Staging Krapp's Last Tape Staging Beckett
Staging Krapp's Last Tape Staging Beckett (2012-15): The Impact of Productions of Beckett’s Plays on Theatre Practice and Cultures in the UK and Ireland The AHRC-funded Staging Beckett project is producing a database of all professional productions of Beckett’s plays in the UK and Ireland. At present, the project excludes radio and television productions, and adaptations, but includes visiting international productions of Beckett’s plays. We have put together a small selection of materials from the Beckett Archive at the University of Reading and other archival collections, including the Jocelyn Herbert archive, Wimbledon College of Art, University of the Arts, London, on productions of Beckett’s Krapp’s Last Tape, to give you a sense of the scope of the project. Please do not touch the exhibits, except for the reference books at the end of the exhibition, and PHOTOGRAPHY OR FILMING ARE NOT ALLOWED. You will have a chance to leave comments, or your own recollections of any production of Krapp’s Last Tape you have seen, at the end of the exhibition. Beckett was using state of the art technology in 1958, when Krapp’s Last Tape opened at the Royal Court Theatre, London – what would he be using if he were around today? 1. Screen shot of the Staging Beckett website, currently in development, which will allow you to access the Beckett database, and other research resources on productions of Beckett’s plays, such as essays, featured productions, and blogs. 2. Some faces of Krapp in recent decades. Max Wall, Riverside Studios, London, dir.
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