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Michael Josselson
The Congress for Cultural Freedom and the Non-Communist European Left, 1950-1967
Shock Therapy: the United States Anti-Communist Psychological Campaign in Fourth Republic France
Brsq ##125-126
'Krym Nash': an Analysis of Modern Russian Deception Warfare
“I Am Afraid Americans Cannot Understand” the Congress for Cultural Freedom in France and Italy, 1950–1957
Transatlantica Review.Pdf
The Cultural Cold War the CIA and the World of Arts and Letters
The Congress for Cultural Freedom, the CIA, and the Arabic Literary Journal "Ḥiwār" (1962-67) Author(S): Elizabeth M
The Congress for Cultural Freedom, La Musica Nel Xx Secolo, And
The Cold War
Diss Gradschool Submission
UC Santa Cruz Electronic Theses and Dissertations
Cultural Cold War [Review of Frances Stonor Saunders, the Cultural Cold
MAKING SENSE of CZESLAW MILOSZ: a POET's FORMATIVE DIALOGUE with HIS TRANSNATIONAL AUDIENCES by Joanna Mazurska
Publications, Encounter, Preuves, and Tempo Presente Soon Established Themselves in Their Respective Markets and Formed the Core of the CCF’S Ongoing Operations
Five Years Ago, the Freelance Historian Frances Stonor Saunders Caused a Flurry of Press Comment with the Publication of Her
1960S Futurism and Post-Industrial Theory A
The Cultural Front of the Cold War: the Congress for Cultural Freedom As an Experiment in Transnational Warfare
Top View
”Science Studies”: Cold War and the Politics of Science in the U.S., U.K., and U.S.S.R., 1950S-1970S
Master Document Template
Michael Josselson
Michael Hochgeschwender the Intellectual As Propagandist: Der Monat, the Congress for Cultural Freedom, and the Process of Westernization in Germany
Le Congrès Pour La Liberté De La Culture Puis Nous Aborderons Le Cas Spécifique Du Comité Américain
Springer Provided By5/25/17, Humanities 1 :Commons11 PM
Cadáver Exquisito
CIA and the Cultural Cold War Revisited by James Petras November 1999 Monthly Review