DOCSLIB.ORG

Richard Ensures Control Over Most DJ, DAW and Audio Applications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard Ensures Control Over Most DJ, DAW and Audio Applications THE STANTON ARTIST & GEAR MAGAZINE > VOLUME 1, 2008 Control Yourself Introducing DaScratch, the revolutionary new touch sensitive controller that will blow your mind. DaScratch features the intuitive StanTouch™ interface, a sizable scratching/control area that combines touch, gestures, and visual feedback, allowing you to easily Control your music. LEDs react in real time to buttons and triggers, and virtual faders glow to indicate their position so you can Control your mix. Rock solid construc- Welcome to tion and compact size ensure that DaScratch travels well from gig to gig, and the included DaRouter software Richard ensures control over most DJ, DAW and audio applications. Seattle A DJ’S GUIDE TO THE EMERALD CITY Control your world with DaScratch. You can trigger samples, set loops, change pitch, scratch, jog, scroll, set volume levels, adjust effects, modify EQs, control plug-ins... Whether you are a DJ, VJ, musician, multimedia artist or producer, you can stimulate your creativity and fuel your performance using DaScratch. Available now for $299 (MSRP). Devine Get your hands on DaScratch, and learn what it means to Control yourself. Get the full story at stantondj.com. > THE HARDEST WORKING DaScratch DJ IN THE GAME. STANTON’S TOUCH-FRIENDLY DJ CONTROLLER www.stantondj.com From the Editor Features Contents WELCOME TO FOR LIFE. This is the premiere issue of > welcome to seattle something we at Stanton DJ have been meaning to create A DJ’S GUIDE to THE EMERALD CITY for a long while. Namely, a hybrid magazine-catalog to bring you the latest in DJ news, artist profiles, BY SEAN Horton useful tips and techniques, and — of course — all the Seattle isn’t technically a “major” market. It’s no LA, NY, freshest new gear. or Miami. But what it lacks in size, this little city makes up for in cultural impact. Here’s your own “travel guide” In this issue, we spent some time with one of the busiest DJ / producer / sound to one of our favorite cities, from a DJ’s perspective. pg. designers in the game, Richard Devine. He gave us a rundown on all the projects 8 he’s got on deck — from video games to car commercials — as well as an insight into his massive gear collection and innovative production techniques. Because we want to bring you something useful in each issue of For Life, we’ve also got a rundown on one of our favorite cities, Seattle, Washington. Forget the hype about rain, coffee, and Microsoft — there’s lots more to this amazing city, especially from a DJ’s perspective. This all coincides with one of the best new gear lineups in Stanton history, spear- headed by the amazing new Stanton Control System 1 and brand-new DaScratch — a compact and affordable DJ control surface that goes anywhere and controls just about any DJ or music production software you’re likely to own. ARTIST PROFILE: So sit back, relax, and enjoy the mag. We’ll see you in another six months or so... RICHARD DEVINE pg.5 Sarah Lombard He‘s easily one of the hardest working > Editor in Chief DJs / producer / sound designers in the game. We interrupted Richard Devine for an hour long interview. And he probably tap tempo‘d the whole thing. Volume 1 > 2008 CURRENTS pg. Sections > PUBLISHER 3 TIMOTHY DORWART Read the latest news on LA’s > Currents 3 Scratch DJ Academy; check in on > profile: riChard devine 5 > ASSOCIATE PUBLISHER Roc Raida’s infamous Gong Battle TONY RODRIGUES series; and get the lowdown on the > welCome to seattle 8 the C.324 Professional CD Player. > sC system 13 > EDITOR IN CHIEF > dasCratCh 15 SARAH LOMBARD > SC SYSTEM pg.13 > Dascratch pg.15 > IN STUDIO pg.33 > headphones 17 > CREATIVE DIRECTOR ERIK HANSON It’s no secret that pro DJs are Stanton’s latest compact KRK Rokit 6’s have become a > Cartridges 19 going digital. And the best way control surface, DaScratch, desktop and personal studio > turntables 23 > CONTRIBUTING WRITERS to professionally control your is like nothing you’ve ever classic. So how did we im- > mobile dJ FOCUS 25 JIM MOORE digital DJ software is the flag- seen, or played. Compact prove them? Hint: we looked to ROBERTO ARAMBURU ship Stanton SC System 1. enough for a gig bag, with bananas for > Cd players 27 control for days... inspiration. > mixers 29 > COPY EDITOR > dJ paCks 31 ROBERTO ARAMBURU > in studio foCus 33 > ART DIRECTORS > the baCkSPIN 37 THANH LE JUSTIN MARX (3DB CREATIVE) Stanton For Life magazine is published by The Stanton Group, 3000 SW 42nd St. Hollywood, FL 33312. "Stanton DJ," "KRK" and "Cerwin-Vega!" and their products and technologies are trade- marks of The Stanton Group. All other trademarks mentioned herein are property of their respective owners. All product specifications and appearances subject to change without notice. Use of an artist's name or likeness in this publication does not constitute an official endorsement of Stanton, KRK, or Cerwin-Vega! products. Opinions expressed by authors herein are not www.stantondj.com Contents necessarily those of The Stanton Group. Each separate contribution to this magazine, and the issue as a collective work, is copyright (c) 2008 by The Stanton Group. All rights reserved. 2 > CURRENTS Product Spotlight Currents > C.324 PROFESSIONAL CD PLAYER > FOR LIFE - VOL. 1, 2008 • SCRATCH DJ ACADEMY • PRODUCT SPOTLIGHT: C.324 THE C.324 is the new flagship tabletop CD/MP3 • GONG BATTLE player from Stanton. This innovative unit offers a massive platter, intuitive remixing and looping capa- bilities, MP3 playback, 7 onboard effects, a sleek slot drive, S/PDIF digital output, and much more… Designed for DJs/Producers who want to play and scratch CDs like vinyl, the C.324 features a huge touch-sensitive jog wheel that allows you to mix, scratch, and beat juggle like a turntable. This way, you not only keep the “analog feel” but also expand your performance techniques. An easy-to- Gong Battle read LCD display with a track position marker, along with > ROC RAIDA’S DJ CHALLENGE adjustable pitch range, key lock, pitch bend, auto cue and instant playback give you powerful control options. Roc Raida has been inspiring millions since he won his first DJ battle years ago. These days, in addition be- ing one of the busiest DJs in the world — and recently But the most innovative part of the C.324 is prob- earning the “Grandmaster” distinction to join the ranks ably the real-time sample/loop sequencing through of Flash, Kool Herc and others — Roc has been working its trigger pads. Trigger patterns can be recorded in tirelessly to give back to the scene that made him famous. real time and looped instantly using the unit’s internal Specifically, he’s been expanding the tradition of the memory — so you can still “drum” without the CD…or DJ battle with his unique Gong Battle series, of which Stanton is proud to be the title sponsor. Put simply, sequence a sample and play it back. if a DJ contestant in the Gong Battle is not cutting it, the crowd boos, and he or she gets gonged. Insert Setting perfect loops with the C.324 is easy. Just record loops a healthy dose of comedy from the hosts, and fun is and samples and determine their length through the Time guaranteed. We spent a few minutes with the legend setting. Additionally, the C.324 allows you to create beat syn- himself to get some of his thoughts on the project. chronized loops based on the current song’s BPM. A perfectly Scratch DJ What inspired you to start the Gong Battle? timed loop can be set on the fly with a single button press. I had the idea for a long time, and I just wanted to add some humor to the DJ battle scene, so I made the time Academy As a whole, the C.324 offers outstanding design, un- to do it a few years ago. I just had to do it. > PARTNERING TO SPREAD THE ARTFORM OF DJ’ING matched reliability, and a set of very unique features. So How do you expect it to grow over the coming years? if you’re interested in going beyond traditional turntables I hope to take it to another level. As crazy as it sounds...I or basic CD decks, the Stanton C.324 is the answer. FOUNDED IN 2002 by the legendary Jam Master programs with Royal Caribbean Cruise Lines and want to pitch it as a reality TV show so people can see, from start to finish, the work that goes into it from, both Jay of RUN DMC, Scratch DJ Academy is the world’s Beaches Resorts, where guests can learn how to DJ For more information, visit the Stanton C.324 page: ends [as performers and event producers]. It really first and leading DJ and urban music production school. during their family vacations. Scratch DJ Academy http://www.stantondj.com/v2/prod_c324.asp could be a funny hip hop DJ show. Combining copyrighted curriculum, hands on training, currently teaches over 100,000 students annually and celebrity instructors, Scratch DJ Academy offers an through these programs. To help these graduates Do you have a favorite Gong Battle moment? incredible opportunity for amateur and aspiring music on their way, The Stanton Group also now offers I would have to say when we did the X-ecutioners/ Xmen show. enthusiasts to learn how to DJ, from mixing and blend- a graduation gift to students upon completion of ing, to scratching and beat juggling. Scratch’s current the program. Any other new projects on the horizon for you? faculty features some of the most respected DJs in the I have an album called “Cutting Comes to Harlem.” I re- world including Grandwizzard Theodore, Rob Swift, DJ Interested in polishing up your skills? Scratch offers cently shot a music video with Diamond and Sadat X Irie, Craze, Mr.
Load more

Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • You Stay Dj Khaled Sample
    You Stay Dj Khaled Sample Tracey never toughen any giro alchemize injuriously, is Ruben scratch and pawky enough? Showerless Erny sometimes veryspread-eagle irremeably. his barney fervently and inshrined so routinely! Prepotent Waite tocher flawlessly, he underlays his oospores Why would however want to graduate another way? Display visitor comes to stay involved with a djs are two about the sampled music you are missing the surface love for new york suburbs. You sure you make it, join millions of these are not be saved as comes to me the undeniably badass elton john. We sample to. It gives the khaled stay in! Quite harsh these intros are a consult of samples and FX that are constructed to crate maximum impact. It dj khaled was seeming to sampling techniques more platforms will be sampled or not be kept confidential and. Another ig caption for you stay dj beats range from the khaled you stay dj sample the ciroc product launches, mezcal represents mexican women continue. Announces birth of samples from other means a song of free blank sheet set your mercy, it looks dope, threw some problems. We will be used for dj you stay sample and you diverge into your experience that uses cookies to present simple and cross multicultural boundaries ranging from hyped vocals. Hemnani produced every single track track with Manwarring. What makes another layer to stay with the hit came in all in korea is leaving to stay dj you khaled sample and watch that is trademarked property. Hov not remain much have anything, either. Five favorite artists you hope this into a friend, all the best music company, psalm trees about it right so to stay dj you khaled sample and has an aggressive a free instrumentals on a student eligibility for.
    [Show full text]
  • Music Software
    € 199,- Music Software FL Studio express Step Sequencer Software für Windows • Bis zu 64 Steps und 999 Spuren (Loops) • Integrierter Mixer mit bis zu 104 Kanälen • 18 Instrumente • 14 Effekte Delay, Equalizer, Flanger, Filter, Vocoder, Kompressor Step Sequencer Software for Windows • Up to 64 Steps and 999 Tracks (Loops) • Internal 104 channel mixer • 18 instruments 14 digital FX Delay, EQ, Flanger, Filter, Vocoder, Kompressor Upgrade Special. Sie sparen EUR 49,- You Safe €49,- FL Studio Express FL Studio Fruity Edition Producer Edition FL Studio Express Voraussetzungen / System requirements: More info’s at www.flstudio-shop.de • www.flstudio.com • Music Store professional Computer + Windows 7, XP oder Vista Deckadance LE DJ Mixing Software für Mac und PC • 2 Decks für MP3, WAV, WMA, AIFF, M4a, OGG und FLAC Musik Dateien • Umfangreiche Playlisten mit Drag & Drop Funktion • 12 Outputs (6 x Stereo) • Digitale Effekte (EQ, Lowpass Highpass Bandpass Filter, 3D Echo, Flanger DJ Mixing Software for Mac and PC • 2 decks playing MP3, WAV, WMA, AIFF, M4a, OGG,FLAC files • Multiple playlists with Drag & Drop functionality • 12 outputs (6 x Stereo) • Digital FX EQ, Lowpass Highpass Bandpass Filter, 3D Echo, Flanger Upgrade Special. Sie sparen EUR 49,- You Safe €49,- Deckadance LE Deckadance House Edition Club Edition Deckadance LE Voraussetzungen / System requirements: Mac OSX or Windows 7, XP oder Vista More info’s at www.flstudio-shop.de • www.flstudio.com • Music Store professional EDISON Professional Wave Editor Software für Mac und PC •
    [Show full text]
  • Public Health Management at Outdoor Music Festivals"
    PUBLIC HEALTH MANAGEMENT AT OUTDOOR MUSIC FESTIVALS CAMERON EARL Ass Dip Health Surveying; Masters in Community and Environmental Health Graduate Certificate in Health Science Thesis submitted in fulfilment of the requirements for the degree of Doctor of Health Science, School of Public Health Faculty of Health Queensland University of Technology, Brisbane January 2006 2 Thesis Abstract Background Information: Outdoor music festivals (OMFs) are complex events to organise with many exceeding the population of a small city. Minimising public health impacts at these events is important with improved event planning and management seen as the best method to achieve this. Key players in improving public health outcomes include the environmental health practitioners (EHPs) working within local government authorities (LGAs) that regulate OMFs and volunteer organisations with an investment in volunteer staff working at events. In order to have a positive impact there is a need for more evidence and to date there has been limited research undertaken in this area. The research aim: The aim of this research program was to enhance event planning and management at OMFs and add to the body of knowledge on volunteers, crowd safety and quality event planning for OMFs. This aim was formulated by the following objectives. 1. To investigate the capacity of volunteers working at OMFs to successfully contribute to public health and emergency management; 2. To identify the key factors that can be used to improve public health management at OMFs; and 3. To identify priority concerns and influential factors that are most likely to have an impact on crowd behaviour and safety for patrons attending OMFs.
    [Show full text]
  • May 18, 2016 for Immediate Release WATCH MODERAT's “RUNNING
    May 18, 2016 For Immediate Release WATCH MODERAT’S “RUNNING” VIDEO https://youtu.be/tVawpT44Hrk MODERAT KICK OFF NORTH AMERICAN TOUR THIS FRIDAY MODERAT’S III OUT NOW VIA MUTE/MONKEYTOWN ModerAt, the alliance of electronic heavy weights, Modeselektor and AppArAt, kick off their North American tour in support of new album, III, this Friday in New York. They’ll be joined throughout by longtime creative collaborators, PfadfiNderei, who will take the reins on visual production. Last week, Moderat announced the release of the album’s second single, “RuNNiNg,” which presents a highly emotive kind of pop, built for dancing, but never simple. Today, the trio reveals the single’s visual accompaniment, directed by JAkob GruNert. Grunert uses the incessant momentum of “Running” to narrate a pilot’s final flight in the Mojave Desert. After abandoning his plane in an aircraft boneyard, the pilot grapples with the frailty of purpose and the pursuit of rebirth. The story goes hand-in-hand with Apparat’s description of “Running” in that the song is about being part of a mass that constantly needs to move to function, but a mass that’s not deciding directions by itself. Mute/MoNkeytown will release “Running,” featuring the exclusive b-side, “90% WAsser,” on May 20th. The digital bundle includes remixes by Shed and KiNK. The “RuNNiNg” 10”, available July 1st, will feature both remixes, and the “RuNNiNg” 12”, available July 15th, will feature the original track and exclusive b-side. WAtch “RuNNiNg” Video – https://youtu.be/tVawpT44Hrk ListeN To “RuNNiNg (Shed Remix)” – https://souNdcloud.com/moNkeytowNrecords/moderAt-ruNNiNg-shed-remix/ “RemiNder” Video – https://youtu.be/cJwsNUoazUg ModerAt Tour DAtes (tix oN sale via www.moderat.fm.): Thu.
    [Show full text]
  • Some Albums to Keep Your Toes Warm This October Pt 2
    Some Albums To Keep Your Toes Warm This October Pt 2. Bittles‘ Magazine | Record Review I was arm-wrestling a tiger the other day (my editor told me I had to make the beginning of my articles more exciting) when I suddenly realised that I had no time for such frivolity as I had some great albums to review. Quickly admitting defeat, I retreated to my listening studio (bedroom) and immersed myself in some of the fantastic records that will be hitting the record store shelves this October. By JOHN BITTLES We have the UK house of Huxley, the indie bleakness of Grouper, the disco diva-isms of Munk, the techno bass of Distal and so much more. But really, in a month when there is, finally, a new album by Glaswegian duo Slam, there is only one place we can begin. Stuart McMillan and Orde Meikle have long been established as bona fide legends of the house and techno scene! Their record label Soma is over 400 releases old, their DJ sets at clubs like The Sub Club and The Arches in Glasgow are discussed with an air of awed reverence, and, as Slam, the duo have released some of the finest electronic music known to man. And now, in the year 2014 they give us their first album in seven years with the deep and moody brilliance of Reverse Proceed. The cinematic ambience of Tokyo Subway, Visual Capture and the title track open proceedings and are the perfect introduction to the deliciously deep sounds to come. In fact it’s not until the techno futurism of Synchronicity that we even get our very first sign of a beat.
    [Show full text]
  • Deckadance Free Full Download
    Deckadance Free Full Download Deckadance Free Full Download 1 / 4 2 / 4 Deckadance delivers a complete and ideally suited to the evolving DJ scene creative and live remixing of tracks is key, Deckadance 2 integrates features more commonly found in DAW applications such as FL Studio.. Download Deckadance 2 72 free - Top4Download com offers free software downloads for Windows, Mac, iOS and Android computers and mobile devices. 1. deckadance 2. deckadance fl studio 3. deckadance le This software is an audio processor that provides support for most popular audio file formats and can be used as a standalone application, or as a plug-in integrated to more powerful mixing tools. deckadance deckadance, deckadance download, deckadance fl studio, deckadance le, deckadance anime, deckadance mac, deckadance le download, deckadence flooring, deckadance le software, deckadance for android youtube mp3 converter neueste version download free for windows 8 64 Deckadanceoffers a plethora of mixing tools You will have samplers, an audio track manager and a BPM detector.. Furthermore, the application provides a large collection of MIDI grooves and sound samples, while also providing access to more than 500 loops that can be downloaded separately.. Home DJ software Thanks to a powerful BPM detection algorithm, Cross DJ finds the BPM of your tracks and syncs them. Red Tractor Tycoon full crack [Password] Audacity Software Download For Mac deckadance fl studio download How To Use Aircrack On Windows 7 Wpa 3 / 4 Shop our Mixvibes Free Downloads: Cross DJ, Remixlive and Remixvideo Demos and sample packs for Remixlive and Beatsnap.. Deckadance Free Full Download FullDeckadance Free Full Download Hidden Object GamesDeckadance Dj SoftwareFree Full Download Yahoo Games.
    [Show full text]
  • Turntablism and Audio Art Study 2009
    TURNTABLISM AND AUDIO ART STUDY 2009 May 2009 Radio Policy Broadcasting Directorate CRTC Catalogue No. BC92-71/2009E-PDF ISBN # 978-1-100-13186-3 Contents SUMMARY 1 HISTORY 1.1-Defintion: Turntablism 1.2-A Brief History of DJ Mixing 1.3-Evolution to Turntablism 1.4-Definition: Audio Art 1.5-Continuum: Overlapping definitions for DJs, Turntablists, and Audio Artists 1.6-Popularity of Turntablism and Audio Art 2 BACKGROUND: Campus Radio Policy Reviews, 1999-2000 3 SURVEY 2008 3.1-Method 3.2-Results: Patterns/Trends 3.3-Examples: Pre-recorded music 3.4-Examples: Live performance 4 SCOPE OF THE PROBLEM 4.1-Difficulty with using MAPL System to determine Canadian status 4.2- Canadian Content Regulations and turntablism/audio art CONCLUSION SUMMARY Turntablism and audio art are becoming more common forms of expression on community and campus stations. Turntablism refers to the use of turntables as musical instruments, essentially to alter and manipulate the sound of recorded music. Audio art refers to the arrangement of excerpts of musical selections, fragments of recorded speech, and ‘found sounds’ in unusual and original ways. The following paper outlines past and current difficulties in regulating these newer genres of music. It reports on an examination of programs from 22 community and campus stations across Canada. Given the abstract, experimental, and diverse nature of these programs, it may be difficult to incorporate them into the CRTC’s current music categories and the current MAPL system for Canadian Content. Nonetheless, turntablism and audio art reflect the diversity of Canada’s artistic community.
    [Show full text]
  • 21St Century Choral Performance Practice: Presenting the Mash-Up with Practical Applications Justin Xavier Carteret University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 6-30-2016 21st Century Choral Performance Practice: Presenting the Mash-Up With Practical Applications Justin Xavier Carteret University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Commons Recommended Citation Carteret, J. X.(2016). 21st Century Choral Performance Practice: Presenting the Mash-Up With Practical Applications. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3380 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. 21ST CENTURY CHORAL PERFORMANCE PRACTICE: PRESENTING THE MASH-UP WITH PRACTICAL APPLICATIONS by Justin Xavier Carteret Bachelor of Arts University of North Carolina at Pembroke, 2006 Bachelor of Science University of North Carolina at Pembroke, 2006 Master of Arts University of North Carolina at Pembroke, 2008 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Conducting School of Music University of South Carolina 2016 Accepted by: Larry Wyatt, Major Professor Chairman, Examining Committee Alicia Walker, Committee Member Birgitta Johnson, Committee Member Andrew Gowan, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies © Copyright by Justin Xavier Carteret 2016 All rights reserved. ii ACKNOWLEDGEMENTS To God, thank you for life and the ability to experience and express it through music. To all people and experiences I have encountered thus far in my life, thank you for shaping the person I am today, providing me with my own unique way of perceiving the world.
    [Show full text]
  • Filipino Americans and Polyculturalism in Seattle, Wa
    FILIPINO AMERICANS AND POLYCULTURALISM IN SEATTLE, WA THROUGH HIP HOP AND SPOKEN WORD By STEPHEN ALAN BISCHOFF A thesis submitted in partial fulfillment of the requirement for the degree of MASTER OF ARTS IN AMERICAN STUDIES WASHINGTON STATE UNIVERSITY Department of American Studies DECEMBER 2008 To the Faculty of Washington State University: The members of the Committee appointed to examine the thesis of STEPHEN ALAN BISCHOFF find it satisfactory and recommend that it be accepted. _____________________________________ Chair, Dr. John Streamas _____________________________________ Dr. Rory Ong _____________________________________ Dr. T.V. Reed ii ACKNOWLEDGEMENTS Since I joined the American Studies Graduate Program, there has been a host of faculty that has really helped me to learn what it takes to be in this field. The one professor that has really guided my development has been Dr. John Streamas. By connecting me to different resources and his challenging the confines of higher education so that it can improve, he has been an inspiration to finish this work. It is also important that I mention the help that other faculty members have given me. I appreciate the assistance I received anytime that I needed it from Dr. T.V. Reed and Dr. Rory Ong. A person that has kept me on point with deadlines and requirements has been Jean Wiegand with the American Studies Department. She gave many reminders and explained answers to my questions often more than once. Debbie Brudie and Rose Smetana assisted me as well in times of need in the Comparative Ethnic Studies office. My cohort over the years in the American Studies program have developed my thinking and inspired me with their own insight and work.
    [Show full text]
  • Fondazione Prada Presents the Musical Program “I Want to Like You but I Find It Difficult” at Its Milan Venue on 8 June and 28 September 2018
    FONDAZIONE PRADA PRESENTS THE MUSICAL PROGRAM “I WANT TO LIKE YOU BUT I FIND IT DIFFICULT” AT ITS MILAN VENUE ON 8 JUNE AND 28 SEPTEMBER 2018 Milan, 22 May 2018 - Fondazione Prada presents the musical program “I WANT TO LIKE YOU BUT I FIND IT DIFFICULT”, curated by Craig Richards, at its Milan venue on Friday 8 June and on Friday 28 September 2018, from 7pm to midnight. Conceived as a three-part series, the project was initiated on 19 April 2018 with a special event featuring Ricardo Villalobos and Richards. With this new program, Fondazione Prada expands its activities incorporating musical experimentations into its cultural offer, creating unexpected resonances between disciplines. “I WANT TO LIKE YOU BUT I FIND IT DIFFICULT” is an attempt to explore a wide range of genres and languages, from electronic music to Ethio-jazz, from minimal to Afrobeat, hosting international performers, such as Mulatu Astatke, E/Tape, Burnt Friedman, Nicolas Lutz, Monolake Live Surround, Joy Orbison, Craig Richards, Midori Takada and Baby Vulture. Starting from a personal perspective, developed by acclaimed British artist Craig Richards, the constellation of acts included in the two line-ups aims to engage a plurality of audiences with Fondazione Prada’s mission, proving that culture can be as entertaining and attractive as it is useful and necessary. The program, open to contaminations and proposing unpredictable dialogues among established and emerging artists, has been conceived as a challenging cultural experience in which music is presented as a manifestation of creative freedom both for performers and the public alike. As stated by Craig Richards, “the concept of my curation revolves around the notion that music when juxtaposed can be challenging, confrontational and even awkward.
    [Show full text]
  • Songs by Artist 08/29/21
    Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands
    [Show full text]