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Opera film
Romantic Affinities?: Cavell on Opera, Film, and the Claim of Expression
978–0–230–30016–3 Copyrighted Material – 978–0–230–30016–3
Opera Enormous: Arias in the Cinema Benjamin Speed
A Moment in Time Press
An Investigation of the Huangmei Opera Film Genre Through the Documentary Film Medium
INTERNATIONAL CONFERENCE on PHILOSOPHY and FILM Thinking Reality and Time Through Film
GSC Films: S-Z
“Can't Help Singing”: the “Modern” Opera Diva In
'The Films We Are Ashamed Of': Czech Crazy Comedy of the 1970S and 1980S
Theater Treats in the Capital
Hercules, Vampires, and the Opera of Attractions Brooke Mccorkle
Film Doc 70 1.28
An Investigation of the Huangmei Opera Film Genre Through the Documentary Film Medium
Musik Im Animationsfilm: Arbeitsbibliographie Zusammengestellt Von Hans J
Use of Parody Techniques in Jacques Offenbach's Opérettes and Germaine Tailleferre's Du Style Galant Au Style Méchant
A TRIP to the MOON LA Phil’S Symphonies for Schools Study Guide Grades 3 - 6 Writer Shannon Mccue
June - 2016 3(1)
Don Pasquale at San Francisco Opera Encore Arts San Francisco
Top View
Indexical Language and the Historical Film: Titus and Other Recent Shakespeare Films
Brecht Between Mediums Kristin M. Seifert a Dissertation Submitted
In Search of Laughter in Maoist China: Chinese Comedy Film 1949-1966
Taiwan's Comedy Cinema
Don Giovanni Offers a Unique ‘Opera Film’ Experience
Mozart at the Movies: Cinematic Reimaginings of Opera
A Strange Body of Work: the Cinematic Zombie Emma Dyson Ph
BORDER CROSSING Russian Literature Into Film
Magic, Power, and Knowledge: Technological
John Feldman Feature Films Documentaries/Educational
Post-Socializing the Model Opera Film {Yangbanxi) A
He's a Woman, She's A
Marcia J. Citron. When Opera Meets Film
Joachim Herz on the Cinematic Composition of Richard Wagner's
Heritage and Integration- a Study of Hong Kong Cantonese Opera Films
1 Chapter 4 Intermedial Laughter: Hou Baolin and Xiangsheng Dianying in Mid-1950S China* Abstract the First Wave of Film Comedy
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