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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Jane Jayroe-Gamble She Overcame Her Fears and Shyness to Win Miss America 1967, Launching Her Career in Media and Government
Jane Jayroe-Gamble She overcame her fears and shyness to win Miss America 1967, launching her career in media and government Chapter 01 – 0:52 Introduction Announcer: As millions of television viewers watch Jane Jayroe crowned Miss America in 1967, and as Bert Parks serenaded her, no one would have thought she was actually a very shy and reluctant winner. Nor would they know that the tears, which flowed, were more of fright than joy. She was nineteen when her whole life was changed in an instant. Jane went on to become a well-known broadcaster, author, and public official. She worked as an anchor in TV news in Oklahoma City and Dallas, Fort Worth. Oklahoma governor, Frank Keating, appointed her to serve as his Secretary of Tourism. But her story along the way was filled with ups and downs. Listen to Jane Jayroe talk about her struggle with shyness, depression, and a failed marriage. And how she overcame it all to lead a happy and successful life, on this oral history website, VoicesofOklahoma.com. Chapter 02 – 8:30 Grandparents John Erling: My name is John Erling. Today’s date is April 3, 2014. Jane, will you state your full name, your date of birth, and your present age. Jane Jayroe: Jane Anne Jayroe-Gamble. Birthday is October 30, 1946. And I have a hard time remembering my age. JE: Why is that? JJ: I don’t know. I have to call my son, he’s better with numbers. I think I’m sixty-seven. JE: Peggy Helmerich, you know from Tulsa? JJ: I know who she is. -
Country Music Country Music in Missouri Country Bios
Country Music Country music is a genre of popular music that originated in the rural South in the 1920s, with roots in fiddle music, old-time music, blues and various types of folk music. Originally called “hillbilly music” and sometimes called “country and western,” the name “country music” or simply “country” gained popularity in the 1940s. Many recent country artists use elements of pop and rock. Country music often consists in ballads with simple forms and harmonies, accompanied by guitar or banjo with a fiddle. Country bands now often include a steel guitar, bass and drums. Country Music in Missouri Missourians love country music, as evidenced by the large number of country music radio stations, the number of country artists on festivals and presented by concert venues around the state, the country music artists who make their home and perform regularly in the popular tourist destination of Branson, Missouri, and the many Missouri musicians and bands who play country music in the bars and clubs in their local community. “The Sources of Country Music,” a painting by well-known Missouri artist Thomas Hart Benton hangs in the Country Music Hall of Fame and Museum in Nashville. Ralph Peer (1892-1960), born in Independence, Missouri, worked for Columbia Records in Kansas City until 1920 when he took a job for OKeh Records in New York and supervised the recording of “Crazy Blues” by Mamie Smith, the first blues recording aimed at African- Americans. In 1924 he supervised the first commercial recording session in New Orleans, recording jazz, blues and gospel music. -
AD Mike Bohn Could Leave for USC Pg. 3
The News Record @NewsRecord_UC /TheNewsRecord @thenewsrecord Wednesday, November 6, 2019 HOMECOMING 2O19 pg. 3 | Homecoming pg. 4 | What will go in pg. 8 | AD Mike Bohn events around campus UC’s time capsule? could leave for USC PHOTO: ANDREW HIGLEY | UNIVERSITY OF CINCINNATI November 6, 2019 Page 2 The elusive dining hall only marketed to athletes QUINLAN BENTLEY | STAFF REPORTER website. Some have even taken to social media to protest what they say is UC’s Tucked quietly away on the 700 level of lack of transparency, while others view the the Richard E. Lindner Center, a little- facility’s existence as inconsequential. known dining facility has stirred up debate “[One] reason student athletes are likely surrounding preferential treatment of more aware of the facility is because student athletes. student-athletes’ meal plans support the The Varsity Club is a dining facility that operations of the facility,” said Reilly. “It debuted last fall as a partnership between doesn’t meet most students’ needs as do Food Services and UC Athletics to lessen other campus dining options that have demand at the university’s other dining wider food selections and continuous hours facilities in response to rising enrollment of operation from early morning to late and to better meet student athletes’ night,” she said. nutritional needs. Considering National Collegiate Before its transformation, the space was Athletic Association (NCAA) regulations originally titled the Seasongood Dining that prohibit universities from giving Room and was a faculty dining facility preferential treatment to student athletes, operated by the nonprofit Cincinnati Faculty Wentland said he views this lack of Club, Inc. -
Mega Conferences
Non-revenue sports Football, of course, provides the impetus for any conference realignment. In men's basketball, coaches will lose the built-in recruiting tool of playing near home during conference play and then at Madison Square Garden for the Big East Tournament. But what about the rest of the sports? Here's a look at the potential Missouri Pittsburgh Syracuse Nebraska Ohio State Northwestern Minnesota Michigan St. Wisconsin Purdue State Penn Michigan Iowa Indiana Illinois future of the non-revenue sports at Rutgers if it joins the Big Ten: BASEBALL Now: Under longtime head coach Fred Hill Sr., the Scarlet Knights made the Rutgers NCAA Tournament four times last decade. The Big East Conference’s national clout was hurt by the defection of Miami in 2004. The last conference team to make the College World Series was Louisville in 2007. After: Rutgers could emerge as the class of the conference. You find the best baseball either down South or out West. The power conferences are the ACC, Pac-10 and SEC. A Big Ten team has not made the CWS since Michigan in 1984. MEN’S CROSS COUNTRY Now: At the Big East championships in October, Rutgers finished 12th out of 14 teams. Syracuse won the Big East title and finished 14th at nationals. Four other Big East schools made the Top 25. After: The conferences are similar. Wisconsin won the conference title and took seventh at nationals. Two other schools made the Top 25. MEN’S GOLF Now: The Scarlet Knights have made the NCAA Tournament twice since 1983. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2007-01-17 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2007). All Xavier Student Newspapers. 498. https://www.exhibit.xavier.edu/student_newspaper/498 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. THE XAVIER UNIVERSITY Campus News: Shootout view-out p. 2 Op-Ed: Where’d the hype go? p. 6 EWSWIRE Sports: XU/UC lineups and stats p. 9 NPublished since 1915 by the students of Xavier University Diversions: “The Holiday” at Hollywood p. 10 92nd year, issue 16 week of JANUARY 17, 2007 www.xavier.edu/newswire Police respond to violence during high school games at Cintas Center RACHEL PETERS a minor head cut on one of the six Senior News Editor people arrested. According to the Last Monday, a day that was Cincinnati Police Department, meant to observe nonviolence, most of the arrests were juveniles turned out to be anything but peace- so little information can be attained ful when several violent and chaotic as to their identities and specifi c scenes erupted during the Martin charges. Luther King, Jr. Classic high school This was the second year the basketball tournament at Cintas tournament was held at Xavier, Center. A total of six arrests were as well as the second year vio- made throughout the day. -
Alumni Awards GALA a Virtual Celebration
Columbia College Alumni Association Alumni Awards GALA A Virtual Celebration June 24, 2021 The breadth and depth of accomplishments of this impressive group speaks directly to the quality of a Columbia College education. Awards Program Welcome Suzanne Rothwell Vice President for Advancement Remarks Debra Carnahan ’82 CCAA Advisory Council Chair, 2021-23 Dr. David Russell Interim President Keith McIver Director of Alumni Development Alumni Awards Recipients Pat Hagenbuch ’62 Jane Froman Courage Award Donna Osborne Bradley ’11 Professional Achievement Award Virginia Zimmerly Stewart ’76 Community Service Award Victor Ciardelli ’89 Distinguished Alumni Award Closing Remarks Columbia College Alumni Association The Columbia College Alumni Association proudly guides the future by fostering lasting relationships with alumni, students and friends worldwide. We are committed to the purposeful development of our students, alumni and friends as volunteers, advocates, leaders and contributors. With respect for lifelong learning, we strive to support the college and sustain traditions enjoyed today as well as those created by generations to come. OUR CORE VALUES Affinity • Civility & Respect • Courage • Excellence • Honor CCAA Advisory Council, 2020-21 The CCAA Advisory Council is the leadership group of the Alumni Association, comprised of alumni volunteers who are committed to the success of the college. CHAIR, 2019-21 Nikki McGruder ’00 Jonathan Dudley ’10 Day Program Day Program Joshua Muder ’99 VICE CHAIR, 2019-21 Day Program Debra Carnahan ’82 -
Ma Rainey's Black Bottom , and Joe Turner's Come and Gone
MA RAINEY ’S BLACK BOTTOM BBBY AAAUGUST WILSON Directed by Ron OJ Parson September 17 ––– October 1818,,,, 2009 at Court Theatre ---S-SSSTUDY GGGUIDE --- 1 AAABOUT THE PPPLAY CCCHARACTERS Ma Rainey • Based on Ma Rainey, a famous blues singer • Hailed as “mother of the blues” • Decision-maker for the band – in charge of everything that happens • Has no illusions about the fact that her manager and producer are trying to make money off of her Mel Sturdyvant • White owner of the South Side recording studio where the play takes place • Overworked, penny-pinching, obsessed with making money • Uncomfortable dealing with black performers; communicates primarily with and through Irvin, Ma’s white manager • Represents white exploitation of black music Irvin • Ma Rainey’s white agent • Spends most of his time dealing with conflict between Ma and Sturdyvant • Chiefly motivated by money, but seems to enjoy spending time with Ma and the band • Acts as a liaison between white characters (Sturdyvant, police officers) and black characters (Ma, the band) Cutler • Guitar and trombone player in Ma’s band • Leader of the instrumentalists • Loner, in his mid-fifties • Plays his music straight with no embellishment, believes in getting things done quickly 2 Slow Drag • Slow-moving but talented bass player in Ma’s band • In his mid-fifties, professional who is focused on his music • Name comes from an incident in which he slow-danced with a woman for hours to win money • Critics have said that Slow Drag’s playing reflects ‘fundamental rhythmic, harmonic and -
BROADHURST THEATER, 235-243 West 44Th Street, Manhattan
landmarks Preservation Connnission November 10, 1987; Designation List 195 LP-1323 BROADHURST THEATER, 235-243 West 44th Street, Manhattan. Built 1917-18; architect, Herbert J. Krapp. landmark Site: :Borough of Manhattan Tax Map Block 1016, lDt 11. On June 14 and 15, 1982, the landmarks Preservation Conunission held a public hearing on the proposed designation as a landmark of the Broadhurst '!heater and the proposed designation of the related landmark Site (Item No. 19). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. 'Ihe owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. 'Ihe Connnission has received many letters and other expressions of support in favor of this designation. DESCRIPITON AND ANALYSIS 'lhe Broadhurst '!heater survives t00ay as one of the historic theaters that symbolize American theater for both New York and the nation. Built shortly after the end of World War I, the Broadhurst was one of a pair with the Plymouth and among the numerous theaters constructed by the Shubert Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by the three brothers Sam s., lee and J.J. Shubert, the Shubert organization was the dominant shaper of New York's theater district. Beginning as producers, the brothers expanded into the building of theaters as well, and eventually helped cover the blocks east and west of Broadway in Midtown with playhouses. -
Combined Guide for Web.Pdf
2015-16 American Preseason Player of the Year Nic Moore, SMU 2015-16 Preseason Coaches Poll Preseason All-Conference First Team (First-place votes in parenthesis) Octavius Ellis, Sr., F, Cincinnati Daniel Hamilton, So., G/F, UConn 1. SMU (8) 98 *Markus Kennedy, R-Sr., F, SMU 2. UConn (2) 87 *Nic Moore, R-Sr., G, SMU 3. Cincinnati (1) 84 James Woodard, Sr., G, Tulsa 4. Tulsa 76 5. Memphis 59 Preseason All-Conference Second Team 6. Temple 54 7. Houston 48 Troy Caupain, Jr., G, Cincinnati Amida Brimah, Jr., C, UConn 8. East Carolina 31 Sterling Gibbs, GS, G, UConn 9. UCF 30 Shaq Goodwin, Sr., F, Memphis 10. USF 20 Shaquille Harrison, Sr., G, Tulsa 11. Tulane 11 [*] denotes unanimous selection Preseason Player of the Year: Nic Moore, SMU Preseason Rookie of the Year: Jalen Adams, UConn THE AMERICAN ATHLETIC CONFERENCE Table Of Contents American Athletic Conference ...............................................2-3 Commissioner Mike Aresco ....................................................4-5 Conference Staff .......................................................................6-9 15 Park Row West • Providence, Rhode Island 02903 Conference Headquarters ........................................................10 Switchboard - 401.244-3278 • Communications - 401.453.0660 www.TheAmerican.org American Digital Network ........................................................11 Officiating ....................................................................................12 American Athletic Conference Staff American Athletic Conference Notebook -
2020-08-16 Learning the Blues Sermon
Page 1 of 4 Learning to Sing the Blues Rev. Joe Cleveland August 16, 2020 Unitarian Universalist Congregation of Saratoga Springs We can’t deny the blues. In order to practice compassion, as I was preaching last Sunday, we need to be willing to be open to the truth of what is happening. To be compassionate, we encounter the world without illusion. What we’re talking about is a willingness to encounter and be with suffering. The Buddhist meditation teacher Sharon Salzberg says, If we look at our own experience, it comes as o big surprise that suffering exists. Yet we are brought up with the feeling that suffering is somehow wrong or to be avoided. We get the idea that suffering is unbearable and should not even be faced.1 The UU minister Peter Boullata has described this sort of avoidance as having a particular resonance in Unitarian Universalism: It’s been my experience that Unitarian Universalists shy away from sharing experiences of loss and suffering, and are uncomfortable with needing or wanting or asking for help. I think many UUs don’t like to publicly admit that we are anything but autonomous, self-determining masters of our own destinies.2 We all have our strategies and that try to avoid or deny suffering. I think much of our susceptibility to addiction arises from the attempt to avoid suffering. Salzberg says, “we live like children growing up in a dysfunctional family, where there is conflict but no one very speaks about it.”3 But how is it that we can begin to drop these avoidance strategies? How can we learn that we can be with suffering and not be wholly overwhelmed? These are fundamental questions.