Table of Contents Preface

Total Page:16

File Type:pdf, Size:1020Kb

Table of Contents Preface Published with the support of the Centre d’études du Moyen Age et de la Renaissance, TABLE OF CONtENtS Université catholique de Louvain. PREFACE................................................................................................. 9 INTRODUCTION ...................................................................................... 11 I. General overview............................................................................ 11 A. Previous editions....................................................................... 12 B. This edition............................................................................... 13 1) Outline of the edition: inventories of the main collection and inventories of the ducal residences................................ 13 2) Sources................................................................................. 16 3) Editorial principles............................................................... 20 II. Inventories, locations and librarians............................................... 23 A. The Library............................................................................... 23 B. The Ducal Chapel..................................................................... 63 C. The chapels of the residences and castles.................................. 67 III. The codicological information provided by the inventories............ 72 A. The information provided on each volume................................ 73 1) General aspects..................................................................... 73 2) Bindings................................................................................ 74 3) The body of the volume....................................................... 81 B. Information identifying the contents......................................... 85 C. The conservation and use of the manuscripts........................... 86 DESIGNATIONS OF LIBRARIES AND ARCHIVES.......................................... 89 LITERATURE QUOTED IN ABBREVIATED FORM......................................... 89 DIACRITICAL SIGNS USED IN THE AppARATUS.......................................... 94 MaJor collection 1. Inventory of the estate of Philip the Bold, Paris, 1404, May or 1405, A catalogue record for this book is available from the Library of Congress. 20 March......................................................................................... 97 2. Inventory of the estate of Margaret of Flanders, Arras, 1405, begun on 7 May......................................................................................... 108 ISBN 978-90-429-3234-0 3. Inventory of the estate of John the Fearless inherited by Philip the D/2016/0602/5 Good, Dijon 1420, 12, 15, 18 and 21 July....................................... 120 © 2016, Peeters, Bondgenotenlaan 153, B-3000 Leuven. 4. Inventory of the estate of Margaret of Bavaria, Auxonne and Dijon, All rights reserved. 1424, 24-28 January......................................................................... 154 97949_CCB_V_00_Voorwerk.indd 4-5 6/07/16 11:42 6 Table of contents Table of contents 7 5. Inventory of the estate of Philip the Good, Lille, 1469, February. 163 DOUAI 6. Inventory of the estate of Charles the Bold, Dijon, 1477, 6-12 March. 270 26. Inventory of the ducal residence, 1496, 20 April............................. 404 7. Inventory of books found in Ghent, 1485, 21 July......................... 276 8. Inventory of books ordered by Maximilian of Austria, Brussels, 1487, EpERLECQUES begun 15 November........................................................................ 285 27. Inventory of the castle, 1384, 11 February...................................... 405 9. Extracts concerning books borrowed between 1484 and 1499........ 368 GHENT 10. Inventory of missing books, between January 1497 and May 1498 371 28. Inventory of the ducal residence, 1441, 13 November.................... 405 11. Inventory of books found in Bruges, between October 1499 and 29. Inventory of the ducal residence, 1471, 19 June.............................. 406 April 1504....................................................................................... 376 30. Inventory of the ducal residence, 1487, 21-25 February................. 407 12. Inventory of missing books,1504, circa April................................. 381 13. Inventory of the goods of Philip the Fair entrusted to Katrien van GOSNAY Halewijn, 1509, before 24 September.............................................. 384 31. Inventory of the castle, 1384, 15 February...................................... 408 14. Booklist, early 16th century............................................................. 387 32. Inventory of the castle, 1446, 21 July.............................................. 409 THE HAGUE 33. Inventory of the chapel of the ducal residence, 1443...................... 410 Minor collections 34. Inventory of the chapel of the ducal residence, 1490, 15 April....... 411 AVESNES HESDIN 15. Inventory of the castle, 1384, 17 February...................................... 395 35. Inventory of the castle, 1384, 16 February...................................... 414 36. Inventory of the castle, 1453, begun on 20 January........................ 415 BApAUME 16. Inventory of the castle, 1384, 18 February...................................... 396 37. Inventory of the castle, 1470, begun on 8 April.............................. 417 17. Inventory of the castle, 1466, 12 July.............................................. 396 LENS BEAUMONT 38. Inventory of the castle, 1465, 20 May............................................. 419 18. Inventory of the castle, circa 1480.................................................. 397 LILLE 39. Inventory of the castle, 1388, 20 October....................................... 420 BELLEMOTTE 19. Inventory of the castle, 1384, 18 February...................................... 398 40. Inventory of the castle, 1395, 10 February...................................... 421 LA MOTTE-AU-BOIS BETHUNE 20. Inventory of the castle, 1384, 14 February...................................... 398 41. Inventory of the castle, 1414, 8-9 May............................................ 422 21. Inventory of the castle, 1474, 4 November..................................... 399 42. Inventory of the castle, 1424, 6 June............................................... 422 43. Inventory of the castle, circa 1424.................................................. 423 LA BOISSIERE 44. Inventory of the castle, circa 1467.................................................. 424 22. Inventory of the castle, 1467, 16-19 May........................................ 400 45. Inventory of the castle, 1472, 10-12 October.................................. 424 BRUGES NOYERS 23. Inventory of the castle, 1465, 2 August........................................... 401 46. Inventory of the castle, 1419, 9 November..................................... 426 DALHEM ORNANS 24. Inventory of the castle, circa 1400.................................................. 402 47. Inventory of the castle, 1499, 17 November.................................... 427 DIJON RIHOULT 25. Inventory of the dowry of Mary of Burgundy, 1403, 24 October.. 403 48. Inventory of the castle, 1384, 20 February...................................... 428 97949_CCB_V_00_Voorwerk.indd 6-7 6/07/16 11:42 6 Table of contents Table of contents 7 5. Inventory of the estate of Philip the Good, Lille, 1469, February. 163 DOUAI 6. Inventory of the estate of Charles the Bold, Dijon, 1477, 6-12 March. 270 26. Inventory of the ducal residence, 1496, 20 April............................. 404 7. Inventory of books found in Ghent, 1485, 21 July......................... 276 8. Inventory of books ordered by Maximilian of Austria, Brussels, 1487, EpERLECQUES begun 15 November........................................................................ 285 27. Inventory of the castle, 1384, 11 February...................................... 405 9. Extracts concerning books borrowed between 1484 and 1499........ 368 GHENT 10. Inventory of missing books, between January 1497 and May 1498 371 28. Inventory of the ducal residence, 1441, 13 November.................... 405 11. Inventory of books found in Bruges, between October 1499 and 29. Inventory of the ducal residence, 1471, 19 June.............................. 406 April 1504....................................................................................... 376 30. Inventory of the ducal residence, 1487, 21-25 February................. 407 12. Inventory of missing books,1504, circa April................................. 381 13. Inventory of the goods of Philip the Fair entrusted to Katrien van GOSNAY Halewijn, 1509, before 24 September.............................................. 384 31. Inventory of the castle, 1384, 15 February...................................... 408 14. Booklist, early 16th century............................................................. 387 32. Inventory of the castle, 1446, 21 July.............................................. 409 THE HAGUE 33. Inventory of the chapel of the ducal residence, 1443...................... 410 Minor collections 34. Inventory of the chapel of the ducal residence, 1490, 15 April....... 411 AVESNES HESDIN 15. Inventory of the castle, 1384, 17 February...................................... 395 35. Inventory of the castle, 1384, 16 February...................................... 414 36. Inventory of the castle, 1453, begun on 20 January........................ 415 BApAUME 16. Inventory
Recommended publications
  • The Ginger Fox's Two Crowns Central Administration and Government in Sigismund of Luxembourg's Realms
    Doctoral Dissertation THE GINGER FOX’S TWO CROWNS CENTRAL ADMINISTRATION AND GOVERNMENT IN SIGISMUND OF LUXEMBOURG’S REALMS 1410–1419 By Márta Kondor Supervisor: Katalin Szende Submitted to the Medieval Studies Department, Central European University, Budapest in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, CEU eTD Collection Budapest 2017 Table of Contents I. INTRODUCTION 6 I.1. Sigismund and His First Crowns in a Historical Perspective 6 I.1.1. Historiography and Present State of Research 6 I.1.2. Research Questions and Methodology 13 I.2. The Luxembourg Lion and its Share in Late-Medieval Europe (A Historical Introduction) 16 I.2.1. The Luxembourg Dynasty and East-Central-Europe 16 I.2.2. Sigismund’s Election as King of the Romans in 1410/1411 21 II. THE PERSONAL UNION IN CHARTERS 28 II.1. One King – One Land: Chancery Practice in the Kingdom of Hungary 28 II.2. Wearing Two Crowns: the First Years (1411–1414) 33 II.2.1. New Phenomena in the Hungarian Chancery Practice after 1411 33 II.2.1.1. Rex Romanorum: New Title, New Seal 33 II.2.1.2. Imperial Issues – Non-Imperial Chanceries 42 II.2.2. Beginnings of Sigismund’s Imperial Chancery 46 III. THE ADMINISTRATION: MOBILE AND RESIDENT 59 III.1. The Actors 62 III.1.1. At the Travelling King’s Court 62 III.1.1.1. High Dignitaries at the Travelling Court 63 III.1.1.1.1. Hungarian Notables 63 III.1.1.1.2. Imperial Court Dignitaries and the Imperial Elite 68 III.1.1.2.
    [Show full text]
  • The Interior As an Embodiment of Power (Heidelberg 2018) - 57 - Wilson , ‘Furnishing the Dukes with a Royal Reputation’
    Furnishing the Dukes with a Royal Reputation: The Use of Chambers and Chapels at the Burgundian Court Katherine Anne Wilson (University of Chester, United Kingdom) Recalling his visit to the Burgundian court of Philip the Good in 1466, the Bohemian nobleman Leo of Rozmital remarked: when we arrived at the castle where the old duke resided, the duke Charles [the son of Philip the Good] dismounted and asked my lord to do the same. Then tak- ing him by the hand he led my lord into the presence of the old duke. The duke was seated in a hall on a throne which was hung with cloth of gold woven with great splendour, as befitted the ducal hall […] when they knelt a third time, at last the old duke gave his right hand to his son and afterwards to my lord. Then with one in either hand he led them into his chamber through nine other rooms.1 Leo described an elaborate residential complex of multiple connected rooms, in which function and furnishings were mutually dependent elements. Studies of the architecture of the elite resi- dences of later medieval Europe have confirmed this picture of an elaborate complex of rooms.2 Yet, in spite of the implication that function and furnishings were mutually dependent elements, there has been relatively little investigation of furnishings and still less of furnishings as an en- semble.3 Given the evidential constraints, this is perhaps not as surprising as it seems. Detailed contemporary descriptions of interiors are rare. Inventories taken on a ruler’s death do record furnishings, but one inventory can include close to a thousand objects.
    [Show full text]
  • Benjamin Proust Fine Art Limited
    BENJAMIN PROUST FINE ART LIMITED London Attributed to CLAUX (or CLAUS) DE WERVE (c. 1380-1439) VIRGIN AND CHILD Circa 1410 -1415 Walnut 59.5 x 22 x 15.5 cm Provenance: French private collection Comparative literature: Sophie Jugie, The Mourners: tomb sculptures from the court of Burgundy (exh. cat. New York, Metropolitan Museum oF Art, 2010 and Paris, Musée de Cluny, 2012), New Haven, 2010. Sabine Witt, Die Skulturen der Sluter-Nachfolge in Poligny. Stiftungen und Hofkunst in der Freigrafschaft Burgund unter den Herzögen aus dem Hause Valois, Korb, 2009. Stephen Fliegel (ed.), L’art à la cour de Bourgogne: le mécénat de Philippe le Hardi et de Jean sans Peur (1364 - 1419) ; les princes des fleurs de lis (exh. cat. Dijon, Musée des Beaux-Arts, 2004 and The Cleveland Museum oF Art, 2004-2005), Paris, 2004. Pierre Quarré, Claux de Werve et la sculpture bouguignonne dans le premier tiers du XVe siècle (exh. cat. Dijon, Musée des Beaux-Arts, 1976), Dijon 1976. 43-44 New Bond Street London - W1S 2SA +44 7500 804 504 VAT: 126655310 dd [email protected] Company n° 7839537 www.benjaminproust.com This exquisitely carved walnut sculpture oF the Virgin and Child shows Mary holding the Christ child in her leFt arm; she looks tenderly down at him, whilst he gazes up at her. They hold an open book in their hands and gesture towards it. The heavy and bloated drapery with curving Folds, the chubby yet expressive Faces and the sense oF intimacy in the sculpture clearly indicate its belonging to the School oF Burgundy, as Robert Didier stated in an extensive report in 2014.
    [Show full text]
  • In the Government of France
    THE ROLE OF ISABEAU OF BAVARIA IN THE GOVERNMENT OF FRANCE A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts by Colleen Lily Mooney, B.A. The Ohio State University 1973 Approved by TABLE OF CONTENTS INTRODUCTION •• • • • • • • • • • • • • • • • • • • • • 1 CHAPTER I. THE WIFE OF A MAD KING • • • • • • • • 3 CHAPTER II. ISABEAU AS DIPLOMAT AND ARBITRATOR • 29 CHAPTER III. ISABEAU AND LOUIS OF ORLEANS • • • • 66 CHAPTER IV. ISABEAU, THE ARMAGNACS, AND THE BUR- GUNDIANS • • • • • • • • • • • • • • • • 103 CHAPTER V. .AN ENGLISH ALLY UNTIL DEATH • • • • • 139 CONCLUSION • • • • • • • • • • • • • • • • • • • • • • 157 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • • • 163 ii INTRODUCTION One crucial transformation in medieval institutions was the growth of royal authority at the expense or indepen­ dent feudal nobles. As the kingdom of France consolidated and royal authority was extended, political power became centered in the person of the king and his bureaucratic advisers. One consequence was the decline or once powerful members of the feudal aristocracy and the queen. In the time of the early Capetians, the queen had been a true partner in power with the king, traveling with him and sharing the same household. But by 1500, she was excluded from power and participation in government, and her intimacy with the ld.ng was undermined by the formation of a separate household. By the thirteenth century the governmental functions of the queen were ceremonial, decorative, or sym­ bolic. Thus it was only under extraordinary circumstances that a queen could gain independent political power, and such was the fate of Isabeau of Bavaria. When she married Charles VI, ld.ng or France, in 1385, he was under a regency controlled by four dukes, but in three years Charles asserted his sole authority by releasing them.
    [Show full text]
  • The Gift-Giving Objectives of Duke Philip the Bold of Burgundy
    THE ORDER OF THE GOLDEN TREE: THE GIFT-GIVING OBJECTIVES OF DUKE PHILIP THE BOLD OF BURGUNDY CAROL M. CHATTAWAY Thesis submitted for the degree of Doctor of Philosophy in the Department of History, University College London 2004 UMI Number: U591666 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591666 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION THE ORDER OF THE GOLDEN TREE; THE GIFT-GIVING OBJECTIVES OF DUKE PHILP THE BOLD OF BURGUNDY CAROL M. CHATTAWAY Thesis submitted for the degree of Doctor of Philosophy in the Department of History, University College London, 2004 I hereby declare that the work presented in this thesis is my own, and has not been undertaken as part of a wider investigation, or with any other researcher. CAROL M. CHATTAWAY ABSTRACT OF THESIS THE ORDER OF THE GOLDEN TREE: THE GIFT-GIVING OBJECTIVES OF DUKE PHILIP THE BOLD OF BURGUNDY This thesis explores the policy objectives underlying the gift of this Order, to sixty men, on jjanuary^T] 1403. Drawing primarily on Philip's household accounts, it undertakes complementary iconographical and prosopographical analyses (of the Order insignia's nature, form, materials, design and motto; and of distinguishing common features in recipients' careers, strengths, relationships with Philip, and activities in 1402-3), refined by reference to his policy concerns around the occasion of its bestowal, rigorously to test seven hypotheses.
    [Show full text]
  • November 2009 Newsletter
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 26, No. 2 www.hnanews.org November 2009 Willem van Haecht, Apelles Painting Campaspe, c. 1630. Royal Picture Gallery Mauritshuis, The Hague. On view at the Rubenshuis, Antwerp, November 28, 2009 – February 28, 2010. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents HNA News ............................................................................1 Board Members Obituary.................................................................................. 2 Personalia ............................................................................... 3 Ann Jensen Adams Exhibitions ............................................................................ 4 Dagmar Eichberger Exhibition Review .................................................................8 Wayne Franits Matt Kavaler Museum News .....................................................................
    [Show full text]
  • Recycling Reversed Studies in the History of Polyphony in the Northern Low Countries Around 1400
    Recycling Reversed Studies in the History of Polyphony in the Northern Low Countries Around 1400 Recycling Reversed Een verkenning van de geschiedenis van de polyfonie in de noordelijke Lage Landen omstreeks 1400 (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op vrijdag 18 mei 2018 des middags te 2.30 uur door Eliane Andrea Fankhauser geboren op 24 juli 1986 te Winterthur, Zwitserland Promotor: Prof.dr. K. Kügle This thesis was accomplished with financial support from the Netherlands Organisation for Scientific Research (NWO). Acknowledgements My first encounter with the polyphonic fragments which are the subject of this study happened on an afternoon at the Special Collections of the Utrecht University Library. The fragments were presented during a general introduction into the Special Collection’s keepings of music manuscript and fragments. Immediately, I was fascinated by the frag- ments’ formats, notational features, and music and text scripts. That a research project about these fragments would be anything but a simple undertaking was apparent from the very deteriorated state of some of the fragment leaves. Nevertheless, I was eager to delve into them. If only I examined them closely enough, these—at first glance—random assemblies of fragment leaves will reveal more about their genesis and history of use, so I thought. This idea kept me going during the whole process of doing research. That it proved wrong may be a disappoint- ment at first sight but really this is one of the most important insights that I will take with me in my further career.
    [Show full text]
  • Alabaster Tears the Mourners of the Tomb of John the Fearless, Duke of Burgundy 27 February - 3 June 2013
    PRESS RELEASE PRESS RELEASE ALABASTER TEARS The Mourners of the Tomb of John the Fearless, Duke of Burgundy 27 February - 3 June 2013 Started in 2010 during the renovation of the Musée des beaux-arts de Dijon, the international exhibition tour of the mourners of the tomb of John the Fearless will make its last stop at the Musée de Cluny. 39 figures forming the procession of the dead prince will be presented in a scenography highlighting the dramatic intensity as well as the subtlety of each of the sculptures. The mourners of the tomb of John the Fearless are to be counted among the masterpieces of 15th century Burgundian sculpture. They come from the tomb of the Duke of Burgundy and of his wife Margaret of Bavaria which was commissioned by their son Philip the Good in 1443. The first sculptor to dedicate himself to the tomb was Jean de La Huerta until 1456. He sculpted the delicately chiseled gallery, the mourners, the angels featured on the tombstone as well as the funeral helmet. His successor Antoine Le Moiturier carved the recumbent effigies from 1466 to 1469, and completed the mourners and the arches. It was required by contract that both artists’ final work should remain as true as possible to the design of the tomb of Philip the Bold, father of John the Fearless. Attributing the mourners to either 6 place Paul Painlevé one of them is therefore quite tricky. In the scenography designed for the Musée de Cluny, 75005 Paris the mourners, clerics and laymen altogether, some wearing long, hooded mourning cloaks, T.
    [Show full text]
  • April 2010 Newsletter
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 27, No. 1 www.hnanews.org April 2010 Hans von Aachen, The Fall of Phaeton, c. 1600. Kunsthistorisches Museum, Vienna, on loan to Schloss Ambras In the exhibition Hans von Aachen (1552-1615), Hofkünstler in Europa, Suermondt-Ludwig Museum, Aachen, March 11 – June 13, 2010; Prague Castle Gallery, July 1 – October 3, 2010; Kunsthistorisches Museum, Vienna, October 19, 2010 – January 9, 2011. © KHM HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Dagmar Eichberger Contents Wayne Franits Matt Kavaler HNA News ............................................................................1 Henry Luttikhuizen Personalia ............................................................................... 2 Shelley Perlove Exhibitions ............................................................................ 3 Joaneath
    [Show full text]
  • Art from the Court of Burgundy : 1364 - 1419; Musée Des Beaux-Arts of Dijon, May 28 - Sept
    CONTENTS 15 Prefaces Renaud Donnedieu de Vabres, Minister of Culture and Communications Francois Rebsamen, Mayor of Dijon Katharine Lee Reid, Director of The Cleveland Museum of Art 18 Foreword, Sophie Jugie and Stephen N. Fliegel 21 THE COLLECTING OF VALOIS BURGUNDIAN ART IN THE UNITED STATES, Stephen N. Fliegel I. The Patronage of Philip the Bold and John the Fearless (1364-1419) 27 HISTORY AND ART IN CONTEXT 27 The Dukes of Burgundy and the Burgundian Principalities (1361-1419), Bertrand Schnerb 42 The Dukes of Burgundy: Princes of Paris and the Fleur-de-lis, Sophie Jugie 52 Art in the Court of Flanders at the Time of the Marriage of Philip the Bold and Margaret de Male, Ludovic Nys 71 THE RULER, RELIGION, POLITICS, AND ART RELIGION 71 The Piety and Worship of Philip the Bold and John the Fearless, Bertrand Schnerb 74 Princely Piety: The Devotions of the Duchesses, Margaret of Flanders and Margaret of Bavaria (1369-1423), Fabrice Rey 77 The Furnishings of the Ducal Chapel, Gaelle Tarbochez POLITICS 81 The Use of Emblems by Philip the Bold and John the Fearless, Laurent Hablot 84 Ephemeral Art: Ceremonial Dress and Decor at the Court of Burgundy, Sophie Jolivet-Jacquet and Sylvain Faivre ART 89 Artists to the Dukes of Burgundy, Sophie Cassagnes-Brouquet 95 TREASURES OF THE PRINCES 95 The Painters of Philip the Bold and John the Fearless in Dijon, Philippe Lorentz 100 The Burgundy Library, Claudine Lemaire 123 The Tapestry Collections, Fabrice Rey 128 Gold and Silver, Elisabeth Taburet-Delahaye 137 THE DUCAL RESIDENCES BURGUNDY 137 The
    [Show full text]
  • Women and Power at the French Court, 1483-1563
    GENDERING THE LATE MEDIEVAL AND EARLY MODERN WORLD Broomhall (ed.) Women and Power at the French Court, 1483-1563 Court, French the at Power and Women Edited by Susan Broomhall Women and Power at the French Court, 1483-1563 Women and Power at the French Court, 1483–1563 Gendering the Late Medieval and Early Modern World Series editors: James Daybell (Chair), Victoria E. Burke, Svante Norrhem, and Merry Wiesner-Hanks This series provides a forum for studies that investigate women, gender, and/ or sexuality in the late medieval and early modern world. The editors invite proposals for book-length studies of an interdisciplinary nature, including, but not exclusively, from the fields of history, literature, art and architectural history, and visual and material culture. Consideration will be given to both monographs and collections of essays. Chronologically, we welcome studies that look at the period between 1400 and 1700, with a focus on any part of the world, as well as comparative and global works. We invite proposals including, but not limited to, the following broad themes: methodologies, theories and meanings of gender; gender, power and political culture; monarchs, courts and power; constructions of femininity and masculinity; gift-giving, diplomacy and the politics of exchange; gender and the politics of early modern archives; gender and architectural spaces (courts, salons, household); consumption and material culture; objects and gendered power; women’s writing; gendered patronage and power; gendered activities, behaviours, rituals and fashions. Women and Power at the French Court, 1483–1563 Edited by Susan Broomhall Amsterdam University Press Cover image: Ms-5116 réserve, fol.
    [Show full text]
  • The Exhibition Was Organized by the Dallas Museum of Art and The
    The MournersThe Medieval Tomb Sculptures Court from the of Burgundy Medieval Tomb The exhibition was organized by the Dallas Museum of Art and the Musée des Beaux-Arts de Dijon, under the auspices of FRAME (French Regional and American Museum Exchange). The exhibition is supported by a leadership gift from the Iris and B. Gerald Cantor Foundation. Additional support is provided by The Florence Gould Foundation, the Eugene McDermott Foundation, Connie Goodyear Baron, and Boucheron. Major corporate support is provided by Bank of the West–Member BNP Paribas Group. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. John the Fearless and the Dukes of Burgundy A The Valois dynasty ruled E S London H Haarlem T the duchy of Burgundy for Utrecht OR N BRABANT more than a century, with Bruges GUELDERS COUNTY OF Ghent R FLANDERS h in Lille Brussels e each successive duke COUNTY OF Tournai ARTOIS Cologne Cambrai adding territory to its LUXEMBOURG domain. Burgundy Paris Metz emerged as one of the most Nancy Seine creative artistic and FRANC E Loir e cultural centers of the late COUNTY OF BURGUNDY COUNTY Dijon OF Middle Ages. The dukes NEVERS DUCHY OF BURGUNDY Poligny built dazzling residences and religious foundations that advertised their status and established their standing among the most powerful princes in the Western world. Four dukes reigned in succession: Philip the Bold (r. 1363–1404), John the Fearless (r. 1404–19), Philip the Good (r. 1419–67), and Charles the Bold, also known as Charles the Rash (r.
    [Show full text]