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Li Jinhui

Pop Songs Between 1930S and 1940S in Shanghai”—Aesthetic Release of Eros Utopia
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UC Berkeley Cross-Currents: East Asian History and Culture Review
Music for a National Defense”: Making Martial Music During the Anti-Japanese War
The Saxophone in China: Historical Performance and Development
Counterfeiting China: Japanese Orientalist Pop Songs, 1931-1945
Yellow Music
Wang Renmei: the Wildcat of Shanghai Summer He Spent the Entire Vacation Living at the Educator’S Home
Extraterritoriality Locating Hong Kong Cinema and Media
A Critical Anaysis of Identity, Media, and Popular Music in the Voice Of
The Political Influence on the Chinese Song Composition of 1930S-1940S
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SHANGHAI JAZZ a Culture Mix Tuesday, November 19, 2019 Bovard Auditorium University of Southern California
The Female Singer, Body, and Political Discourse in 1930S Shanghai
The Way to the 1930S' Shanghai Female Stardom
Radio, Sound Cinema, and Community Singing: the Making of a New Sonic Culture in Modern China
A HISTORY of JAZZ in CHINA: from YELLOW MUSIC to a JAZZ REVIVAL in BEIJING a Thesis Submitted to the College of the Arts of Ke

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Yellow Music: a Transcultural Musical Genre's Role In
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ATINER's Conference Paper Series HIS2017-2242
New Folk Songs and Dances ---Concerning Li Jinhui Musical Characteristics and Roles of Children Yanbin Ding
View on the Mainland That “Global Opinion [Was] Stacked Against Them” 1
Three Actresses of the Lianhua Film Company Anne Kerlan

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