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Naomi Mitchison
Nights Underground in Darkest London: the Blitz, 1940–1941
Estrangement in the Historical Novel
The Treatment of Gender in Twentieth-Century Scottish Women’S Historical Fiction
Elizabeth Bishop, Ou La Lumière De L'ordinaire
Women and Politics in the Interwar Period: Sources from Time and Tide
When Naomi Met Doris Greg Michaelson
Narratives of Delusion in the Political Practice of the Labour Left 1931–1945
Representations of Colonial Relations in the Work of Naomi Mitchison” ESSE Seminar 31
Popular Front Politics and the British Novel, 1934- 1940
Woven Tapestries: Dialogues and Dilemmas in Editing a Diary
Memoirs of a Spacewoman: Naomi Mitchison's Intergalactic Education
Gender and War
Naomi Mitchison 1897 - 1999
Summer 2005 Issn 1476-6760 Claudia Thompson on Amalia and Annie: a Case Study in Women’S Suffrage
Sexuality and Politics in Naomi Mitchison's We Have Been
CLASSIC HIGHLIGHTS Contents
“Becoming Acquainted with All That Pain”: Nursing As Activism in Naomi Mitchison’S Science Fiction
Naomt* Naomt* Milchtson R *OR FRIC the Stonýv Fisch-,El LIFA for APIUCA a LIFE for AFRICA the Story of Bram Fischer NAOMI MITCH
Top View
Scottish Fiction 1980-81: the Mpi Ortance of Alisdair Gray's Lanark Douglas Gifford
Travelling Light Through Naomi Mitchison's Landscape of The
A Self-Interview Naomi Mitchison
The Independent
Naomi Mitchison: a Profile of Her Life and Work
Introduction
T\-€S L'5o for My Father, Who Made It Possible, My Mother Who Loves Books, and for James Who Said 'Why Not?' 3