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Marina Carr
Television, Radio & Theatre September 2019
The Society of Fellows and Heyman Center for the Humanities
Violent Mothers in Marina Carr's Plays:The Mai, Portia Coughlan And
Notes on Contributors
University College Dublin School of English, Drama and Film MA Anglo-Irish Literature and Drama
Theatre of Possession: a Discussion of Marina Carr's the Mai
Marina Carr's Hauntings: Liminality and the Addictive Society on and Off the Stage
Theatre at Galway International Arts Festival
The Use of Folklore Themes and Motifs In
'Bodily Abjection and the Politics of Resistance in Tom Paulin's Greek Tragedies'
In Conversation with Marina Carr
Performing Gender and Violence in Contemporary Transnational Contexts
{PDF} Marina Carr: Plays: No. 2: on Rafterys Hill
A Conversation on Theatre, Language, and Artistic Migrations with Irish
Landmark Productions and Octopus Theatricals Presented by the Abbey Theatre and Dublin Theatre Festival Supported by Accenture and Dublin City Council MADE by MANY…
2006 – 2008, Three Year Review
ANNUAL REVIEW Abbey Theatre Annual Review 2017 02
MA in Anglo-Irish Literature
Top View
The Western States Theatre Review, Volume 18, 2012 Volume 18 • 2012 • 18 Volume
The Concept of the Edge in the Plays of Marina Carr
Irish Penelopes: Rewritings of the Myth in the Midlands Trilogy and Penelope
Current Women's Voices in the Irish Theatre: New Dramatic Visions
The Trauma of the Body in the Drama of Artaud, Beckett and Genet: a Paradox of the Speaking Being
Abstracts and Summaries
Tcg Publications Catalog
Performing Women in Brian Friel's Th
Portia Coughlan Was first Published Portia Coughlan , Thirty in October 1998
Womanandscarecrowplaybill.Pdf
DTF Brochure 2019
Irish Studies Round the World
Minutes of Previous Meeting
Project Arts Centre Papers
Marina Carr's Reception of the Classical Underworld in Her Midland Trilogy