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Mitteilungen Der Residenzen-Kommission Der
__________________________________________________ MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 10 (2000) NR. 1 MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 10 (2000) NR. 1 RESIDENZEN-KOMMISSION ARBEITSSTELLE KIEL ISSN 0941-0937 Herstellung: Vervielfältigungsstelle der Christian-Albrechts-Universität zu Kiel Titelvignette: Ansicht der Klosteranlage Wienhausen bei Celle von Süden. Kupferstich Merian (1654) INHALT Vorwort ................................................................................................................................ 7 Erziehung und Bildung bei Hofe. 7. Symposium der Residenzen-Kommission in Celle..... 9 Aus der Arbeit der Kommission...........................................................................................13 Die Arbeit der anderen.........................................................................................................15 Politische und soziale Integration am Wiener Hof: Adelige Bestattung als Teil der höfischen Symbol- und Kommunikationsordnung (1620-1850) 1. Kommunikation und Symbole. Ein kulturwissenschaftlicher Horizont der Fragen und Begriffe, von Rudolf Schlögl, Konstanz...................................................15 2. Adelsintegration und Bestattungen, von Mark Hengerer, Konstanz...............................21 Places of Power: Royal Residences and Landscape in Medieval Iberia, von Rita Gomez, Lissabon ...............................................................................................36 -
Autocratie Ou Polyarchie ? La Lütte Pour Le Pouvoir Politique En Flandre
Autocratie ou polyarchie ? La lütte pour le pouvoir politique en Flandre de 1482 a 1492, d'apres des documents inedits par W. P. BLOCKMANS «II n'y a guere d'opoque, dans nos annales, plus confuse, plus mal oclaircie, que celle dont le point de dopart est la mort de Charles le Hardi, duc de Bourgogne, et qui finit ä l'avenement au trone de son petit-fils, l'archiduc Philippe le Beau» (i). Plus d'un siecle apres le moment oü Gachard 6crivit ces lignes dans l'introduction de son impressionnante odition de lettres concernant la pöriode envisagoe, nos connaissances ne se sont pas beaucoup otendues au-delä de ce que le grand archiviste en commu- niqua. Et pourtant, cette meme poriode nous semble cruciale dans l'histoire de notre pays, parce que les forces essentielles des gouvernants et des gouvern6s y atteignent un point culminant en un affrontement parfois violent Je tiens ä exprimer ici ma profonde gratitude envers Messieurs A. Verfaulst, M.-A. Arnould, J. Buntinx et ä M. et Mme R. Wellens- De Donder qui, par leurs nombreux conseils et par leurs remarques judicieuses, ont contribud d'une maniere substantielle ä l'elabo- ration de cette publication. (i) L.P. GACHARD, Lettres ineditcs de Maximilien, duc d'Autriche, roi des Romains et empereur, sur les affaires des Pays-Bas, de 1477 ä 1508, dans : Bulletin de la Commission royale d'Histoire, 2e Serie, II, 1851, pp. 263-452 et III, 1851, pp. 193-328, notamment p. 263. 258 W. P. BLOCKMANS et extremement long. L'issue de ce conflit, proparo par bien d'autres, determina les relations du pouvoir pendant plusieurs ddcennies. -
A Royal Crusade History: the Livre D'eracles and Edward IV's Exile In
A Royal Crusade History: The Livre d’Eracles and Edward IV’s Exile in Burgundy Erin K. Donovan The English King Edward IV (1442-83) had throughout his reign many political, familial, and cultural connections with the Flanders-based court of Burgundy, headed at the time by Duke Charles the Bold. In 1468, King Edward arranged for his sister Margaret of York to marry Duke Charles of Burgundy. The same year he was inducted into Charles’s powerful Burgundian chivalric Order of the Golden Fleece and reciprocally inducted Charles into the English Order of the Garter. In 1470, he was forced into exile for five months when the Earl of Warwick, Richard Neville, placed the former King Henry VI back on the throne. After first unsuccessfully trying to find shelter in Calais, Edward landed in Holland where he was hospitably taken in by Burgundian nobleman Louis de Gruuthuse (also known as Louis de Bruges) at his home in The Hague, and afterwards in Flanders at Louis’s home in Bruges.1 Between 1470 and 1471, Edward was witness to and inspired by the flourishing Flemish culture of art and fashion, including the manuscript illuminations that his host Louis was beginning voraciously to consume at the time. While Edward was in exile he was penniless, and thus unable to commission works of art. However, after his victorious return to the throne in 1471 he had the full resources of his realm at his command again, and over time I would like to extend my deep thanks to the many participants of the British Library’s Royal Manuscripts Conference, held 12-13 December 2011, who provided me with fruitful suggestions to extend my paper’s analysis. -
Jean Froissart, Chroniques 1992-2013
UNIVERSITÀ DEGLI STUDI DI TORINO DIPARTIMENTO DI LINGUE E LETTERATURE STRANIERE E CULTURE MODERNE CORSO DI LAUREA IN SCIENZE DEL TURISMO A.A. 2013/2014 TESI DI LAUREA TRIENNALE _____________________________________________ CHRONIQUES DI JEAN FROISSART --- BIBLIOGRAFIA RECENTE _____________________________________________ Relatore Prof. Giovanni Matteo Roccati Candidato Loris Bergagna Matricola: 703780 2 SOMMARIO Premessa ……………………………………………………………………………….. p. 3 Classificazione della bibliografia ……………………………………………………... p. 6 Chroniques di Jean Froissart - Bibliografia recente (1992-2013) ………………… p. 9 Edizioni ………………………………………………………………………………….. p. 10 Studi sui testimoni (manoscritti, produzione libraria) ………………………………..p. 13 Traduzioni ………………………………………………………………………………. p. 15 Studi generali sulle Chroniques ………………………………………………………. p. 17 Diffusione e ricezione dell’opera ………………………………………………………p. 18 Scrittura …………………………………………………………………………………. p. 21 Tematiche generali …………………………………………………………………….. p. 23 Eventi ……………………………………………………………………………………. p. 32 Personaggi ……………………………………………………………………………… p. 36 Riferimenti geografici e all’ambiente naturale ………………………………………. p. 41 Rapporto con altri autori ………………………………………………………………. p. 45 Rapporto testo-immagine ………………………………………………………………p. 46 Conclusioni ………………………………………………………………………………p. 52 Indice bibliografico ………………………………………………………………………p. 53 3 PREMESSA Lo scopo della presente tesi di laurea è di fornire la bibliografia, analizzata metodicamente, concernente le Chroniques di Jean Froissart, uscita nel periodo compreso -
The Ginger Fox's Two Crowns Central Administration and Government in Sigismund of Luxembourg's Realms
Doctoral Dissertation THE GINGER FOX’S TWO CROWNS CENTRAL ADMINISTRATION AND GOVERNMENT IN SIGISMUND OF LUXEMBOURG’S REALMS 1410–1419 By Márta Kondor Supervisor: Katalin Szende Submitted to the Medieval Studies Department, Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, CEU eTD Collection Budapest 2017 Table of Contents I. INTRODUCTION 6 I.1. Sigismund and His First Crowns in a Historical Perspective 6 I.1.1. Historiography and Present State of Research 6 I.1.2. Research Questions and Methodology 13 I.2. The Luxembourg Lion and its Share in Late-Medieval Europe (A Historical Introduction) 16 I.2.1. The Luxembourg Dynasty and East-Central-Europe 16 I.2.2. Sigismund’s Election as King of the Romans in 1410/1411 21 II. THE PERSONAL UNION IN CHARTERS 28 II.1. One King – One Land: Chancery Practice in the Kingdom of Hungary 28 II.2. Wearing Two Crowns: the First Years (1411–1414) 33 II.2.1. New Phenomena in the Hungarian Chancery Practice after 1411 33 II.2.1.1. Rex Romanorum: New Title, New Seal 33 II.2.1.2. Imperial Issues – Non-Imperial Chanceries 42 II.2.2. Beginnings of Sigismund’s Imperial Chancery 46 III. THE ADMINISTRATION: MOBILE AND RESIDENT 59 III.1. The Actors 62 III.1.1. At the Travelling King’s Court 62 III.1.1.1. High Dignitaries at the Travelling Court 63 III.1.1.1.1. Hungarian Notables 63 III.1.1.1.2. Imperial Court Dignitaries and the Imperial Elite 68 III.1.1.2. -
The Catalogue of Medieval
Katarzyna Płonka-Bałus THE CATALOGUE OF MEDIEVAL ILLUMINATED MANUSCRIPTS AND MINIATURES IN THE PRINCES CZARTORYSKI LIBRARY AND MUSEUM, PART 1: THE NETHERLANDS (15TH-16TH CENTURIES) UNIVERSITAS, KRAKÓW 2010, 164 PP., 24 COLOURED PANELS WITH ILLUSTRATIONS, 64 BLACK AND WHITE ILLUSTRATIONS. In the age of concise Internet catalogues and databases created as a part of short-term projects or grants and almost purposefully left as unfinished “open-works,” the book of Ka- tarzyna Płonka-Bałus presents itself as an accomplished result of a thoroughly thought-out and documented project. The Catalogue of Medieval Illuminated Manuscripts and Min- iatures in the Princes Czartoryski Library and Museum, Part 1: The Netherlands (15th-16th Centuries) is the result of long-term research conducted by the author, who during the past ten years devoted a book and a series of articles to several manuscripts from the collection.1 Indeed, the catalogue is another step towards a systematic description of the illuminated manuscripts at the Princes Czartoryski Library and Museum, the goal first announced by the 2001 exhibition “the Puławy Collection of Izabela Czartoryska’s Illuminated Manuscripts” co-organized by the author and Barbara Miodońska.2 The first overview of the Czartoryski collection by Maria Jarosławiecka-Gąsiorowska was published in the 1934 issue of the Bulletin de la Société Française de Reproduction des Manuscrits à Peintures.3 It played a crucial role in the dissemination of scholarly awareness The Catalogue of Medieval Illuminated Manuscripts and Miniatures in the Princes Czartoryski Library and Museum Library in the Princes Czartoryski and Miniatures Manuscripts Illuminated of Medieval Catalogue The of the collection internationally, but, as the research on European miniature painting pro- gressed, its specific findings required verification. -
The Ghosts of Chroniclers Past: The
Document generated on 03/02/2020 11:15 a.m. Mémoires du livre Studies in Book Culture The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin Caroline Prud’Homme Textual Histories Article abstract Histoires textuelles Compared to Georges Chastellain or Jean Molinet, Jean de Wavrin is not a very well Volume 4, Number 2, Spring 2013 known figure of burgundian historiography; he is nonetheless the author of the Anchiennes cronicques d’Engleterre, an extensive historical compilation in six URI: https://id.erudit.org/iderudit/1016738ar volumes that has not yet been edited in full. About 40% of the text is derived from the DOI: https://doi.org/10.7202/1016738ar Chroniques of Jean Froissart. This article investigates the transmission and the transformation of Froissart’s See table of contents Chroniques into the Wavrin compilation through a close reading of an episode (the Flemish wars of 1379-85, Froissart, Book II; Wavrin, volume III) in manuscript context. It evaluates the extent to which Wavrin is faithful to Froissart, and explores complex issues of manuscript transmission. This article also examines Wavrin’s Publisher(s) compiling method and his interventions on his source text taking into account the Groupe de recherches et d’études sur le livre au Québec impact of these interventions on the reader, and the relationship between the materiality of the manuscript and its content. ISSN 1920-602X (digital) Explore this journal Cite this article Prud’Homme, C. (2013). The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin. -
The Interior As an Embodiment of Power (Heidelberg 2018) - 57 - Wilson , ‘Furnishing the Dukes with a Royal Reputation’
Furnishing the Dukes with a Royal Reputation: The Use of Chambers and Chapels at the Burgundian Court Katherine Anne Wilson (University of Chester, United Kingdom) Recalling his visit to the Burgundian court of Philip the Good in 1466, the Bohemian nobleman Leo of Rozmital remarked: when we arrived at the castle where the old duke resided, the duke Charles [the son of Philip the Good] dismounted and asked my lord to do the same. Then tak- ing him by the hand he led my lord into the presence of the old duke. The duke was seated in a hall on a throne which was hung with cloth of gold woven with great splendour, as befitted the ducal hall […] when they knelt a third time, at last the old duke gave his right hand to his son and afterwards to my lord. Then with one in either hand he led them into his chamber through nine other rooms.1 Leo described an elaborate residential complex of multiple connected rooms, in which function and furnishings were mutually dependent elements. Studies of the architecture of the elite resi- dences of later medieval Europe have confirmed this picture of an elaborate complex of rooms.2 Yet, in spite of the implication that function and furnishings were mutually dependent elements, there has been relatively little investigation of furnishings and still less of furnishings as an en- semble.3 Given the evidential constraints, this is perhaps not as surprising as it seems. Detailed contemporary descriptions of interiors are rare. Inventories taken on a ruler’s death do record furnishings, but one inventory can include close to a thousand objects. -
The Ghosts of Chroniclers Past: the Transmission and Legacy of The
Document generated on 09/26/2021 4:02 p.m. Mémoires du livre Studies in Book Culture The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin Caroline Prud’Homme Textual Histories Article abstract Histoires textuelles Compared to Georges Chastellain or Jean Molinet, Jean de Wavrin is not a very Volume 4, Number 2, Spring 2013 well known figure of burgundian historiography; he is nonetheless the author of the Anchiennes cronicques d’Engleterre, an extensive historical compilation URI: https://id.erudit.org/iderudit/1016738ar in six volumes that has not yet been edited in full. About 40% of the text is DOI: https://doi.org/10.7202/1016738ar derived from the Chroniques of Jean Froissart. This article investigates the transmission and the transformation of Froissart’s See table of contents Chroniques into the Wavrin compilation through a close reading of an episode (the Flemish wars of 1379-85, Froissart, Book II; Wavrin, volume III) in manuscript context. It evaluates the extent to which Wavrin is faithful to Froissart, and explores complex issues of manuscript transmission. This article Publisher(s) also examines Wavrin’s compiling method and his interventions on his source Groupe de recherches et d’études sur le livre au Québec text taking into account the impact of these interventions on the reader, and the relationship between the materiality of the manuscript and its content. ISSN 1920-602X (digital) Explore this journal Cite this article Prud’Homme, C. (2013). The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin. -
Benjamin Proust Fine Art Limited
BENJAMIN PROUST FINE ART LIMITED London Attributed to CLAUX (or CLAUS) DE WERVE (c. 1380-1439) VIRGIN AND CHILD Circa 1410 -1415 Walnut 59.5 x 22 x 15.5 cm Provenance: French private collection Comparative literature: Sophie Jugie, The Mourners: tomb sculptures from the court of Burgundy (exh. cat. New York, Metropolitan Museum oF Art, 2010 and Paris, Musée de Cluny, 2012), New Haven, 2010. Sabine Witt, Die Skulturen der Sluter-Nachfolge in Poligny. Stiftungen und Hofkunst in der Freigrafschaft Burgund unter den Herzögen aus dem Hause Valois, Korb, 2009. Stephen Fliegel (ed.), L’art à la cour de Bourgogne: le mécénat de Philippe le Hardi et de Jean sans Peur (1364 - 1419) ; les princes des fleurs de lis (exh. cat. Dijon, Musée des Beaux-Arts, 2004 and The Cleveland Museum oF Art, 2004-2005), Paris, 2004. Pierre Quarré, Claux de Werve et la sculpture bouguignonne dans le premier tiers du XVe siècle (exh. cat. Dijon, Musée des Beaux-Arts, 1976), Dijon 1976. 43-44 New Bond Street London - W1S 2SA +44 7500 804 504 VAT: 126655310 dd [email protected] Company n° 7839537 www.benjaminproust.com This exquisitely carved walnut sculpture oF the Virgin and Child shows Mary holding the Christ child in her leFt arm; she looks tenderly down at him, whilst he gazes up at her. They hold an open book in their hands and gesture towards it. The heavy and bloated drapery with curving Folds, the chubby yet expressive Faces and the sense oF intimacy in the sculpture clearly indicate its belonging to the School oF Burgundy, as Robert Didier stated in an extensive report in 2014. -
Merlin As a Prophet in the Manuscripts of the Chroniques Des Bretons and Jean De Wavrin's Chroniques D'angleterre
Merlin as a prophet in the manuscripts of the Chroniques des Bretons and Jean de Wavrin's Chroniques d'Angleterre Article Published Version Fabry-Tehranchi, I. (2018) Merlin as a prophet in the manuscripts of the Chroniques des Bretons and Jean de Wavrin's Chroniques d'Angleterre. Reading Medieval Studies, 44. pp. 81-143. ISSN 0950-3129 (ISBN 9780704915824) Available at http://centaur.reading.ac.uk/87900/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: University of Reading All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Merlin as a prophet in the manuscripts of the Chroniques des Bretons and Jean de Wavrin's Chroniques d'Angleterre (15th c.)1 Irène Fabry-Tehranchi British Library In this paper, I will examine how the Prophecies of Merlin by Geoffrey of Monmouth are textually and visually integrated into French prose adaptations of the history of the kings of Britain circulating in Burgundian circles in the 15th century.2 I will study their transmission through codicology, philology and iconography, analysing the translation and interpretation of Merlin's prophecies in the illuminated manuscripts of the anonymous Chroniques des Bretons and Jean de Wavrin's Recueil des Cronicques et Anchiennes Istories de la Grant Bretaigne, also known as Chroniques d'Angleterre. -
In the Government of France
THE ROLE OF ISABEAU OF BAVARIA IN THE GOVERNMENT OF FRANCE A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts by Colleen Lily Mooney, B.A. The Ohio State University 1973 Approved by TABLE OF CONTENTS INTRODUCTION •• • • • • • • • • • • • • • • • • • • • • 1 CHAPTER I. THE WIFE OF A MAD KING • • • • • • • • 3 CHAPTER II. ISABEAU AS DIPLOMAT AND ARBITRATOR • 29 CHAPTER III. ISABEAU AND LOUIS OF ORLEANS • • • • 66 CHAPTER IV. ISABEAU, THE ARMAGNACS, AND THE BUR- GUNDIANS • • • • • • • • • • • • • • • • 103 CHAPTER V. .AN ENGLISH ALLY UNTIL DEATH • • • • • 139 CONCLUSION • • • • • • • • • • • • • • • • • • • • • • 157 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • • • 163 ii INTRODUCTION One crucial transformation in medieval institutions was the growth of royal authority at the expense or indepen dent feudal nobles. As the kingdom of France consolidated and royal authority was extended, political power became centered in the person of the king and his bureaucratic advisers. One consequence was the decline or once powerful members of the feudal aristocracy and the queen. In the time of the early Capetians, the queen had been a true partner in power with the king, traveling with him and sharing the same household. But by 1500, she was excluded from power and participation in government, and her intimacy with the ld.ng was undermined by the formation of a separate household. By the thirteenth century the governmental functions of the queen were ceremonial, decorative, or sym bolic. Thus it was only under extraordinary circumstances that a queen could gain independent political power, and such was the fate of Isabeau of Bavaria. When she married Charles VI, ld.ng or France, in 1385, he was under a regency controlled by four dukes, but in three years Charles asserted his sole authority by releasing them.