Irish Penelopes: Rewritings of the Myth in the Midlands Trilogy and Penelope
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Enda Walsh's the Walworth Farce
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Jordan, Eamonn “STUFF FROM BACK HOME:” ENDA WALSH’S THE WALWORTH FARCE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 333-356 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696016 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative "Stuff from Back Home:"... 333 “STUFF FROM BACK HOME:”1 ENDA WALSH’S THE WALWORTH FARCE Eamonn Jordan University College Dublin Abstract: Since its first performance in 2006 by Druid Theatre Company, Enda Walsh’s award-winning The Walworth Farce has toured Ireland, Britain, America, Canada, New Zealand and Australia to great acclaim, with the brilliance of the directing, design and acting engaging with the intelligence and theatricality of Walsh’s script. The play deals with a family, who as part of a daily enforced ritual, re-enact a farce, written and directed by Dinny, the patriarch, a story which accounts for their exile in London, and away from their family home in Cork. Their enactment is an attempt to create a false memory, for their performance is very much at odds with the real events which provoked their exile. Keywordsds: Enda Walsh, The Walworth Farce, Druid Theatre, Farce, Performance, Diasporic. -
A Coping Strategy
CORE Metadata, citation and similar papers at core.ac.uk Provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Memory In Contemporary Irish Drama“ Verfasserin Stefanie Nestreba angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 190 344 020 Studienrichtung lt. Studienblatt: UF Englisch 344, UF Kath. Religion 020 Betreuer: Univ.-Prof. Dr. Werner Huber ACKNOWLEDGEMENTS I would like to express my warmest thanks to all those people who have supported me in the course of my studies and during the writing process of this diploma thesis. First, I owe my deepest gratitude to my supervisor Prof. Dr. Werner Huber, since this thesis would not have been possible unless he had raised my interest in the subject area of Irish Literature. I am particularly grateful to Prof. Dr. Werner Huber for all his words of advice, encouragement and guidance. I would also like to show my gratitude to my teachers, in particular to my teacher from elementary school, Maria Rudolph, whose way of teaching has inspired me to pursue the profession of a teacher myself. Furthermore, I am heartily thankful to my friends, especially to Manuela Kopper, who has been my personal motivational coach and has emotionally supported me throughout the working process of this thesis. I would like to thank my dear friend, Nicky Sells from England. Her careful reading and her constructive commenting on the drafts of this thesis deserve my sincere thanks. Moreover, it is a pleasure to thank my fiancé, Thomas Buchgraber, for his patience and motivation. It was his challenging task to motivate me, listen to me patiently and endure all my good and bad times. -
Redalyc.CONTEMPORARY IRISH THEATRE
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Kopschitz X. Bastos, Beatriz; O’Shea, José Roberto CONTEMPORARY IRISH THEATRE: A DYNAMIC COLLECTION OF CRITICAL VOICES Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 11-22 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Contemporary Irish Theatre... 11 CONTEMPORARY IRISH THEATRE: A DYNAMIC COLLECTION OF CRITICAL VOICES The current issue of Ilha do Desterro explores aspects of contemporary Irish theatre, within the island of Ireland and in its international contexts, after 1950: this is the first publication in Brazil dedicated specifically to critical contribution in this field. The articles by scholars and theatre practitioners from various countries apart from Brazil and Ireland, such as The United States, France, Italy, Germany, and the Czech Republic, address the work of individual writers as well of theatre groups, considering textual and performance practices, most of them not confined to the areas of theatre and literature, but including considerations on other fields of knowledge such as politics, economics, history, philosophy, media and film studies, arts and psychology. Carefully and passionately written, the texts feature a variety of theoretical frameworks and research methods. -
Enda Walsh's Disco Pigs (1997), the New Electric Ballroom (2004) and the Walworth Farce (2006)
First time tragedy, second time farce: Enda Walsh©s Disco pigs (1997), The New Electric Ballroom (2004) and The Walworth farce (2006) Article (Published Version) McEvoy, William (2014) First time tragedy, second time farce: Enda Walsh's Disco pigs (1997), The New Electric Ballroom (2004) and The Walworth farce (2006). C21: Journal of 21st-century Writings, 3 (1). pp. 1-17. ISSN 2045-5216 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/53493/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. -
Television, Radio & Theatre September 2019
Television, Radio & Theatre September 2019 Congratulations to… Kieran Hurley for winning the Carol Tambor ‘Best of Edinburgh’ Award for MOUTHPIECE Javaad Alipoor whose RICH KIDS: A HISTORY OF SHOPPING MALLS IN TEHRAN won a Scotsman Fringe First Award during week one. And Lynette Linton for her Stage Debut nomination for Best Creative West End Debut, shared with designer Frankie Bradshaw for SWEAT and Jade Lewis who is nominated for Best Director for SUPERHOE. Writer-directors Claire Tailyour and Chloë Wicks whose short films BELITTLED and CUBICLE will be screening in the BAFTA recognised Underwire Festival (september 13th-22nd). Chloë is nominated in the Best Director category and Claire in the Best Screenplay category Underwire Festival Film HOPE GAP: Toronto Film Festival, 2019 HOPEGAP premiers at the Toronto Film Festival on Friday the 6th and Saturday the 7th of September. Directed and written by Oscar-nominated William Nicholson, the ‘razor-sharp’ drama about long-term love features brilliant performances from Bill Nighy and four-time Oscar nominee Anette Benning. HOPEGAP London Film Festival- Now Booking KRABI, 2562: London Film Festival – 3rd and 13th October: Booking opens this week Selected for the Experimenta Special Presentation, this collaboration between award-winning directors Anocha Suwichakornpong and Ben Rivers is a multidimensional exploration of the outskirts of Krabi in Thailand. The film extends freely to the local communities, inviting them to join in the crafting of a story that slithers mischievously between the appearance and disappearance of a stranger, before and after, fiction and reality, documentary and camp, mass tourism and the birth of the Holocene. -
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra anglistiky a amerikanistiky Bc. Zuzana Neubauerová Violence in Contemporary Irish Drama: Martin McDonagh, Enda Walsh and Mark O’Rowe Diplomová práce Vedoucí práce: Mgr. David Livingstone, Ph.D. Olomouc 2018 Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem všechny použité podklady a literaturu. V Olomouci dne: Podpis: …............................... Acknowledgements I would like to thank Mgr. David Livingstone, Ph. D. for his patience, help, support and valuable advice. Content 1. Introduction………………………………………………………………….……….5 2. Historical and Cultural Background…………………………………………………7 2.1. The ‘Revolution’ of the 1990s.…………………………………………….9 3. The Development of Irish Theatre since The Abbey……………………………….13 3.1. Themes and Tendencies in Contemporary Irish Drama………….……….15 4. A History of Violence in Drama……………………………………………………19 4.1. Violence on the Irish Stage………………………………………….……23 5. Martin McDonagh………………………………………………………………….26 5.1. The Irish Plays……………………………………………………………28 5.2. The Pillowman……………………………………………………………31 5.3. Offstage Violence…………………………………………………………31 5.4. Multiplied Violence……………………………………………………….34 5.5. Onstage Violence...….……………………………………………………36 5.6. The First Duty of a Storyteller Is to Tell a Story………………………….39 6. Enda Walsh…………………………………………………………………………42 6.1. Disco Pigs and The Walworth Farce……………………………………...44 6.2. Brutal Words...……………………………………………………………46 6.3. Brutal Deeds…...………………………………………………………….48 -
The Society of Fellows and Heyman Center for the Humanities
The Society of Fellows and Heyman Center for the Humanities Annual Report 2018–2019 The Society of Fellows and Heyman Center for the Humanities Mail Code 5700 Columbia University 2960 Broadway New York, NY 10027 Phone: (212) 854-8443 Fax: (212) 662-7289 [email protected] www.societyoffellows.columbia.edu By FedEx or UPS: The Society of Fellows and Heyman Center for the Humanities 74 Morningside Drive Heyman Center, First Floor East Campus Residential Center Columbia University The Lionel Trilling Seminar: Lydia Davis on “Arles” New York, NY 10027 Posters courtesy of designers Amelia Saul and Sean Boggs Page 59: Women MAs, Trinity College, Dublin, courtesy of the Mistress and Fellows, Girton College, Cambridge Contents Report From the Chair and Thursday Lectures Series 21 the Executive Director 5 • Fall 2018: Fellows’ Talks 23 Members of the 2018–2019 Governing Board 8 • Spring 2019: Guest Lectures on “Observation and Obfuscation” 27 Forty-Fourth Annual Fellowship Competition 9 SOF/Heyman Event Highlights 31 Fellows in Residence 2018–2019 11 • Joelle M. Abi-Rached 12 SOF/Heyman Series and Workshops 45 • JM Chris Chang 13 • Politics of the Present 46 • Christopher M. Florio 14 • 13/13 Critique & Praxis 49 • Ardeta Gjikola 15 • Explorations in the Medical Humanities 49 • Arden Hegele 16 • New Books in the Arts and Sciences 51 • Whitney Laemmli 17 • New Books in the Society of Fellows 57 • Rachel Nolan 18 Heyman Center Fellows 2018–2019 59 • María González Pendás 19 Alumni Fellows News 63 Alumni Fellows Directory 64 2018–2019 Fellows at the annual year-end Spring gathering (from left): JM Chris Chang (2018–2021), Arden Hegele (2016–2019), Rachel Nolan (2018–2019), María González Pendás (2016–2019), Whitney Laemmli (2016–2019), Joelle M. -
Violent Mothers in Marina Carr's Plays:The Mai, Portia Coughlan And
Hacettepe University Graduate School of Social Sciences Department of English Language and Literature VIOLENT MOTHERS IN MARINA CARR’S PLAYS: THE MAI, PORTIA COUGHLAN AND BY THE BOG OF CATS... Kübra VURAL Master‟s Thesis Ankara, 2015 VIOLENT MOTHERS IN MARINA CARR‟S PLAYS: THE MAI, PORTIA COUGHLAN AND BY THE BOG OF CATS... Kübra VURAL Hacettepe University Graduate School of Social Sciences Department of English Language and Literature Master‟s Thesis Ankara, 2015 iii ACKNOWLEDGEMENTS First of all, my deepest gratitude is to my supervisor, Asst. Prof. Dr. Şebnem Kaya for her patient guidance and invaluable support throughout the writing process of this thesis. I would like to thank her for providing me with the helpful feedback and insightful advices about my thesis and my further academic studies. This thesis would not have been possible without her support and encouragement. I am very grateful to Prof. Dr. A. Deniz Bozer, Asst. Prof. Dr. Laurence Raw, Asst. Prof. Dr. Alev Karaduman and Asst. Prof. Dr. Sinan Akıllı for their critical comments, suggestions and emotional support. I would like to thank TUBİTAK for financial support during my research. I would like to express my thanks to Dr. Pınar Taşdelen, Dr. Aslı Değirmenci, Dr. İmren Yelmiş, Dr. Nazan Yıldız, Res. Asst. Oya Bayıltmış Öğütcü, Res. Asst. Murat Öğütcü, Res. Asst. Tuba Ağkaş, Res. Asst. Gülşah Göçmen, Res. Asst. Pelin Kut Belenli, Res. Asst. Ali Belenli, Res. Asst. Adem Balcı, Res. Asst. Cemre Mimoza Bartu, Res. Asst. Özlem Özmen, Res. Asst. Emine Seda Çağlayan Mazanoğlu, Res. Asst. Osman İşçi, Res. Asst. Ulaş Özgün and Res. -
Notes on Contributors
Contemporary Theatre Review, 2018 Vol. 28, No. 1, 1–2, https://doi.org/10.1080/10486801.2018.1426918 Notes on Contributors Carl Lavery is Professor of Theatre at the University of Glasgow. His recent edition of the journal Green Letters, ‘Performance and Ecology: What Can Theatre Do?’, will be published as a book by Routledge in 2018. He is currently finishing a new monograph, Interrogating the Human: Ecology,Theatre, and Theatricality. 5 Andrew Lennon is a PhD candidate at the University of Birmingham supported by the AHRC Midlands3Cities DTP. His research focuses on the mobilisation of documentary strategies in contemporary performance. He completed an undergraduate degree at Trinity College Dublin and studied at the Motley School of Design. He has worked in Ireland and 10 England as a lighting technician and designer. Anna McMullan is Professor of Theatre and Co-Director of the Beckett International Foundation at the University of Reading. She was Principal Investigator of the AHRC Staging Beckett project, a collaboration between the universities of Reading and Chester, and the Victoria and 15 Albert Museum, London, from 2012 to 2015. McMullan is author of Performing Embodiment in Samuel Beckett’s Drama (2010) and Theatre on Trial: The Later Drama of Samuel Beckett (1993), and co-editor of Reflections on Beckett (2009) with Steve Wilmer. She also publishes on Irish theatre and Performance and is co-editor with Cathy Leeney of The 20 Theatre of Marina Carr: ‘before rules was made’ (2003). Trish McTighe is Lecturer in Theatre at the University of Birmingham. Previously, she lectured at Queen’s University, Belfast and was an AHRC post-doctoral researcher on the Staging Beckett Project at the University of Reading (2012–2015). -
University College Dublin School of English, Drama and Film MA Anglo-Irish Literature and Drama
© Courtesy of Special Collections, Courtesy Collections, of Special © Library Joyce UCDJames University College Dublin School of English, Drama and Film MA Anglo-Irish Literature and Drama MA Anglo-Irish Literature and Drama: methods in their research projects, uniting Tradition to the Contemporary traditional subjects with contemporary modes. Throughout its history University College Dublin has A Unique Place to Study been deeply involved in the progress of Irish literary affairs. The MA in Anglo-Irish Literature and Drama The Masters in Anglo-Irish Literature and Drama is at UCD is the longest-established MA in this subject firmly embedded in Dublin’s exceptionally rich in the world. It is rooted in a unique tradition which literary and cultural environment. Each year the draws inspiration from the many internationally programme includes a Writer-in-Residence co- acclaimed Irish authors who were educated at UCD funded by the Arts Council; recent holders of the (writers such as James Joyce, Kate O’Brien, Mary position include Claire Keegan, Joseph O’Connor, Lavin, Flann O’Brien, Thomas Kinsella, John Hugo Hamilton and Molly McCloskey. Students are McGahern, Edna O’Brien, Maeve Binchy, Frank welcome to participate in events organized by the McGuinness, Éilís Ní Dhuibhne, Neil Jordan, Colm School’s James Joyce Research Centre and are Tóibín, Roddy Doyle, Marina Carr, Joseph O’Connor, encouraged to experience the wealth of Dublin’s Emma Donoghue and Conor McPherson). The UCD literary life in the form of theatre, poetry readings School of English, Drama and Film is also world and other cultural events including the Dublin renowned for the quality of its research expertise Theatre Festival, the Irish Film Institute and various and its teaching programmes in Irish writing. -
Theatre of Possession: a Discussion of Marina Carr's the Mai
(37) 'Theatre of Possession: A Discussion of Marina Carr-s The Mai and the Theatre of Legend Making Mika Funahashi ¶le purpose of this paper is to consider Marina Carr's The Mai (premiered in 1994, published in 1995), as a complex narrative tapestry textured with colourful women's stories and talk. This play resembles a patchwork quilt. It is composed of various pieces of stories and dialogue, and sewed together wi仇a thread of narrative, by a narrator Millie, a daughter of 刀le Mai. I will show the power of Carr's various techniques of narrative and voice and the possibility that this play invites the audience to join the recurring dialogue on stage and question it. ¶lis paper will begin with the structure of the play, focusing on Millie's role as narrator, sped五cally on her storytelling technique. ¶lis will involve analysis of The Mai's suicide and her mother's death, in relation to the social and cultural roles of women in Ireland. Marina Carr (1964 - ) was one of the most successful playwrights in Irish theatre in the 1990s. Her career started with a comedy in the tradition of Beckettian theatre of the absurd, and her continued work in this genre is evident in her second play, Low in the Dark (1989). With her丘fth play, The Mai, she adopted a more naturalistic style. Her use of tragic family drama was established in this play and the subsequent two plays: Portia Coughlan (1996) and By the Bog of Cats (1998). While By the Bog of Cats is a reworking of Euripides'The Medea her most recent play, Aeriel(2002) returns to Greek myth. -
Marina Carr's Hauntings: Liminality and the Addictive Society on and Off the Stage
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2008-06-16 Marina Carr's Hauntings: Liminality and the Addictive Society On and Off the Stage Hillary Jarvis Campos Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the English Language and Literature Commons BYU ScholarsArchive Citation Campos, Hillary Jarvis, "Marina Carr's Hauntings: Liminality and the Addictive Society On and Off the Stage" (2008). Theses and Dissertations. 1451. https://scholarsarchive.byu.edu/etd/1451 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MARINA CARR’S HAUNTINGS: LIMINALITY AND THE ADDICTIVE SOCIETY ON AND OFF THE STAGE by Hillary Jarvis Campos A thesis submitted to the faculty of Brigham Young University In partial fulfillment of the requirements for the degree of Master of Arts in English Department of English Brigham Young University August 2008 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Hillary Jarvis Campos This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. ____________________ _____________________________________ Date Claudia W. Harris, Chair ____________________ _____________________________________ Date Susan Howe