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Musical expression

  • Timbre in Musical and Vocal Sounds: the Link to Shared

    Timbre in Musical and Vocal Sounds: the Link to Shared

  • 131 the Ambiguity of Musical Expression Marks and the Challenges

    131 the Ambiguity of Musical Expression Marks and the Challenges

  • Techniques of Expressivity in Music Performance

    Techniques of Expressivity in Music Performance

  • Idea-Expression in Musical Analysis and the Role of the Intended Audience in Music Copyright Infringement

    Idea-Expression in Musical Analysis and the Role of the Intended Audience in Music Copyright Infringement

  • Music Vocabulary a Cappella. Unaccompanied Choral Singing

    Music Vocabulary a Cappella. Unaccompanied Choral Singing

  • Performing Arts: Choir Subject Group Overview

    Performing Arts: Choir Subject Group Overview

  • A History of the Plagal-Amen Cadence

    A History of the Plagal-Amen Cadence

  • Unrequited Love and Unrealized Dominants

    Unrequited Love and Unrealized Dominants

  • On the Fluidity of Consonance and Dissonance: the Influence of Musical Context

    On the Fluidity of Consonance and Dissonance: the Influence of Musical Context

  • Comparison of the Strength of Harmony, Melodic Line, Rhythmic Variation, and Expressive Elements in Influencing Emotional Judgment in Music

    Comparison of the Strength of Harmony, Melodic Line, Rhythmic Variation, and Expressive Elements in Influencing Emotional Judgment in Music

  • Changes in American Piano Literature

    Changes in American Piano Literature

  • Harmony and Its Functionality: a Gloss on the Substantial Similarity Test in Music Copyrights

    Harmony and Its Functionality: a Gloss on the Substantial Similarity Test in Music Copyrights

  • Music As a Matter of Law

    Music As a Matter of Law

  • Emotional Expression in Music: Contribution, Linearity, and Additivity of Primary Musical Cues

    Emotional Expression in Music: Contribution, Linearity, and Additivity of Primary Musical Cues

  • Uri Golomb Rhetoric in the Performance of Baroque Music

    Uri Golomb Rhetoric in the Performance of Baroque Music

  • The Influence of Sensory and Cognitive Consonance/Dissonance on Musical Signal Processing

    The Influence of Sensory and Cognitive Consonance/Dissonance on Musical Signal Processing

  • Post-Modern Classical Music and Copyright Law Jamie M

    Post-Modern Classical Music and Copyright Law Jamie M

  • A New Approach to the Analysis of Timbre

    A New Approach to the Analysis of Timbre

Top View
  • Musical Expression Exploring a Virtual Analogy of Interactive Performance
  • Formalism and Expressivism in the Aesthetics of Music
  • Emotions As Aesthetic Properties of Absolute Music
  • Musical Romanticism & the Twentieth Century
  • Chapter 8 Timbre As a Structuring Force in Music
  • 1) Which of the Following Statements Is Not True of the Music of the Classical Period? A) the Basso Continuo Was the Nucleus of the Instrumental Ensemble
  • PLAYING with HISTORY the Historical Approach to Musical Performance
  • Communication of Emotions in Vocal Expression and Music Performance: Different Channels, Same Code?
  • Timbre As Discourse
  • Example of Songs with Soft Dynamics
  • The Creation and Artistic Style of Piano Music from the Perspective of Romantic Aesthetics
  • Musical Expression and Spanish Nationalism in Selected Works of Tomás Bretón Brent Matthew Ad Rnold [email protected]
  • Appendix H Musical Concepts
  • Modern Performance Trends in Bach's Sacred Music : Changing Tastes in the Performance of Bach's Weihnachtsoratorium : an Exploration of the Rhetorical Style


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