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Mamie Smith

  • Jazz and the Cultural Transformation of America in the 1920S

    Jazz and the Cultural Transformation of America in the 1920S

  • Country Music Country Music in Missouri Country Bios

    Country Music Country Music in Missouri Country Bios

  • Ma Rainey's Black Bottom , and Joe Turner's Come and Gone

    Ma Rainey's Black Bottom , and Joe Turner's Come and Gone

  • 2020-08-16 Learning the Blues Sermon

    2020-08-16 Learning the Blues Sermon

  • African American Music by Michael

    African American Music by Michael "Hawkeye" Herman

  • A Sampler of Blues Musicians and Styles, 1903 - 1964

    A Sampler of Blues Musicians and Styles, 1903 - 1964

  • TTC Interview

    TTC Interview

  • OCTOBER 2019 APSS Newsletter

    OCTOBER 2019 APSS Newsletter

  • Spiritual, Blues, and Jazz People in Mrican American Fiction: Living in Paradox / A

    Spiritual, Blues, and Jazz People in Mrican American Fiction: Living in Paradox / A

  • A Feminist Perspective on New Orleans Jazzwomen

    A Feminist Perspective on New Orleans Jazzwomen

  • Meet UC's Community Engagement Grant Recipients

    Meet UC's Community Engagement Grant Recipients

  • Crazy Blues”—Mamie Smith (1920) Added to the National Registry: 2005 Essay by Ed Komara (Guest Post)*

    Crazy Blues”—Mamie Smith (1920) Added to the National Registry: 2005 Essay by Ed Komara (Guest Post)*

  • Chapter Overview

    Chapter Overview

  • Bessie Smith – Empress of the Blues Bessie Smith Was the Biggest Blues Star of the 1920’S on the Streets with Her Guitar Playing Brother, Andrew, to and 1930’S

    Bessie Smith – Empress of the Blues Bessie Smith Was the Biggest Blues Star of the 1920’S on the Streets with Her Guitar Playing Brother, Andrew, to and 1930’S

  • The Triumph of Womanist Blues Over Blues Violence in Alice Walker's the Color Purple Cour

    The Triumph of Womanist Blues Over Blues Violence in Alice Walker's the Color Purple Cour

  • Shout, Sister, Shout! Collection the Boswell Sisters of New Orleans

    Shout, Sister, Shout! Collection the Boswell Sisters of New Orleans

  • Starr-Waterman American Popular Music Chapter 5: “St. Louis Blues”: Race Records and Hillbilly Music, 1920S and 1930S Student Study Outline

    Starr-Waterman American Popular Music Chapter 5: “St. Louis Blues”: Race Records and Hillbilly Music, 1920S and 1930S Student Study Outline

  • Johnson, Jay Cee (JC) Collection, 1896-1981

    Johnson, Jay Cee (JC) Collection, 1896-1981

Top View
  • The Recording Industry's Influence on Vernacular Traditions 1920-1960
  • Oral History Transcript T-0010, Interview with Eddie Johnson, Elijah Shaw, Chick Finney and Eddie Randle, August 20, 1971
  • Women in Blues (And Jazz) Quiz
  • Black Musical Traditions and Copyright Law: Historical Tensions
  • Biography of Bessie Smith
  • Final Draft Mcnair Thesis 2
  • National Recording Registry (2002-2020)
  • CBS Newsletter October Print 2-2017
  • There Are Three Most Popular 'Blues' Singers That Used Jazz Bands. Many Other Blues Singers Are in Vaudeville, Too Many to Mention
  • Literary Perspectives of Bessie Smith
  • 2020–2021 Season Cincinna Ti Pops Orches
  • Black Swan Records and the Political Economy of African American Music
  • 'Crazy Blues' Transformed American Music
  • Postmodern Blackness and the Legacy of Bessie Smith Phillip M
  • Ma Rainey: Mother of the Blues
  • American Popular Song
  • The American Blues: Men, Myths, and Motifs
  • Year 2021 English Magazine of Asociación Integra


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