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Senesino

Handel Arias
Susan Rutherford: »Bel Canto« and Cultural Exchange
NEWSLETTER of the American Handel Society
NEWSLETTER of the American Handel Society
Note by Martin Pearlman the Castrato Voice One of The
THE CASTRATO SACRIFICE: WAS IT JUSTIFIED? Jennifer Sowle, B.A
Cross Gender Roles in Opera
The Eroticism of Emasculation: Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
Pdf Heroes and Villains Resource Pack
Century Operas on Vocal Pedagogy
Viewed the Thesis/Dissertation in Its Final Electronic Format and Certify That It Is an Accurate Copy of the Document Reviewed and Approved by the Committee
The Reception of the Castrati in Early Eighteenth-Century London
Synopsis George Frideric Handel's Ottone
Handel's Ariostan Heroines: with Particular Reference to Ginevra
Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
5040022-60Fcf7-635212057926.Pdf
Conference Programme
"Unity, Originality, and the London Pasticcio" in "Bits and Pieces: Music for Theatre"

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Rodgers 1 Taste, Gender, and Nation in the Material
Ariodante Opera in Three Acts
Why Castrati Were Pop Stars of Their Time
Male Treble Roles in Handel's Operas
Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
Copyright by Francisca Paula Vanherle 2002
Händel Arminio George Frideric Handel Arminio
Farinelli and Burney Write Music History
A Resource Guide to Standard Handel Opera Roles for the Countertenor
Luigi Marchesi: Life and Voice
George Friedrich Handel ARMINIO
THE MALE SOPRANO by FRANCIS ROGERS

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