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Monolake
Fondazione Prada Presents the Musical Program “I Want to Like You but I Find It Difficult” at Its Milan Venue on 8 June and 28 September 2018
“Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound
Long and Short Bio As
Interview with Richie Hawtin 156
Robert Henke Fragile Territories
Fondazione Prada Presents the Musical Program “I Want to Like You but I Find It Difficult” at Its Milan Venue on 8 June and 28 September 2018
Deadmau5, Derek Bailey, and the Laptop Instrument – Improvisation, Composition, and Liveness in Live Coding
An Approach to Composition Based on a Minimal Techno Case Study
Sacred Sound
ATOM: FLOATING AUDIOVISUAL DESIGN Txt: Bertram Niessen / Img: Justine Lera
Eyjafjallajökull
Milan, 1 August 2018
From Live Coding to Virtual Being
2018 Social Responsibility Report Table of Contents
Repetition, Objectivity, and Process in the Age of Recording Zachary Schwartz Pomona College
DEADROP MAGAZINE This Is the First Edition of Deadrop Magazine
Milan,17 July 2019
Dub Techno's Hauntological Politics of Acoustic Ecology
Top View
The Wire: Adventures in Sound and Music: Article
Richard Ensures Control Over Most DJ, DAW and Audio Applications
Unsound 2013 : Interference October 13 - 20
The History of Rock Music - the Nineties
Robert Henke: CBM 8032 AV
Digimag28.Pdf
The Development of an Audio-Visual Language for Digital Music
For Resubmission Developing a Personal Glitch Aesthetic For
Spatial Music: Artist Stories
Minimalism, Philip Glass & Electronic Aesthetics
Hip Hop Underground: the Integrity and Ethics of Racial Identification Anthony Kwame Harrison
Interpretive Practice in Laptop Music Performance