historia Mathematics 9 (1982) l-18 RIEMANN'S CONTRIBUTION TO DIFFERENTIAL GEOMETRY BY ESTHER PORTNOY UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN, URBANA, IL 61801 SUMMARIES In order to make a reasonable assessment of the significance of Riemann's role in the history of dif- ferential geometry, not unduly influenced by his rep- utation as a great mathematician, we must examine the contents of his geometric writings and consider the response of other mathematicians in the years immedi- ately following their publication. Pour juger adkquatement le role de Riemann dans le developpement de la geometric differentielle sans etre influence outre mesure par sa reputation de trks grand mathematicien, nous devons &udier le contenu de ses travaux en geometric et prendre en consideration les reactions des autres mathematiciens au tours de trois an&es qui suivirent leur publication. Urn Riemann's Einfluss auf die Entwicklung der Differentialgeometrie richtig einzuschZtzen, ohne sich von seinem Ruf als bedeutender Mathematiker iiberm;issig beeindrucken zu lassen, ist es notwendig den Inhalt seiner geometrischen Schriften und die Haltung zeitgen&sischer Mathematiker unmittelbar nach ihrer Verijffentlichung zu untersuchen. On June 10, 1854, Georg Friedrich Bernhard Riemann read his probationary lecture, "iber die Hypothesen welche der Geometrie zu Grunde liegen," before the Philosophical Faculty at Gdttingen ill. His biographer, Dedekind [1892, 5491, reported that Riemann had worked hard to make the lecture understandable to nonmathematicians in the audience, and that the result was a masterpiece of presentation, in which the ideas were set forth clearly without the aid of analytic techniques. -
AN INTRODUCTION to MUSIC THEORY Revision A
AN INTRODUCTION TO MUSIC THEORY Revision A By Tom Irvine Email: [email protected] July 4, 2002 ________________________________________________________________________ Historical Background Pythagoras of Samos was a Greek philosopher and mathematician, who lived from approximately 560 to 480 BC. Pythagoras and his followers believed that all relations could be reduced to numerical relations. This conclusion stemmed from observations in music, mathematics, and astronomy. Pythagoras studied the sound produced by vibrating strings. He subjected two strings to equal tension. He then divided one string exactly in half. When he plucked each string, he discovered that the shorter string produced a pitch which was one octave higher than the longer string. A one-octave separation occurs when the higher frequency is twice the lower frequency. German scientist Hermann Helmholtz (1821-1894) made further contributions to music theory. Helmholtz wrote “On the Sensations of Tone” to establish the scientific basis of musical theory. Natural Frequencies of Strings A note played on a string has a fundamental frequency, which is its lowest natural frequency. The note also has overtones at consecutive integer multiples of its fundamental frequency. Plucking a string thus excites a number of tones. Ratios The theories of Pythagoras and Helmholz depend on the frequency ratios shown in Table 1. Table 1. Standard Frequency Ratios Ratio Name 1:1 Unison 1:2 Octave 1:3 Twelfth 2:3 Fifth 3:4 Fourth 4:5 Major Third 3:5 Major Sixth 5:6 Minor Third 5:8 Minor Sixth 1 These ratios apply both to a fundamental frequency and its overtones, as well as to relationship between separate keys. -
Riemann and Partial Differential Equations. a Road to Geometry and Physics
Riemann and Partial Differential Equations. A road to Geometry and Physics Juan Luis Vazquez´ Departamento de Matematicas´ Universidad Autonoma´ de Madrid “Jornada Riemann”, Barcelona, February 2008 “Jornada Riemann”, Barcelona, February 20081 Juan Luis Vazquez´ (Univ. Autonoma´ de Madrid) Riemann and Partial Differential Equations / 38 Outline 1 Mathematics, Physics and PDEs Origins of differential calculus XVIII century Modern times 2 G. F. B. Riemann 3 Riemmann, complex variables and 2-D fluids 4 Riemmann and Geometry 5 Riemmann and the PDEs of Physics Picture gallery “Jornada Riemann”, Barcelona, February 20082 Juan Luis Vazquez´ (Univ. Autonoma´ de Madrid) Riemann and Partial Differential Equations / 38 Mathematics, Physics and PDEs Outline 1 Mathematics, Physics and PDEs Origins of differential calculus XVIII century Modern times 2 G. F. B. Riemann 3 Riemmann, complex variables and 2-D fluids 4 Riemmann and Geometry 5 Riemmann and the PDEs of Physics Picture gallery “Jornada Riemann”, Barcelona, February 20083 Juan Luis Vazquez´ (Univ. Autonoma´ de Madrid) Riemann and Partial Differential Equations / 38 Mathematics, Physics and PDEs Origins of differential calculus Differential Equations. The Origins The Differential World, i.e, the world of derivatives, was invented / discovered in the XVII century, almost at the same time that Modern Science (then called Natural Philosophy), was born. We owe it to the great Founding Fathers, Galileo, Descartes, Leibnitz and Newton. Motivation came from the desire to understand Motion, Mechanics and Geometry. Newton formulated Mechanics in terms of ODEs, by concentrating on the movement of particles. The main magic formula is d2x dx m = F(t; x; ) dt2 dt though he would write dots and not derivatives Leibnitz style. -
Turning Points in the Conception of Mathematics, by Detlef Laugwitz
BULLETIN (New Series) OF THE AMERICAN MATHEMATICAL SOCIETY Volume 37, Number 4, Pages 477{480 S 0273-0979(00)00876-4 Article electronically published on June 27, 2000 Bernhard Riemann, 1826{1866: Turning points in the conception of mathematics, by Detlef Laugwitz (translated by Abe Shenitzer), Birkh¨auser, Boston, 1999, xvi + 357 pp., $79.50, ISBN 0-8176-4040-1 1. Introduction The work of Riemann is a source of perennial fascination for mathematicians, physicists, and historians and philosophers of these subjects. He lived at a time when a considerable body of knowledge had been established, and his work changed forever the way mathematicians and physicists thought about their subjects. To tell this story and get it right, describing what came before Riemann, what came after, and the extent to which he was responsible for the difference between the two, is a task that the author rightly describes as both tempting and daunting. Fortunately he has succeeded admirably in this task, stating the technical details clearly and correctly while writing an engaging and readable account of Riemann's life and work. The word \engaging" is used very deliberately here. Any reader of this book with even a passing interest in the history or philosophy of mathematics is certain to become engaged in a mental conversation with the author, as the reviewer was. The temptation to join in the debate is so strong that it apparently also lured the translator, whose sensitive use of language has once again shown why he is much in demand as a translator of mathematical works. -
The Perception of Pure and Mistuned Musical Fifths and Major Thirds: Thresholds for Discrimination, Beats, and Identification
Perception & Psychophysics 1982,32 (4),297-313 The perception ofpure and mistuned musical fifths and major thirds: Thresholds for discrimination, beats, and identification JOOS VOS Institute/or Perception TNO, Soesterberg, TheNetherlands In Experiment 1, the discriminability of pure and mistuned musical intervals consisting of si multaneously presented complex tones was investigated. Because of the interference of nearby harmonics, two features of beats were varied independently: (1) beat frequency, and (2) the depth of the level variation. Discrimination thresholds (DTs) were expressed as differences in level (AL) between the two tones. DTs were determined for musical fifths and major thirds, at tone durations of 250, 500, and 1,000 msec, and for beat frequencies within a range of .5 to 32 Hz. The results showed that DTs were higher (smaller values of AL) for major thirds than for fifths, were highest for the lowest beat frequencies, and decreased with increasing tone duration. Interaction of tone duration and beat frequency showed that DTs were higher for short tones than for sustained tones only when the mistuning was not too large. It was concluded that, at higher beat frequencies, DTs could be based more on the perception of interval width than on the perception of beats or roughness. Experiments 2 and 3 were designed to ascertain to what extent this was true. In Experiment 2, beat thresholds (BTs)for a large number of different beat frequencies were determined. In Experiment 3, DTs, BTs, and thresholds for the identifica tion of the direction of mistuning (ITs) were determined. For mistuned fifths and major thirds, sensitivity to beats was about the same. -
Riemannian Reading: Using Manifolds to Calculate and Unfold
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 Riemannian Reading: Using Manifolds to Calculate and Unfold Narrative Heather Lamb Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Lamb, Heather, "Riemannian Reading: Using Manifolds to Calculate and Unfold Narrative" (2017). Masters Theses. 2688. https://thekeep.eiu.edu/theses/2688 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� EA<.TEH.NILLINOIS UNJVER.SITY" Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. • The graduate candidate retains the copyright and intellectual property rights associated with the original research, creative activity, and intellectual or artistic content of the thesis. -
A Biological Rationale for Musical Consonance Daniel L
PERSPECTIVE PERSPECTIVE A biological rationale for musical consonance Daniel L. Bowlinga,1 and Dale Purvesb,1 aDepartment of Cognitive Biology, University of Vienna, 1090 Vienna, Austria; and bDuke Institute for Brain Sciences, Duke University, Durham, NC 27708 Edited by Solomon H. Snyder, Johns Hopkins University School of Medicine, Baltimore, MD, and approved June 25, 2015 (received for review March 25, 2015) The basis of musical consonance has been debated for centuries without resolution. Three interpretations have been considered: (i) that consonance derives from the mathematical simplicity of small integer ratios; (ii) that consonance derives from the physical absence of interference between harmonic spectra; and (iii) that consonance derives from the advantages of recognizing biological vocalization and human vocalization in particular. Whereas the mathematical and physical explanations are at odds with the evidence that has now accumu- lated, biology provides a plausible explanation for this central issue in music and audition. consonance | biology | music | audition | vocalization Why we humans hear some tone combina- perfect fifth (3:2), and the perfect fourth revolution in the 17th century, which in- tions as relatively attractive (consonance) (4:3), ratios that all had spiritual and cos- troduced a physical understanding of musi- and others as less attractive (dissonance) has mological significance in Pythagorean phi- cal tones. The science of sound attracted been debated for over 2,000 years (1–4). losophy (9, 10). many scholars of that era, including Vincenzo These perceptual differences form the basis The mathematical range of Pythagorean and Galileo Galilei, Renee Descartes, and of melody when tones are played sequen- consonance was extended in the Renaissance later Daniel Bernoulli and Leonard Euler. -
GEORG FRIEDRICH BERNHARD RIEMANN (1826-1866)- Chronology
GEORG FRIEDRICH BERNHARD RIEMANN (1826-1866)- Chronology 1826- born September 17, into the family of the pastor of Breselenz, kingdom of Hanover. There were four sisters, one brother. The family moved to nearby Quickborn when Riemann was an infant. 1840-1846- Gymnasium studies in Hanover (2 years) and Lüneburg- only six of the required ten years; home-schooled by his father before 1840. Schmalfuss, the Gymnasium director, recognized his talent and lent him books- Archimedes, Apollonius, Newton, Legendre’s Number Theory (returned with the comment `wonderful book, I know it by heart now.’) 1846-1851- University studies. 1846/47: Göttingen; by that time, Gauss taught only linear algebra, with emphasis on least squares. 1847/49: Berlin- took Dirichlet’s courses on number theory, integration and partial differential equations, Jacobi’s courses in analytical mechanics and algebra, Eisenstein’s on elliptic functions. 1849/51- doctoral work at Göttingen. 1851- Doctoral thesis, Foundations of a General Theory of Functions of One Complex Variable, nominally under Gauss. 1854-Habilitation thesis, On the Representation of a Function by a Trigonometric Series. Habilitation lecture, On the Hypotheses that Lie at the Foundation of Geometry. Appointed lecturer (Privatdozent) at Göttingen. 1855- beginning of friendship with Richard Dedekind (1831-1916), another Göttingen instructor. Dedekind had earned his doctorate in 1852 and habilitation in 1854, both also under Gauss. Riemann’s father died in 1855, and the sisters left Quickborn to join the older brother (a post office clerk) in Bremen. Dirichlet appointed Gauss’s successor at Göttingen. 1857-Paper Theory of Abelian Functions- the first to make Riemann internationally known.