The Walworth Farce
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Compass Theatre and Manor Farm Jan – Apr 11
Theatre Drama Music Dance Youth Compass Theatre and Manor Farm Jan – Apr 11 A great line up including Henry V Emily Smith Roald Dahl Day Jazz Supper Club Slumdog Millionaire Free to register Box Office 01895 673200 9593 Compass Cinema Matinees £3 Evenings £5 Tue 8 Mar 2pm Tue 11 Jan 2pm Norman Wisdom in Breakfast at Tiffany’s The Early Bird (U) (PG) 1965 British comedy film featuring the Double Oscar-winning 1961 classic ubiquitous Mr Grimsdale. starring Audrey Hepburn. Thu 3 Feb 7.30pm BOLLYWOOD DOUBLE BILL: In the Mood for Love (PG) See both for just £6 Celebrate Chinese New Year: the Guardian’s fifth Most Romantic Film of All Thu 28 Apr 2pm Time, with chow mein and chopsticks in the interval. Sholay (PG) The highest grossing film of all time in Thu 17 Feb 2pm Indian cinema with English subtitles. The Odd Couple (PG) Thu 28 Apr 7.30pm Neil Simon’s 1968 comedy starring Jack Lemmon and Walter Matthau. Slumdog Millionaire (15) Danny Boyle’s 8 Oscar-winning movie Tue 22 Feb 2pm from 2008. James and the Giant Peach (U) Tue 3 May 2pm 1996 musical fantasy film based on the novel by Roald Dahl. See more Roald Dahl Singin’ in the Rain (U) events on page 8. 1952 classic starring Gene Kelly and Debbie Reynolds. Thu 17 Feb 7.30pm, Sat 30 Apr 2pm & 7.30pm I ♥ FILM If it’s out on DVD and you can bring 16 or more people, we will let you choose the film. Send requests to [email protected] (subject to availability). -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Enda Walsh's the Walworth Farce
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Jordan, Eamonn “STUFF FROM BACK HOME:” ENDA WALSH’S THE WALWORTH FARCE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 333-356 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696016 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative "Stuff from Back Home:"... 333 “STUFF FROM BACK HOME:”1 ENDA WALSH’S THE WALWORTH FARCE Eamonn Jordan University College Dublin Abstract: Since its first performance in 2006 by Druid Theatre Company, Enda Walsh’s award-winning The Walworth Farce has toured Ireland, Britain, America, Canada, New Zealand and Australia to great acclaim, with the brilliance of the directing, design and acting engaging with the intelligence and theatricality of Walsh’s script. The play deals with a family, who as part of a daily enforced ritual, re-enact a farce, written and directed by Dinny, the patriarch, a story which accounts for their exile in London, and away from their family home in Cork. Their enactment is an attempt to create a false memory, for their performance is very much at odds with the real events which provoked their exile. Keywordsds: Enda Walsh, The Walworth Farce, Druid Theatre, Farce, Performance, Diasporic. -
Tadhg Murphy
Tadhg Murphy | Represented by Susannah Norris Tadhg most recently filmed Guy Ritchie’s WRATH OF MAN alongside Jason Statham, Niamh Algar, and Holt McCallany, the role of Nigel Braynor in RED ELECTION directed by Jill Robertson for A&E Studios, and Robert Eggers’ feature THE NORTHMAN. In 2019 he filmed the role of Kristophe in ABSENTIA for Amazon Studios, season two of Sky One’s BRASSIC (returning to his role as Gary Cullen), MISS SCARLET AND THE DUKE with Kate Philips for A+E Studios, the role of Ray Miller opposite Gemma-Leah Devereux in the feature DEAD HAPPY, and BLOODMOON directed by SJ Clarkson for HBO. Further recent credits include the feature adaptation of Caitlin Moran’s HOW TO BUILD A GIRL directed by Coky Giedroyc, COUNTERPART for Starz, and the part of Johann opposite Tanya Reynolds in the forthcoming BFI-backed feature UNDERGODS, directed by Chino Moya. Most recent stage credits include the role of Damus opposite Ruth Negga’s PORTIA COUGHLAN in a rehearsed reading of the play directed by Caroline Byrne for Kwame Kwei-Armah at the Young Vic, BALLYTURK written and directed by Enda Walsh, which ran at St. Ann’s Warehouse in New York to excellent reviews, and BAD ROADS opposite Ria Zmitrowicz, which was directed by Vicky Featherstone at the Royal Court Theatre, London. Tadhg is Dublin based. Playing Age: 30 - 40 Height: 5 ft. 8” Hair: Brown, shoulder-length Eyes: Blue Full driver’s licence and motorcycle licence FILM THE NORTHMAN | Eirikr Blaze-Eye New Regency Robert Eggers WRATH OF MAN | Shirley Miramax Guy Ritchie -
NUI Galway Undergraduate Prospectus 2020
NUI Galway Undergraduate Prospectus – Réamheolaire Fochéime 2020 Fochéime – Réamheolaire Prospectus Undergraduate www.nuigalway.ie National University of Ireland Galway Ollscoil na hÉireann Gaillimh t. +353 91 524 411 w. www.nuigalway.ie NUI GALWAY Undergraduate Prospectus 2020 STUDENT SUPPORTS GoBus line from Ballina into Galway. It stops in: Ballina, Foxford, Ballyvary, Castlebar, Transport Links to NUI Galway Balla, Claremorris, Ballindine, WESTPORT HEALY BUSES Milltown, Tuam, and Galway GOBUS LINE (GMIT, City Centre, and NUIG) Ballina BALLINA TREACY COACHES Castlebar Foxford Ballyvary DONEGAL BUS FEDA Castlebar Foxford Ballinrobe Balla Letterkenny MONAGHAN STREAMLINE COACHES Claremorris Kiltimagh Donegal Bundoran Ballindine Sligo Headford Milltown DUBLIN GOBUS Tuam Tuam Cavan & CITYLINK ATHLONE Kildare Ballinasloe DUBLIN TRAIN Tullamore Nenagh Thurles Ballinamore Kilkenny Ennis CARLOW Carrick-on-Shannon Limerick J.J. KAVANAGH Galway (GMIT, City Centre & NUIG) Listowel Ballaghaderreen LIMERICK TRAIN WESTLINK Tralee COACHES CORK CITYLINK LIMERICK TRAIN DINGLE CONNECTING TO KENNEDY CORK, TRALEE Bus Éireann services not listed COACHES & WATERFORD on this map. For a full list of stops, timetables and fares for private bus services, see individual website addresses. NUI Galway Courses College of Arts, Social Sciences, and Celtic Studies Acadamh na hOllscolaíochta Gaeilge GY101 Bachelor of Arts (Joint-Honours) 22 Cúrsaí Gaeilge do Mhic Léinn / 82 Irish Language Courses for Students GY104 Bachelor of Arts (Psychology) 47 GY122 BA (Cumarsáid agus Gaeilge) 83 GY105 Bachelor of Arts (History) 48 GY107 BA (Gaeilge agus Léann an Aistriúcháin) 85 GY109 Bachelor of Arts (Mathematics and Education) 49 GY110 Bachelor of Arts with Children's Studies 51 College of Business, Public Policy and Law GY111 Bachelor of Arts with Creative Writing 52 J.E. -
Eugenie Pastor-Phd Thesis Moving Intimacies
MOVING INTIMACIES: A COMPARATIVE STUDY OF “PHYSICAL THEATRES” IN FRANCE AND THE UNITED KINGDOM EUGÉNIE FLEUR PASTOR ROYAL HOLLOWAY, UNIVERSITY OF LONDON DEPARTMENT OF DRAMA AND THEATRE A Thesis submitted as a partial fulfilment of the requirements of the degree of Ph.D. August 2014 1 DECLARATION OF AUTHORSHIP I, Eugénie Fleur Pastor, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: 7 August 2014 2 ABSTRACT This thesis is an exploration of movement in contemporary “physical theatres”. I develop a renewed understanding of “physical theatres” as embodied framework to experience both spectatorship and theatre-making. I analyse how, in this type of performance, movement blurs distinctions between the intimate and the collective, the inside and the outside, thus challenging definitions of intimacy and tactility. The thesis consists of a comparative study of examples of “physical theatres”, in the 21st century, in France and in the UK. The comparison highlights that “physical theatres” practitioners are under-represented in France, a reason I attribute in part to a terminological absence in the French language. The four case studies range from itinerant company Escale and their athletic embodiment of a political ideal to Jean Lambert-wild’s theatre of “micro-movement”, from Told by an Idiot’s position in a traditional theatre context in the UK to my own work within Little Bulb Theatre, where physicality is virtuosic in its non- virtuosity. For each case study, I use a methodology that echoes this exploration of movement and reflects my position within each fieldwork. -
“Angels in America”
Press Contact: For National Theatre: Susie Newbery [email protected] For Broadway: Rick Miramontez / Molly Barnett / Chelsea Nachman / Ryan Ratelle [email protected] / [email protected] / [email protected] / [email protected] 212 695 7400 FOR RELEASE ON THURSDAY, SEPTEMBER 7, 2017 THE GREAT WORK RETURNS NATHAN LANE & ANDREW GARFIELD STAR IN THE NATIONAL THEATRE PRODUCTION OF TONY KUSHNER’S LANDMARK PLAY “ ANGELS IN AMERICA ” ON BROADWAY FEATURING SUSAN BROWN, DENISE GOUGH, AMANDA LAWRENCE, JAMES McARDLE, & NATHAN STEWART-JARRETT DIRECTED BY MARIANNE ELLIOTT PERFORMANCES BEGIN ON FRIDAY, FEBRUARY 23, 2018 AT THE NEIL SIMON THEATRE OPENING NIGHT SET FOR WEDNESDAY, MARCH 21 STRICTLY LIMITED 18-WEEK ENGAGEMENT New York, NY – Producers Tim Levy (Director, NT America) and Jordan Roth (President, Jujamcyn Theaters) announced today that the National Theatre Production of Tony Kushner’s epic and seminal masterwork, Angels in America: A Gay Fantasia on National Themes, will return to Broadway for the first time since its now-legendary original production opened in 1993. This spectacular new staging of Part One of Angels in America, Millennium Approaches, and of Part Two, Perestroika, had its world premiere earlier this year in a sold-out run at the National Theatre, where it became the fastest selling show in the organization’s history. This strictly limited, 18-week engagement will begin performances at The Neil Simon Theatre on Friday, February 23, 2018, with an official opening on Wednesday, March 21. Starring two-time Tony Award® winner Nathan Lane and Academy Award® and Tony Award nominee Andrew Garfield, the cast of Angels in America will feature fellow original National Theatre cast members Susan Brown, Denise Gough, Amanda Lawrence, James McArdle, and Nathan Stewart-Jarrett. -
2020 Summer/Fall Supplement for Merges & Duffy: Patent Law And
Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. 2020 Summer/Fall Supplement for Merges & Duffy: Patent Law and Policy (7th ed. 2017) Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. Copyright © 2020 Carolina Academic Press, LLC All Rights Reserved Carolina Academic Press 700 Kent Street Durham, North Carolina 27701 Telephone (919) 489-7486 Fax (919) 493-5668 E-mail: [email protected] www.cap-press.com Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. Table of Contents Chapter 1: Introduction ................................................................................................................. 1 A. Historical Overview of Patent Law ...................................................................................... 1 Update on Supreme Court Patent Cases .............................................................................. 1 D. Overview of Patent Rights and Patent Process ................................................................... 3 Revised Figure on the Legal Process of the U.S. Patent System ......................................... 3 3. Post-Issuance Administrative Processes .......................................................................... 4 Note on the Constitutionality of Post-Issuance Administrative Processes .......................... 4 Chapter 2: Patentable Subject Matter .......................................................................................... 5 B. Natural Law and Natural Principles ................................................................................... -
A Coping Strategy
CORE Metadata, citation and similar papers at core.ac.uk Provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Memory In Contemporary Irish Drama“ Verfasserin Stefanie Nestreba angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 190 344 020 Studienrichtung lt. Studienblatt: UF Englisch 344, UF Kath. Religion 020 Betreuer: Univ.-Prof. Dr. Werner Huber ACKNOWLEDGEMENTS I would like to express my warmest thanks to all those people who have supported me in the course of my studies and during the writing process of this diploma thesis. First, I owe my deepest gratitude to my supervisor Prof. Dr. Werner Huber, since this thesis would not have been possible unless he had raised my interest in the subject area of Irish Literature. I am particularly grateful to Prof. Dr. Werner Huber for all his words of advice, encouragement and guidance. I would also like to show my gratitude to my teachers, in particular to my teacher from elementary school, Maria Rudolph, whose way of teaching has inspired me to pursue the profession of a teacher myself. Furthermore, I am heartily thankful to my friends, especially to Manuela Kopper, who has been my personal motivational coach and has emotionally supported me throughout the working process of this thesis. I would like to thank my dear friend, Nicky Sells from England. Her careful reading and her constructive commenting on the drafts of this thesis deserve my sincere thanks. Moreover, it is a pleasure to thank my fiancé, Thomas Buchgraber, for his patience and motivation. It was his challenging task to motivate me, listen to me patiently and endure all my good and bad times. -
Lord Gus Macdonald
GCU GCU London Cowcaddens Road, 40 Fashion Street, Glasgow G4 0BA, London E1 6PX, Scotland, United Kingdom United Kingdom T: +44 (0)141 331 3000 T: +44 (0)203 369 3000 Lord Gus Macdonald F: +44 (0)141 331 3005 of Tradeston www.gcu.ac.uk www.gculondon.ac.uk University Chancellor 2007 - 2012 Glasgow Caledonian University is a registered Scottish charity, number SC021474. Designed and printed by Print Design Services, Glasgow Caledonian University. © Glasgow Caledonian University 2012. Introduction from the Principal and Vice-Chancellor For over six hundred years Chancellors of 25,000 students he graduated during his time Scottish universities have nourished and as Chancellor and in recognising the support of nurtured our universities, protected their their families. autonomy and intellectual integrity and conferred degrees on students. Whilst primarily ceremonial Lord Macdonald is a keen and steadfast in present times, the Chancellor’s role is an supporter of our Caledonian Club which is extremely important one. designed to raise the aspirations of pupils aged three to 18 years. During his tenure, the Throughout his time as Chancellor, Lord Caledonian Club has worked with over 5,300 Macdonald of Tradeston has proven an children and 2,000 families in Glasgow and is outstanding ambassador for the University, with now also serving the local community of Tower his wife, Lady Macdonald. He has been truly Hamlets in London where our new postgraduate supportive of the University’s social mission and campus was officially launched by HRH The our commitment to providing opportunities in Princess Royal in November 2011. higher education for all, and most especially for those from challenging or difficult backgrounds. -
RUISLIP, NORTHWOOD and EASTCOTE Local History Society Journal 1999
RUISLIP, NORTHWOOD AND EASTCOTE Local History Society Journal 1999 CONTENTS Re! Author Page Committee Members 2 Lecture Programme 1999-2000 2 Editorial -''" 9911 Catlins Lane, Eastcote Karen Spink 4 9912 The Missing Link: A Writer at South Hill Farm Karen Spink 7 99/3 HaIlowell Rd: A Street Research Project Denise Shackell 12 99/4 Plockettes to Eastcote Place Eileen M BowIt 16 99/5 Eastcote Cottage: The Structure Pat A Clarke 21 99/6 A Middlesex Village: Northwood in 1841 Colleen A Cox 25 9917 Eastcote in the Thirties Ron Edwards 29 99/8 The D Ring Road Problem RonEdwards 32 99/9 Long Distance Rail Services in 1947 Simon Morgan 35 99/10 Ruislip Bowls Club: The Move to Manor Farm, 1940 Ron Lightning 37 99111 RNELHS: Thirty-five Years RonEdwards 38 Cover picture: South Hill Farm, Eastcote by Denise Shackell Designed and edited by Simon Morgan. LMA Research: Pam Morgan Copyright © 1999 individual authors and RNELHS. Membership of the Ruislip, Northwood and Eastcote Local History Society is open to all who are interested in local history. For further information please enquire at a meeting of the Society or contact the Secretary. Meetings are held on the third Monday of each month from September to April and are open to visitors. (Advance booking is required for the Christmas social.) The programme jar 1999-2000 is on page 2. An active Research Group supports those who are enquinng into or wishing to increase our understanding of the history of the ancient parish of Ruislip (the present Ruislip, Northwood and Eastcote).