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Margaret of Bavaria
The Ginger Fox's Two Crowns Central Administration and Government in Sigismund of Luxembourg's Realms
The Interior As an Embodiment of Power (Heidelberg 2018) - 57 - Wilson , ‘Furnishing the Dukes with a Royal Reputation’
Benjamin Proust Fine Art Limited
In the Government of France
The Gift-Giving Objectives of Duke Philip the Bold of Burgundy
November 2009 Newsletter
Recycling Reversed Studies in the History of Polyphony in the Northern Low Countries Around 1400
Alabaster Tears the Mourners of the Tomb of John the Fearless, Duke of Burgundy 27 February - 3 June 2013
April 2010 Newsletter
Table of Contents Preface
Art from the Court of Burgundy : 1364 - 1419; Musée Des Beaux-Arts of Dijon, May 28 - Sept
Women and Power at the French Court, 1483-1563
The Exhibition Was Organized by the Dallas Museum of Art and The
The Reception of Christine De Pizan in Fifteenth-Century England
Dijon, Burgundy Elizaveta Strakhov Marquette University,
[email protected]
Katherine Anne Wilson, Tapestry in the Burgundian Dominions
The War in the Low Countries
Valenciennes (Hainault)
Top View
ILHUYSMANS M'^^-S^^I'
The Wittelsbach Court in Munich: History and Authority in the Visual Arts (1460-1508)
Rchery and Crossbow Guilds
Charles the Bold, John the Fearless, Philip the Bold, Philip the Good Ebook
Wim Βlockmans
Chromatic Ascent: a Visual Exegesis of the Elevation of the Host in the Breviary of Margaret of Bavaria THESIS Presented in Part