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Julie Dash

  • Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship

    Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship

  • Overview of Exhibitions and Programs, June–July 2021

    Overview of Exhibitions and Programs, June–July 2021

  • From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, Cienna.Davis@Gmail.Com

    From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected]

  • 101 Films for Filmmakers

    101 Films for Filmmakers

  • Gullah Womanism in the Creative Works of African American Women

    Gullah Womanism in the Creative Works of African American Women

  • Bamcinématek Presents Strange Victories: Black Soldiers and World War II, a Series Focused on African-Americans’ Experiences During the War, Nov 10–16

    Bamcinématek Presents Strange Victories: Black Soldiers and World War II, a Series Focused on African-Americans’ Experiences During the War, Nov 10–16

  • A Black Girl's Song Misogynoir, Love, and Beyoncé's Lemonade

    A Black Girl's Song Misogynoir, Love, and Beyoncé's Lemonade

  • Women's Journeys, Women's Stories: in Search of Our Multicultural Future

    Women's Journeys, Women's Stories: in Search of Our Multicultural Future

  • Camille Billops and James V. Hatch Archives at Emory University

    Camille Billops and James V. Hatch Archives at Emory University

  • Finding Aid to the Historymakers ® Video Oral History with Julie Dash

    Finding Aid to the Historymakers ® Video Oral History with Julie Dash

  • Blackstar Announces Programs, Closing Night World Premiere for 10Th Anniversary Film Festival

    Blackstar Announces Programs, Closing Night World Premiere for 10Th Anniversary Film Festival

  • Beyoncé Feminism: Popular Music and Black Feminist Theory

    Beyoncé Feminism: Popular Music and Black Feminist Theory

  • Co-Produced with the Black Film Institute of the University of the District of Columbia the Vision

    Co-Produced with the Black Film Institute of the University of the District of Columbia the Vision

  • Film/TV Response & Critique

    Film/TV Response & Critique

  • New York Women in Film & Television to Honor And

    New York Women in Film & Television to Honor And

  • Afrocentric Ideologies and Gendered Resistance in Daughters of the Dust and Malcolm X: Setting, Scene, and Spectatorship

    Afrocentric Ideologies and Gendered Resistance in Daughters of the Dust and Malcolm X: Setting, Scene, and Spectatorship

  • THE GULLAH KALEIDOSCOPE Daughters of the Dust

    THE GULLAH KALEIDOSCOPE Daughters of the Dust

  • Biographical Description for the Historymakers® Video Oral History with Julie Dash

    Biographical Description for the Historymakers® Video Oral History with Julie Dash

Top View
  • Gendered Representation, Cultural Sustainability, and Culinary Practices of Gullah Women
  • Daughters of the Dust, Dash Offered the Country a Fresh Yvonne Welbon Received an Undergraduate Degree in History from Vassar College
  • Esearch R Film Studio
  • Bfrservice24 LR.Pdf
  • Gullah, African Continuities, and Their Representation in Dash's Daughters of the Dust
  • Re)Writing History in Julie Dash's Illusions (1983
  • Culla Mi Gullah, Re-Imagining African American Female Artists and the Sea Islands: Exploring Africanisms and Religious Expressions in Creative Works
  • Sweeping Conversations: Julie Dash's Daughters
  • Distribution Agreement in Presenting This Thesis Or Dissertation As A
  • Download PDF File
  • Cullah Mi Gullah, African American Female Artists and the Sea Islands: Exploring Africanisms and Religious Expressions in Creative Works
  • Women of Color in Film and Using Short Film in the Classroom
  • Beyonce's Lemonade and the Re-Appropriation of Identity Delilah Pope Harding University, [email protected]
  • Miami Voters to Choose Mayor Over City Manager Cosby Gets 3 to 10
  • Dark Water: Rememory, Biopower, and Black Feminist Art Stephanie Troutman University of Arizona, [email protected]
  • Slavery and Transnational Memory: the Making of New Publics


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