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Oscar Lewenstein
George Harrison
John Bull University of Lincoln 'We Cannot All Be Masters, Nor All Masters/Cannot Truly Be Follow'd': Joe Orton's Holida
Timeline: Royal Court International (1989–2013) Compiled by Elaine Aston and Elyse Dodgson
From Real Time to Reel Time: the Films of John Schlesinger
The Royal Court Theatre and the Modern Stage
Talking out of Tune
Reading the Old Left in the Ewan Maccoll and Joan Littlewood's
The British War Film, 1939-1980: Culture, History, and Genre
O'casey, Sean List 75
The Inventory of the Sam Wanamaker Collection
The Royal Court Theatre and the Modern Stage Philip Roberts Frontmatter More Information
The Cinema Authorship of Lindsay Anderson: Anderson’S Directorial Practice
Renee Goddard – Interview Transcript
Black and Asian Theatre in Britain
Lindsay Anderson's Directorial Practice in the Cinema
1956 and ALL THAT: the Making of Modern British Drama
The Sunday Night Productions Without Decor at the Royal Court Theatre, 1957-1975
Sex and Violence in the Plays of Joe Orton - a Gay Perspective
Top View
Field Day Papers
A Cultural Genealogy of the Royal Court Theatre: the Renovation of a Theatre and an Ideal
Kent Academic Repository Full Text Document (Pdf)
Joe Orton's 'Until She Screams,' Oh! Calcutta! and the Permisive 1960S Saunders, Graham
L DTNT Records Relating to the Hull New Theatre 1939- 2008
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Joe Orton's 'Until She Screams,' Oh! Calcutta! and the Permisive 1960S Saunders, Graham
Theatre Archive Project: Interview with John Haynes
University of Southampton Research Repository
"Howard Brenton a Critical Study of the Plays." Richard Peter Boon
Collection List No. 73
The Royal Court Theatre 1968-1975: Fraught and Fruitful Years