DOCSLIB.ORG

Pro Mixer Vmx1000usb/Vmx300usb

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pro Mixer Vmx1000usb/Vmx300usb DJ Mixers PRO MIXER VMX1000USB VMX300USB / VMX200USB VMX100USB VMX1000USB: Professional 7-Channel Rack-Mount DJ Mixer with USB/Audio Interface, BPM Counter and VCA Control Professional 7-channel ultra-low noise DJ mixer with state-of-the-art phono preamps Awesome XPQ stereo surround effect 3-band kill EQ (-32 dB) with EQ on/off The VMX1000USB, VMX300USB, inputs for announcements, an impromptu switch on stereo channels, VMX200USB and VMX100USB DJ Mixers rap, or any other vocal nuance. But this Gain control and precise level are built to connect directly to your new generation’s USB connectivity meter per channel computer and take your music straight enables you to access your MP3 library or into the digital realm. In an instant, digitize your own creative mix, putting it Automatic talkover function these mixers allow you to record and directly onto your computer. If it can be with separate Depth and play any digital music file with your PC clicked, spun or spoken, the new VMX USB Sensitivity control or Mac computer with no setup drivers series can mix it! required! You also get a massive software Balanced Main and additional A VMX For All DJ’s zone outputs bundle to transform your computer into a full-fledged music production and Whether you’re a stunt DJ Subwoofer output with adjustable editing studio. throwing multiple elements into x-over frequency and level control Live Large With More Mediums! the mix, or keeping it real simple, for separate bass amplification there is a USB-ready VMX mixer for VMX300USB: Professional 3-Channel Like the trusty DJ mixers of yore, you. The VMX1000USB packs an ample DJ Mixer with USB/Audio Interface, the latest VMX series features many RCA 7 channels, the VMX300USB has three BPM Counter and VCA Control inputs for mixing up your favorite vinyl and the VMX200USB and VMX100USB cuts via turntables or feeding signal from each have two channels. They all feature Professional 3-channel ultra-low tape or CD players. They also feature mic super-smooth ULTRAGLIDE faders noise DJ mixer with state-of-the-art Continued on next page phono preamps Awesome XPQ 3D stereo surround effect 3-band kill EQ (-32 dB) and precise level meters with peak hold function Automatic talkover function with dedicated Depth control Microphone input with studio-grade ULN technology Professional Crossfader reverse switch Front-panel 3-way Kill switches with revolutionary keyboard-like tap and hold action Page 2 of 15 with up to 500,000 life cycles and a In the case of multiple tempo changes, PRO MIXER VCA-controlled crossfader for utmost the beat counter would normally change VMX1000USB reliability and smooth audio performance. continuously, causing confusion and Their adjustable crossfader curves let you rendering the function virtually useless. VMX300USB quickly adapt to various mixing styles. But thanks to VMX’s SYNC LOCK button, VMX200USB you can limit the range of possible tempo The VMX1000USB, VMX300USB and values within a given song. Pressing this VMX100USB VMX200USB all feature BEHRINGER’s button once allows the counter to lock awesome XPQ stereo surround effect will onto and display a more realistic value. give your mix an unmistakable finishing Additionally, the BEAT ASSIST button touch. These three models also give you VMX200USB: Professional 2-Channel allows you to set the beat counter’s a 3-band kill EQ, Gain control and precise tempo manually, similar to “tap tempo” DJ Mixer with USB/Audio Interface, level meter per channel. The VMX1000USB BPM Counter and VCA Control function. Pressing the button three additionally has an EQ on/off switch on times in time with the track will set Professional 2-channel ultra-low stereo channels. There is also a monitor the beat counter and its display at the noise DJ mixer with state-of-the-art function with PFL/main balance control desired tempo. phono preamps & split option and auto-talkover function with separate depth and sensitivity The BEAT ASSIST and SYNC LOCK Awesome XPQ 3D surround effect control. Meanwhile, the VMX100USB buttons are each equipped with an LED features the most simplified controls, that shows which function is activated. 3-band kill EQ (-32 dB) and precise with a 2-band EQ and level meter for Once the tempo of the two tracks has level meters with peak hold function MAIN output. been determined and locked with the SYNC LOCK or BEAT ASSIST buttons, Automatic talkover function with For the DJ in need of mammoth bass, dedicated Depth control the tempo difference between the the VMX1000USB features a subwoofer two crossfader-assigned sources is Microphone input with studio-grade output with adjustable x-over frequency displayed via the 9-segment TEMPO ULN technology and level control, perfect for putting some DIFFERENCE LED display (not available on extra punch to your dance numbers. VMX1000USB). When the center LED is lit, Professional Crossfader And you will never run out of connectivity the tracks are in perfectly in sync; when reverse switch options with the balanced MAIN and the display moves to the left or right, the additional zone OUTPUTS. VMX100USB: Professional 2-Channel corresponding channel is running out DJ Mixer with USB/Audio Interface, Get In-Sync! of sync. It just doesn’t get much easier BPM Counter and VCA Control than this! The built-in beat counter is an Professional 2-channel ultra-low extremely useful feature, allowing smooth Value noise DJ mixer with state-of-the-art crossfades between two tracks—an When you hook up with a VMX mixer phono preamps important key to the success of your with USB connectivity, you’re adding the performance. The beat counter analyzes ultimate modern touches to your rig at 2-band kill EQ (-32 dB) and precise and displays the tempi of your tracks in level meters with peak hold function a price that will leave you with cash to BPM (Beats Per Minute). The beat counter spare. Their superior build quality and Microphone input with studio-grade sections of channels 1 and 2 are identical, rugged components mean these mixers ULN technology with the tempo of each track shown in will serve you well for years to come. the respective channel’s display. Drop in at your nearest BEHRINGER dealer and find out why so many DJs are making magic with BEHRINGER. Page 3 of 15 PRO MIXER VMX1000USB VMX1000USB VMX300USB VMX200USB VMX100USB Common features Built-in USB interface for recording and playback of any digital music file. Works with your PC or Mac computer—no setup or drivers required Massive software bundle including Audacity vinyl restoration and PHONO/LINE switch recording, Podifier and Golden Ear selects channel GAIN knob podcasting software downloadable audio source at behringer.com LEVEL METER displays XLR microphone channel signal level inputs Intelligent, dual BPM counter with time and beat sync display MIC channel EQ Channel EQ knobs knobs adjust high, adjust high, mid, and Super-smooth, long-life ULTRAGLIDE mid, and low low frequencies faders (up to 500,000 cycles) frequencies Channel fader adjusts VCA-controlled crossfader for MIC AUX knobs adjust channel volume microphone’s signal utmost reliability and smooth level at MIC AUX EQ BYPASS button audio performance SEND jack deactivates the channel VOL knob sets EQ knobs Adjustable crossfader curve for all microphone volume PFL button routes channel mixing styles signal for headphones monitoring option TALK ON Monitor function with PFL/main button activates balance control and Split option TALK function BEAT COUNTER displays sources material tempo (not available on VMX100usb) MIC ON button engages Gold-plated RCA connectors for microphone highest signal integrity SENS knob DPT knob controls the High-quality components and SYNC LOCK button adjusts how loud mic music volume reduction allows user to exceptionally rugged construction signal must be to when mic is in use lock-in displayed ensure long life engage TALK function tempo Conceived and designed by BEHRINGER Germany Page 4 of 15 PRO MIXER VMX1000USB VMX300USB VMX200USB VMX100USB VMX1000USB BAL A adjusts ON/OFF switch turns stereo balance of the power on and off OUT A signal OUT A knob adjusts OUT B knob adjusts volume of AMP/ volume of BOOTH/ MAIN 1 Outputs MAIN 2 Outputs LEVEL METER displays MAIN OUT signal level Headphones jack XPQ surround knob adjusts amount of MODE switch stereo enhancement provides versatile in mix monitoring of sources (Stereo/Split) XFADE CURVE knob allows user to custom- XPQ ON activates/ tailor CROSSFADER deactivates response surround stereo enhancement CROSSFADER fades between selected LEVEL knob sound sources adjusts volume of headphone mix BEAT ASSIST button allows user to enter MIX knob fades tempo manually by between PFL and tapping MAIN signal ASSIGN knobs A FX RET adjusts level and B select audio of MIC AUX RETURN source for each side signal in main mix of CROSSFADER X/O control Stereo FX RETURN adjusts subwoofer RCA jacks from upper cut-off Stereo MAIN 1 USB connection external FX frequency SUBWOOFER XLR outputs with Stereo Channel Stereo Channel socket device to MAIN (30 – 200 Hz) LEVEL control MONO switch LINE INPUTS LINE INPUTS IEC Power Stereo FX Stereo Stereo MAIN SUBWOOFER XLR SUBWOOFER Stereo Channel Channel 1, 2 & 3 MIC AUX SEND and socket SEND RCA RECORD 2 OUTPUT socket connects to LEVEL control LINE INPUTS stereo PHONO/ RETURNS (mono jacks from PFL OUTPUT RCA jacks active subwoofer or LINE INPUTS with or stereo) bus to external RCA jacks external amplifier selection switches FX device for use with and phono passive subwoofer GND (Ground) connectors Page 5 of 15 PRO
Load more

Recommended publications
  • You Stay Dj Khaled Sample
    You Stay Dj Khaled Sample Tracey never toughen any giro alchemize injuriously, is Ruben scratch and pawky enough? Showerless Erny sometimes veryspread-eagle irremeably. his barney fervently and inshrined so routinely! Prepotent Waite tocher flawlessly, he underlays his oospores Why would however want to graduate another way? Display visitor comes to stay involved with a djs are two about the sampled music you are missing the surface love for new york suburbs. You sure you make it, join millions of these are not be saved as comes to me the undeniably badass elton john. We sample to. It gives the khaled stay in! Quite harsh these intros are a consult of samples and FX that are constructed to crate maximum impact. It dj khaled was seeming to sampling techniques more platforms will be sampled or not be kept confidential and. Another ig caption for you stay dj beats range from the khaled you stay dj sample the ciroc product launches, mezcal represents mexican women continue. Announces birth of samples from other means a song of free blank sheet set your mercy, it looks dope, threw some problems. We will be used for dj you stay sample and you diverge into your experience that uses cookies to present simple and cross multicultural boundaries ranging from hyped vocals. Hemnani produced every single track track with Manwarring. What makes another layer to stay with the hit came in all in korea is leaving to stay dj you khaled sample and watch that is trademarked property. Hov not remain much have anything, either. Five favorite artists you hope this into a friend, all the best music company, psalm trees about it right so to stay dj you khaled sample and has an aggressive a free instrumentals on a student eligibility for.
    [Show full text]
  • Manual Important Safety Precautions
    DJLab 2.1 Complete DJ System 3. 5 0 0.5 3. 5 0 0.5 USER’S MANUAL IMPORTANT SAFETY PRECAUTIONS 1. Read Instructions – All the safety and operating instructions should be read 14. Servicing – The user should not attempt any service to the appliance beyond before this product is operated. that described in the operating instructions. All other servicing should be 2. Retain Instructions – The safety and operating instructions should be retained referred to qualified service personnel. for future reference. 15. Ventilation – Slots and openings in the cabinet are provided for ventilation and 3. Heed Warnings – All warnings on the appliance and in the operating to ensure reliable operation of the product and to protect it from overheating, instructions should be adhered to. and these openings must not be blocked or covered. The openings should 4. Follow Instructions – All operating and use instructions should be followed. never be blocked by placing the product on a bed, sofa, rug, or other similar 5. Water and Moisture – The appliance should not be used near water - for surface. This product should not be placed in a built-in installation such as example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet a bookcase or rack unless proper ventilation is the manufacturer’s instructions basement, or near a swimming pool, and the like. have been adhered to. 6. Heat – Appliance should be situated away from heat sources such as 16. Attachments – do not use attachments not recommended by the radiators, heat registers, stoves, or other appliances (including amplifiers) that product manufacturer as they may cause hazards.
    [Show full text]
  • DJ Mixer Professional
    CuteDJ – Start Guide CuteDJ is a professional audio-video DJ mixing software that allows you to mix like a pro DJ/VJ in no time and with great control and flexibility. Included you will find 7 completely different user interfaces (skins) with 2 decks, with or without video previewing. This software has been developed mainly for professionals, to use and experiment advanced DJ techniques. You can connect up to 8 hardware MIDI controllers at the same time to control the software without even touching your Mac. There are over 50 zero-configure controllers supported from Numark, Behringer, Beyond Music, Denon, Faderfox, Akai, American Audio, Pioneer, Stanton, Vestax, Beamz, Gemini, Hercules, M-Audio, PCDJ, Reloop, Zomo and etc. You can also use any other MIDI controller that you can visually map using the intuitive LEARN feature. In short, you have everything you need to get the rhythm going beyond the classical mixing boundaries. This is an overview of the CuteDJ interface. To spice up the mix you can set up seamless loops instantly, tweak the equalizer (with kill switches) and load up external effects in VST or AU (AudioUnits) formats. These are professional studio-quality effects that you can buy or install for free from 3rd parties. You can even map the effects' parameters to real knobs/sliders on your MIDI controller(s). This is a Start Guide and as such, we will highlight the main features of CuteDJ that will have you accustomed to the software in no time. By the time you will have finished reading this start guide, you will have no problem mixing your favorite songs and videos.
    [Show full text]
  • Dm3001x Dj Mixer
    Professional Disc Jockey Products DM3001X DJ MIXER Owner’s Manual ©2001 Industries http://www.numark.com DM3001X h) Power Sources - This product should be connected to a Safety Information power supply only of the type described in these operating instructions, or as marked on the unit. i) Power Cord Protection - Power supply cords should be routed so that they are not likely to be walked upon or pinched by items placed on or against them. When removing the cord from a power outlet be sure to remove it by holding the plug attachment and not by pulling on the cord. j) Object and Liquid Entry - Take care that objects do not fall into and that liquids are not spilled into the inside of the mixer. k) Cleaning – The appliance should be cleaned only as recommended by the manufacturer. l) Non-use Periods – The power cord of the appliance should be unplugged from the outlet when left unused for long periods of time. m) Damage Requiring Service - Only qualified personnel should service this product. If you have any questions about service please contact Numark at the number(s) shown on the back cover of this manual. n) Grounding or Polarization - Precautions should be taken so that the grounding or polarization means built into the SAFETY INSTRUCTIONS CD player is not defeated. a) Read Instructions - All the safety and operating o) Internal/External Voltage Selectors - Internal or external instructions should be read before this product is voltage selector switches, if any, should only be reset connected and used. and re-equipped with a proper plug for alternative b) Retain Instructions - The safety and operating voltage by a qualified service technician.
    [Show full text]
  • Evolution of the Dj Mixer Crossfader
    RaneNote EVOLUTION OF THE DJ MIXER CROSSFADER Evolution of the DJ Mixer Origination Crossfader The DJ mixer crossfader was originally developed as a control for implementing smooth fades from one pro- • History gram source to another, but where did the idea come from? Fading between two independent sources was • Curves first accomplished by DJs using two rotary knobs. They would maintain constant acoustic energy (equal loud- • Pots - VCAs - Magnetics ness) in the room while carefully fading from one pro- gram source to another. Some expertise was required • Performance to accomplish this effect accurately and consistently. It became obvious that if a way could be found to fade from one source to another with a single control, the task would be much easier and repeatable for the less experienced. Rick Jeffs Rane Corporation RaneNote 146 © 1999 Rane Corporation A condensed version ran in DJ Times, June 1999 Crossfader-1 Panning circuits were already used in recording where the term “fader” has been in use since at least studios to move a single source from left-to-right while the ’50s (mentioned throughout the Radiotron De- maintaining constant acoustic energy. While the signer’s Handbook, 4th ed., 1952) and the term “cross- requirements for a single source panning circuit were fading” shows up in the Tremaine’s Audio Cyclopedia well defined, those for maintaining constant acoustic in 1973. The earliest example documented so far was energy while fading from one source to another were designed by Richard Wadman, one of the founders of not. the British company Citronic. It was called the model The exact origin of the first use of a crossfader in the SMP101, made about 1977, and had a crossfader that DJ world has proven difficult to track down.
    [Show full text]
  • DJ/Mobile Entertainment QSC K.2 Series™ Application Guide
    K.2 SERIES LOUDSPEAKERS application guide DJ/Mobile Entertainment k.2 series loudspeakers Rev A May 2017 SINCE THEIR INTRODUCTION IN 2009, K FAMILY LOUDSPEAKERS HAVE BECOME THE GO-TO FAVORITE PRODUCT FOR PROFESSIONAL AUDIO USERS MORE THAN A MILLION TIMES OVER. CONTINUING THAT TRADITION, THE QSC K.2 SERIES IS QUITE SIMPLY THE “NEXT STANDARD” IN POWERED LOUDSPEAKERS. THIS APPLICATION GUIDE IS DESIGNED TO OFFER YOU A FEW EXAMPLES OF HOW TO UTILIZE THE K.2 SERIES IN COMMON DJ AND MOBILE ENTERTAINER SITUATIONS. WHILE EACH INDIVIDUAL’S OR CLUB’S NEEDS MAY VARY, THIS GUIDE SHOULD SERVE AS A GOOD STARTING POINT ON HOW TO CONFIGURE AND DEPLOY THESE PRODUCTS IN YOUR APPLICATION. THERE ARE ALSO MANY OTHER ASSETS AVAILABLE TO YOU ONLINE AT QSC.COM INCLUDING VIDEOS, TECHNICAL DOCUMENTS AND MORE TO HELP YOU GET THE MOST FROM YOUR QSC PURCHASE. WE HOPE YOU TAKE ADVANTAGE OF EVERYTHING AVAILABLE AND WISH YOU A MOST SUCCESSFUL AND ENJOYABLE EXPERIENCE WITH YOUR K.2 SERIES. ONE FINAL NOTE: DON’T FORGET TO REGISTER YOUR K.2 SERIES ONLINE AT with QSC.COM TO RECEIVE OUR FREE GLOBAL 6-YEAR EXTENDED WARRANTY. YEAR Product 6 WARRANTY WHILE YOU’LL PROBABLY NEVER USE IT, IT ADDS AN ADDITIONAL LEVEL OF Registration CONFIDENCE THAT YOUR PURCHASE WILL DELIVER LASTING PERFORMANCE NIGHT AFTER NIGHT, YEAR AFTER YEAR. K.2 APPLICATION GUIDE—DJ/Mobile Entertainment 2 WHAT’S NEW Let’s look at the inputs on the K.2 loudspeakers. They’re still somewhat familiar to the K user, but updated a bit. As with the original K series, Input A again can be mic or line level, but Input B now can be either a line level input or a high-Z one suitable for musical instruments that have passive magnetic or piezo pickups.
    [Show full text]
  • Jaume Parera Bonmati
    DJ Codo Nudo: a novel method for seamless transition between songs for electronic music Jaume Parera Bonmati MASTER THESIS UPF / 2016 Master in Sound and Music Computing Master thesis supervisors: Perfecto Herrera Sergi Jordà Department of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona ii Acknowledgements I would like to thank to Perfecto Herrera and Sergi Jordà to give me the chance of working on this project, and to give to me the necessary support during the process. I know it was not easy to deal with a psychologist. Also thanks to Microfusa team, especially Eduard Gramund to give me the opportunity to participate to the Professional DJ course, I saw a deep passion for music on him, and the will of opening any door to new improvements. To Adriana López for her enthusiasm and patience to transmit the knowledge of her work and passion to me, and the hours of answering my non-stop questions. I want also to give tanks and congratulate to the Neukom Institute for Computational Science at Dartmouth College to propose the Algorithms contest, to give us the opportunity to participate, and for appreciating our job. To all my friends to believe, listen and understand to me, and to Pritish Chandna for these weeks programming together long hours, we got it! Finally thanks to my family for their blind trust on my projects, I really appreciate that. Abstract This thesis presents a novel methodology for selecting, ordering and mixing songs, in an effort to emulate a human DJ. The algorithm presented herewith builds on work done on these individual tasks and combines them.
    [Show full text]
  • Rane DJ Equipment. Depend on It Then, Now, and in the Future. Rane Corporation — Mukilteo, Washington, USA — 425.355.6000 —
    DJ Technology Timeline 1964 1st stereophonic disco system debuts at the 1964-1965 World’s Fair in New York. 1970 David Mancuso starts throwing after-hours parties in New York City that became known as “The Loft.” 1971 First DJ mixer is designed for the Haven club by Alex Rosner, and nicknamed “Rosie” for its inventor and red color. 1971 First commercially available DJ mixer, the Bozak CMA-10-2DL rotary club mixer. 1974 Grandmaster Flash develops his “Quick Mix Theory” for cutting and mixing records. 1975 GrandWizzard Theodore invents the scratch. 1976 First 12-inch single pressed, titled “So Much for Love” by Moment of Truth, mixed by Tom Moulton. 1977 Citronic SMP101 mixer. First British mixer with a horizontal crossfader. 1977 GLI PMX 7000 Mixer. First U.S. mixer to incorporate a horizontal crossfader labeled “Transition Control.” 1977 Paradise Garage opens in New York City featuring Larry Levan as DJ using Richard Long’s rst big sound system. 1977 Saturday Night Fever movie debuts December 16. 1977 Studio 54 opens in New York City with RLA’s famous sound system based on the Paradise Garage design. 1978 Technics SL-1200 Mark2 turntable (beefed-up version of the original SL-1200 home hi- model released in 1972). 1980 Richard Long & Alan Fierstein’s paper, “State-of-the-Art Discotheque Sound Systems,” presented at AES, New York. 1982 UREI 1620 Music Mixer, the rst Bozak mixer clone. 1982 Roland TB-303 Synthesizer/Sequencer released, nds later fame in acid house music. 1984 Rane AC 22 and AC 23 Active Crossovers.
    [Show full text]
  • D.2 2-Channel DJ Mixer Owner's Manual
    2-Channel DJ Mixer with FireWire Option OWNER’S MANUAL MICPGM 1 PGM 2 CONTROL OL U SOURCE SOURCE U MAIN 48V SIG LINE/ LINE/ PHONO PHONO OFF +3 +50 ON O O MAX O O MAX O O MAX LEVEL LEVEL CD CD LEVEL LEVEL EQ EQ EQ BOOTH U U HIGH HIGH HIGH STEREO MONO O O MAX LEVEL -15 +15 KILL +10 KILL +10 FX U MID MID MID O O +15 -15 +15 SEND KILL +10 KILL +10 U LOW LOW LOW O O +15 RETURN -15 +15 KILL +10 KILL +10 PHONES U PGM MAIN ON FX FX O O MAX LEVEL PGM SOURCE PANBAL BAL 1 2 L R LRR L PGM 1 PGM 2 TRANSFORM TRANSFORM MAIN LR OL OL OL 10 10 10 7 7 7 4 4 4 2 2 2 0 0 0 2 2 2 4 4 4 7 7 7 10 10 10 20 20 20 30 30 30 REVERSE REVERSE REVERSE infinium contact-free A B cross-fader Important Safety Instructions 1. Read these instructions. 13. Unplug this apparatus during lightning storms or when unused for long periods of time. 2. Keep these instructions. 14. Refer all servicing to qualifi ed service personnel. Servicing is required 3. Heed all warnings. when the apparatus has been damaged in any way, such as power- 4. Follow all instructions. supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or 5. Do not use this apparatus near water.
    [Show full text]
  • The Acoustics and Performance of DJ Scratching. Analysis and Modelling
    The acoustics and performance of DJ scratching Analysis and modeling KJETIL FALKENBERG HANSEN Doctoral Thesis Stockholm, Sweden 2010 TRITA-CSC-A 2010:01 ISSN 1653-5723 KTH School of Computer Science and Communication ISRN KTH/CSC/A–10/01-SE SE-100 44 Stockholm ISBN 978-91-7415-541-9 SWEDEN Akademisk avhandling som med tillst˚andav Kungl Tekniska h¨ogskolan framl¨agges till offentlig granskning f¨or avl¨aggande av teknologie doktorsexamen i datalogi Fredagen den 12 februari 2010 klockan 10:00 i F2, Kungl Tekniska H¨ogskolan, Lindstedtsv¨agen 26, Stockholm. © Kjetil Falkenberg Hansen, February 2010 Tryck: Universitetsservice US AB iii Abstract This thesis focuses on the analysis and modeling of scratching, in other words, the DJ (disk jockey) practice of using the turntable as a musical instru- ment. There has been experimental use of turntables as musical instruments since their invention, but the use is now mainly ascribed to the musical genre hip-hop and the playing style known as scratching. Scratching has developed to become a skillful instrument-playing practice with complex musical output performed by DJs. The impact on popular music culture has been significant, and for many, the DJ set-up of turntables and a mixer is now a natural instru- ment choice for undertaking a creative music activity. Six papers are included in this thesis, where the first three approach the acoustics and performance of scratching, and the second three approach scratch modeling and the DJ interface. Additional studies included here expand on the scope of the papers. For the acoustics and performance studies, DJs were recorded playing both demonstrations of standard performance techniques, and expressive perfor- mances on sensor-equipped instruments.
    [Show full text]
  • Dj Mixer Djm-S9
    DJ MIXER DJM-S9 http://pioneerdj.com/support/ The Pioneer DJ site shown above offers FAQs, information on software, and various other types of information and services to allow you to use your product in greater comfort. http://serato.com/ For the latest version of the Serato DJ software, access Serato.com and download the software from there. Operating Instructions Contents Before start Features ....................................................................................................... 3 What’s in the box ........................................................................................ 3 Installing the software ................................................................................ 3 Part names and functions Browser section .......................................................................................... 6 Deck section ................................................................................................ 6 Mixer section ............................................................................................... 7 Effect section ............................................................................................... 8 Rear panel ................................................................................................... 8 Front panel .................................................................................................. 9 Connections Connecting input terminals ..................................................................... 11 Connecting output terminals .................................................................
    [Show full text]
  • Professional Audio Products Data Sheet DJ MIXER Features General
    MP 24 Professional Audio Products Data Sheet DJ MIXER General Description The Rane MP 24 Mixer is a giant step forward for night GRAM METER and full HEADPHONE CONTROL monitor- club mixers. Following the advice of the most renowned ing and cueing system. figures in the night club market, Rane developed the MP 24 to The rear of the MP 24, besides holding all of the normal break down the limiting barriers of previous mixer designs. Input and Output connectors, features a transformer isolated Featuring four Stereo Input mixing Channels, each LIGHT CONTROL OUTPUT with associated LEVEL supplied with a selection of several PHONO and LINE Inputs, control, balanced 3-pin MAIN OUTPUT connectors, Program the MP 24 easily suits the needs of the most complex audio/ Equalizer EQ RANGE switch (±4dB or ±8dB) and a SYS- video installations. A total of six Stereo LINE Inputs are TEM MONO switch. available plus three Stereo PHONO Inputs. All sliders on the MP 24 are studio-quality, side wipe The MIC CONTROL section of the MP 24 handles two faders as found on high quality audio mixing consoles. microphones simultaneously. Both mics may be contoured by New features have been added to the MP 24. The cross- the three-band Mic Equalizer as well as processed through a fader is now front panel replaceable. Each of the PHONE MIC LOOP jack. On the rear of the unit, a 3-pin low-Z MAIN Inputs can be converted to LINE Inputs by moving internal MIC Input with switchable PHANTOM POWER, and a ¼" jumpers.
    [Show full text]