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Peter Schjeldahl
Taking Intellectual Property Into Their Own Hands
The New Yorker April 05, 2021 Issue
Williams College/Clark Art Institute
Robert Longo
Dia Art Foundation Readings in Contemporary Poetry Major Jackson and Peter Schjeldahl
Jeff Koons Born 1955 in York, Pennsylvania
The Greatest Women Artists of the Twentieth Century
Artist Writings: Critical Essays, Reception, and Conditions of Production Since the 60S
Painting by Proxy: the Conceptual Artist As Manufacturer
The Art of Fair Use
THE ART WORLD NEW YORK ODYSEEY: the Whitney
CINDY SHERMAN Born 1954 in New Jersey
Do the Most Important Artists Make the Most Expensive Paintings?
Bibliography (Selected) (PDF)
Organized by Peter Eleey, Chief Curator, Moma
Bachelors, by Rosalind Krauss B
Why Art Does Not Need Copyright
The Critic As Artist: Peter Schjeldahl on Oscar Wilde
Top View
Gagosian Gallery, Contrast a Master of Spontaneous Street Photography with One of Plotted Theatricality
Corporeality, Subjectivity, and Empathy in Contemporary American Art Elissa Yukiko Weichbrodt Washington University in St
Cindy Sherman
Williams College/Clark Art Institute
Friends Indeed Gallery
FELIX GONZALEZ-TORRES BIOGRAPHY Selected Solo
Diane Arbus 1 Diane Arbus
Joan Brown Born 1938, San Francisco, California
How Andy Warhol Became the Most Important American Modern Artist David W
This Month in the Arts
New York Studio School, Assets Selected for Digitization (VHS, Hi8, & Minidv, Each Section in Chronological Order) 1 Asset
The State of Advanced Art: the Late Twentieth Century and Beyond
Ooh L.A. L.A.: Los Angeles Art in Paris and Pasadena