DOCSLIB.ORG

Miami Voters to Choose Mayor Over City Manager Cosby Gets 3 to 10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Miami Voters to Choose Mayor Over City Manager Cosby Gets 3 to 10 Volume 96 Number 6 | SEPTEMBER 26-OCTOBER 2, 2018 | MiamiTimesOnline.com | Ninety-Three Cents Cosby is sent to state prison in Bad handcuffs after sentencing Tuesday. Mark Makela/Getty Images Blood Cosby gets 3 to 10 years A history of Black medical deception for assault With a new study, the University of Miami is trying ‘Most racist and sexist trial to overcome distrust in the Black community in the history of the United States,’ says spokesman K. BARRETT BILALI Miami Times Contributor MARYCLARIE DALE and MICHAEL R. SISAK Associated Press t has been almost a century since the group had syphilis and more than 200 the Tuskegee study in which Black didn’t. But they all received placebos. Their His Hollywood career and good-guy image men were used to find out the ef- illnesses were never treated until the study in ruins, Bill Cosby was led away to prison fects of syphilis. In the early 1930s, was quashed in 1972. in handcuffs Tuesday at age 81, sentenced to aboutI 600 Black men joined the Tuskegee The Tuskegee study and other reported three to 10 years behind bars for drugging and sexually assaulting a woman at his gated Study of Untreated Syphilis in the Negro abuses in medical studies have contrib- estate. Male program only to find out 40 years lat- uted to Black people steering clear of The punishment made him the first celeb- er that the study was looking at the long- medical research projects. rity of the #MeToo era to be sent to prison term effects of the disease. Nearly 400 of SEE BLOOD 4A and all but completed the dizzying, late-in- life fall from grace for the comedian, TV star and breaker of racial barriers. “It is time for justice. Mr. Cosby, this has all circled back to you. The time has come,” Montgomery County Judge Steven O’Neill said. He quoted from victim Andrea Con- Black men line up stand’s statement to the court, in which she for Tuskegee study said Cosby took her “beautiful, young spirit and crushed it.” Cosby declined the opportunity to speak before the sentence came down, and after- ward sat laughing and chatting with his de- fense team. His wife of 54 years, Camille, was not in court. Constand smiled broadly upon hearing the punishment and was hugged by others in the courtroom. In a blistering statement, Cosby spokesman Andrew Wyatt said the comic was subjected to “most racist and sexist trial in the history of the United States.” Henrietta Lacks Among other things, Wyatt said all three SEE COSBY 6A MIAMI REFERENDUM Miami voters to choose mayor over city manager The Charter Amendment would go Miami has today, Suarez said On the ballot for the Nov. Commissioner Joe Carollo, the people do not get what 6 election, people who live who voted against the res- in effect immediately if passed they voted for. A mayor cam- in Miami’s city limits will be olution, has filed a lawsuit paigns, is elected but then the asked to change the current against the city in an attempt K. BARRETT BILALI and in office choose to do so. city is run by the city manager, city manager-based system to block the strong mayor ref- CAROLYN GUNISS Four years later, voters who was not elected, he said. to what is sometimes called a erendum. Carollo claims the [email protected] tested their right to pun- “The people elect the may- strong mayor form of govern- ballot language is misleading ish Alvarez for raising their or, but then they can’t hold ment. as to the mayor’s proposed Miami Mayor Francis Su- property taxes and raising him accountable,” said Suarez. Suarez has been advocating salary and powers. In ad- arez remembers what hap- staff salaries in the middle of “I can’t fire the police chief. for this change in the city’s dition, he said the petition pened to former Miami-Dade the recession and the hous- It’s a charter violation. Only charter before being elected process by Suarez’s political Mayor Carlos Alvarez. ing bust. the city manager can. Then to the commission in 2009. action committee was illegal. Alvarez became Mi- Voters by 88 percent re- the chief can file an appeal af- After being elected mayor last Miami for an Independent ami-Dade County’s first chief called Alvarez and cut short Miami Mayor ter five deals,” he said. year with nearly 90 percent of & Accountable Mayor’s Initia- executive officer or what is his second term, a provision Francis Suarez He is hoping Miami res- the votes, Suarez formed a po- tive, the PAC which supports known as a strong mayor that a strong mayor form of idents want to change the litical action committee and revising the charter, says that in 2007. In this form of gov- government provides. manager-led to what he calls city’s form of government. successfully got the referen- “an accountable mayor” will ernment, much like a regu- Suarez wants Miami voters an accountable-mayor govern- dum on the ballot after a reso- make for a stronger Miami. lar CEO, a mayor can be re- to change its charter and gov- ment. lution passed on a 3-2 vote by “Who is in charge?” asks moved if those who put them ernment structure from city In the form of government the commission. SEE VOTERS 6A BUSINESS ................................................. 10B YOU & YOURS ............................................ 7D Today CLASSIFIED ............................................. 13B FAITH CALENDAR ................................... 8D Football fight yields 90° IN GOOD TASTE ......................................... 1C HEALTH & WELLNESS ............................. 9D discord off field INSIDE LIFESTYLE HAPPENINGS ....................... 5C OBITUARIES ............................................. 12D 8 90158 00100 0 8A Editorials Cartoons Opinions Letters VIEWPOINT BLACKS MUST CONTROL THEIR OWN DESTINY | SEPTEMBER 26-OCTOBER 2, 2018 | MiamiTimesOnline.com Credo Of The Black Press MEMBER: National Newspaper Periodicals Postage The Black Press believes that America Publisher Association paid at Miami, Florida EDITORIAL (ISSN 0739-0319) can best lead the world from racial and MEMBER: The Newspaper POSTMASTER: Published Weekly at 900 NW 54th Street, Association of America Send address changes to national antagonism when it accords Miami, Florida 33127-1818 Subscription Rates: One Year THE MIAMI TIMES, to every person, regardless of race, Post Office Box 270200 $65.00 – Two Year $120.00 P.O. Box 270200 creed or color, his or her human and Cosby, others, women Buena Vista Station, Miami, Florida 33127 Foreign $75.00 Buena Vista Station, Miami, FL Phone 305-694-6210 legal rights. Hating no person, fearing 7 percent sales tax for Florida residents 33127-0200 • 305-694-6210 no person, the Black Press strives to are ready to fight H.E. SIGISMUND REEVES Founder, 1923-1968 help every person in the firm belief that GARTH C. REEVES JR. Editor, 1972-1982 all persons are hurt as long as anyone GARTH C. REEVES SR. Publisher Emeritus is held back. any attribute the recognition that women have RACHEL J. REEVES Publisher and Chairman been the subject of abject harassment and phys- Mical violence to the #MeToo movement. The #MeToo movement has been formally ongoing since 2006, when Tarana Burke wrote “Me Too” for others to join We deserve better than DeSantis in saying they were sexually assaulted. FREDERICA S. WILSON, U.S. Rep., D-Miami This year, several people, mostly men have been accused of sexually inappropriate behavior. The latest of those, a From day one of the gu- he is before this unfortunate more indictment of his fit to serve as Florida’s next Supreme Court nominee, Judge Brett Kavanaugh is facing bernatorial general election incident. judgment and character on governor. accusations that three decades ago he sexually harassed one cycle, former Congressman He is a founding member a long list of reasons why His elevation to the gov- woman and may have identified as conquests others in a Ron DeSantis has spent of the House Freedom Cau- voters cannot trust him. ernorship would pose an high school yearbook. more time defending him- cus, and has voted in sup- DeSantis showed us that existential threat to equal But only a few weeks ago, on Aug. 31, at the Queen of Soul self against accusations of port of President Trump’s he also is no friend to wom- rights in Florida. He is an racism than he has spent positions 94 percent of the en when he voted against ideologue and what we Aretha Franklin’s funeral the world watched in horror and sharing his vision for Flor- time. If elected governor, the Violence Against Wom- need is a strategic thinker disgust as Bishop Charles H. Ellis III openly groped Ariana ida. It began with the care- we can expect him to con- en Act (VAWA) in 2013. who will be a compassion- Grande. He further diminished her by likening her name to less remark urging voters to tinue to promote inhumane Reauthorization of this ate and effective leader. a Taco Bell menu item. not “monkey” things up by policies that limit access to landmark legislation had The good news is that Women face these types of pressures all day long, espe- electing his opponent, Tal- affordable health care, di- been passed without major Gillum is leading DeSan- cially when they have to meet men in places that men be- lahassee Mayor Andrew Gil- minish the quality of public opposition for nearly two tis in the polls. He won the lieve they should dominate: the boardroom, the bedroom lum, who is Black. education, destroy the en- decades. It was introduced Democratic primary against and the political and intellectual stage. DeSantis’ team tried to vironment, take from the in response to crisis levels the odds because he spoke We know the blatant disregard for women and their right clean it up by saying that poor to give to the rich, and of domestic violence, dat- to voters about the issues to be treated equally and fairly as men reached new heights he was advising Floridians create racial and ethnic di- ing violence, sexual assault that matter to them in ways due to the person who sits in the highest office in the na- against “making the wrong vides.
Load more

Recommended publications
  • Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship
    Pugh-Sellers 1 Seeing Humans, Making Commodities: Slave Ship Rebellions on Film Senior Thesis Presented to The Faculty of the School of Arts and Sciences Brandeis University Undergraduate Program in African and African-American Studies and History Chad Williams, Adviser In partial fulfillment of the requirements for the degree of Bachelor of Arts By Lucia Pugh-Sellers April 2020 Committee members: Name: Chad Williams Signature:___________________________________ Name: Alice Kelikian Signature:___________________________________ Name: Faith Smith Signature:___________________________________ Pugh-Sellers 2 ACKNOWLEDGEMENTS I would like to thank my committee members, who have inspired and helped me enormously during my time at Brandeis. I am grateful to know Professors Faith Smith and Alice Kelikian, who each influenced me so much, and ultimately changed my life. Professor Chad Williams, my thesis advisor, was a model of patience, offering step-by-step guidance and sage advice. His dedication to teaching was evident from the first day I stepped into his class, when he showed himself willing to engage with an intimidated first-year student. I could not have finished this thesis without these profoundly important academic mentors. I also want to thank everyone else who helped me through this thesis process, particularly: Kavita, for being my thesis-writing buddy and commiserator; Yael, for her empathy; Allison, for advice and laughter; Tamar; my thesis cohort (Dannie, Victoria, and Jake). Finally, I would like to acknowledge my family, especially my parents and sisters, for their wholehearted support, which keeps me going. I recognize and wrestle with my positionality as white woman, and one who has largely benefited from the systems of racism I describe here.
    [Show full text]
  • Overview of Exhibitions and Programs, June–July 2021
    CALENDAR ADVISORY (JUNE–JULY 2021) MUSEUM OF THE MOVING IMAGE PRESENTS JUNETEENTH CELEBRATION, SETS FIRST LOOK FESTIVAL DATES, CONTINUES COMPLETE KUBRICK AND SEE IT BIG! SERIES, AND MORE Summer Media Camp registrations are open for in-person and virtual sessions for youth ages 8–14 in July and August Queens Drive-In continues through June with summer classics and free community screening series presented by the Queens Borough President’s office Astoria, New York, May 19, 2021 — Museum of the Moving Image, the nation’s only museum devoted to the art, history, technique, and technology of film, TV, and digital media, is currently presenting exhibitions and screenings at the Museum in Astoria; tours, workshops, and Virtual Cinema presentations online via movingimage.us; and screenings at the Queens Drive-In, in partnership with Rooftop Films and New York Hall of Science. Please see below for an overview of June and July programming. Additional programs will be announced as they are confirmed. For all visits to the Museum’s building in Astoria, please note that Covid-19 health and security measures continue to be in place. These include social distancing, mask requirements, physical barriers to minimize contact, and additional measures. While the Museum is closely monitoring the changes to CDC, State, and City guidelines, we kindly require all visitors to wear their masks while in the Museum, until further notice. Learn more about Museum protocols here. Summer Media Camp: Registration is open for children and teens ages 8–14 to participate in the Museum’s popular camps. In-person camps run July 12–August 20 with weeklong sessions devoted to animation, filmmaking, video game design, and puppetry for the screen.
    [Show full text]
  • From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected]
    Taboo: The Journal of Culture and Education Volume 16 | Issue 2 Article 4 September 2017 From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Davis, C. (2018). From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade. Taboo: The Journal of Culture and Education, 16 (2). https://doi.org/10.31390/taboo.16.2.04 Taboo,Cienna Fall Davis 2017 7 From Colorism to Conjurings Tracing the Dust in Beyoncé’s Lemonade Cienna Davis Abstract Colorism creates relentless tension and pressure in the lives of Black women. Pop-star Beyoncé Gisele Knowles-Carter is an interesting case in the discussion of colorism because her career has expressed a rich intimacy to Southern Black cul- ture and female empowerment while also playing into tropes of the mulatta “fancy girl,” whose relative proximity to whiteness adheres social value within mainstream culture. Finding aesthetic and thematic parallels between Beyoncé’s recent project Lemonade (2016) and Julie Dash’s cult-classic film Daughters of the Dust (1991) I draw a critical connection between Yellow Mary Peazant and Beyoncé, the prodigal child and the licentious “post-racial,” pop-star to argue that while Lemonade may not present the same critique of exclusionary Black womanhood present within Daughters of the Dust, reactions to the Beyoncé’s visual album and the “Formation” music video inadvertently demonstrate the longevity of harmful colorist prejudices and the disparaging of Black female sexual and creative agency within the Black community.
    [Show full text]
  • 101 Films for Filmmakers
    101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
    [Show full text]
  • Gullah Womanism in the Creative Works of African American Women
    i OOMAN’S WUK: GULLAH WOMANISM IN THE CREATIVE WORKS OF AFRICAN AMERICAN WOMEN by JUDITH LYNN STRATHEARN B. S. Rochester Institute of Technology, 1993 B.A., Metropolitan State College of Denver, 2004 M.A., University of Colorado at Boulder, 2008 A dissertation submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2017 ii This dissertation entitled: Ooman’s Wuk: Gullah Womanism in the Creative Works of African American Women written by Judith Lynn Strathearn has been approved for the Department of English Adam F. Bradley (Committee Chair) Michael J. Preston (Committee Member) Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii ABSTRACT Strathearn, Judith Lynn (Ph.D., English) Ooman’s Wuk: Gullah Womanism in the Creative Works of African American Women Dissertation directed by Associate Professor Adam F. Bradley “Ooman’s Wuk: Gullah Womanism in the Creative Works of African American Women” investigates Gullah history and culture as a usable past for modern African American female artists. This project explores the history of rice production and the vital but under-discussed role of women that led to the African retentions still at work on the Sea Islands of South Carolina and Georgia. By exploring the often disavowed female roles, this dissertation argues that once acknowledged, the Gullah woman’s role as ‘keepa a da kulca’ formulates a Gullah womanism or a form of cultural and community activism that is found in the daily lives of the female descendants of Africans living on the Sea Islands.
    [Show full text]
  • Bamcinématek Presents Strange Victories: Black Soldiers and World War II, a Series Focused on African-Americans’ Experiences During the War, Nov 10–16
    BAMcinématek presents Strange Victories: Black Soldiers and World War II, a series focused on African-Americans’ experiences during the war, Nov 10–16 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. October 10, 2017/Brooklyn, NY—From Friday, November 10 through Thursday, November 16, BAMcinématek presents Strange Victories: Black Soldiers and World War II. Inspired by the release of Dee Rees’ extraordinary new epic Mudbound (sneak peek screening at BAMcinématek Oct 24 with director Dee Rees in attendance), BAMcinématek presents a cross section of films that explore the unique experiences of black soldiers who, in racially-segregated units, fought the spread of fascism overseas only to face racism again on home soil. These groundbreaking classics, compelling documentaries, and revisionist action spectacles shine much-needed light on the experience of black soldiers and veterans as the United States continues to struggle today with its legacy of historical, systemic racism. The series begins with Spike Lee’s Miracle at St. Anna (2008—Nov 10), a necessary corrective that mobilizes familiar tropes of the traditional Hollywood World War II movie to present a powerful story of black infantrymen who fought for a country that saw them as second-class citizens. On a similarly thrilling scale is Anthony Hemingway’s Red Tails (2012—Nov 12) about the Tuskegee Airmen, a legendary African-American fighter pilot unit. Its all-star cast features David Oyelowo, Michael B. Jordan, and Cuba Gooding, Jr. Mark Robson’s Home of the Brave (1949—Nov 14) was among the first studio-era dramas to address the challenges faced by black soldiers, including PTSD, bigotry, and the embedded racism of everyday life.
    [Show full text]
  • A Black Girl's Song Misogynoir, Love, and Beyoncé's Lemonade
    Taboo: The Journal of Culture and Education Volume 16 | Issue 2 Article 9 September 2017 A Black Girl’s Song Misogynoir, Love, and Beyoncé’s Lemonade Zeffieaines G Miami University of Ohio, Oxford, Ohio, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Gaines, Z. (2018). A Black Girl’s Song Misogynoir, Love, and Beyoncé’s Lemonade. Taboo: The Journal of Culture and Education, 16 (2). https://doi.org/10.31390/taboo.16.2.09 Taboo,Zeffie Fall Gaines 2017 97 A Black Girl’s Song Misogynoir, Love, and Beyoncé’s Lemonade Zeffie Gaines Abstract This article examines Beyoncé’s 2016 album Lemonade in the context of black feminist theory, misogynoir, and issues of black self-love. After a brief overview of the initial response to Beyoncé’s album, this essay explores the deeper, metaphorical implication of Lemonade. This essay demonstrates that while Lemonade is ostensibly about marital infidelity, the trope of unfaithfulness is used to make a more profound commentary on the ontological crisis around blackness and black womanhood in American culture. Through close readings of several important scenes and tracks in Lemonade, this essay demonstrates that this album constitutes a masterwork by Beyoncé and should be understood as an important intervention against racist and patriarchal representations of black womanhood. Ultimately, Lemonade articulates a black feminist aesthetic that embraces the tenacity and cultural originality of the black woman. Keywords: black feminist theory, self-love, racism, patriarchy Introduction I can’t hear anything but maddening screams & the soft strains of death & you promised me you promised me… somebody/anybody Zeffie Gaines is an associate professor in the Department of English at Miami University of Ohio, Oxford, Ohio.
    [Show full text]
  • Women's Journeys, Women's Stories: in Search of Our Multicultural Future
    DOCUMENT RESUME ED 418 161 UD 032 220 AUTHOR Shevitz, Linda Pollack; Shaffer, Susan Morris TITLE Women's Journeys, Women's Stories: In Search of Our Multicultural Future. Units in U.S. Women's History. Teacher Guide. INSTITUTION Educational Development Center, Inc., Newton, MA. WEEA Equity Resource Center. SPONS AGENCY Department of Education, Washington, DC. PUB DATE 1997-00-00 NOTE 129p.; For the accompanying "Student Manual," see UD 032 221 CONTRACT RP92136001 AVAILABLE FROM Women's Educational Equity Act Resource Center, Education Development Center, Inc., 55 Chapel Street, Newton, MA 02158-1060; toll-free phone: 800-225-3088; world wide web: http://www.edc.org/WomensEquity PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS American Indians; Asian Americans; *Curriculum; *Females; *Futures (of Society); Guides; Hispanic Americans; Immigrants; Intermediate Grades; Jews; Junior High School Students; Junior High Schools; Middle Schools; Multicultural Education; *United States History; *Womens Studies IDENTIFIERS Middle School Students; United States (South) ABSTRACT This collection of curriculum units in U.S. history tells some of the untold women's stories that describe some of the historical events and social settings of the past and illustrate some trends for the future. These stories are intended to encourage middle school and junior high school students to explore contemporary women's history themes that correlate with themes previously highlighted in "In Search of Our Past," also from the Women's Educational Equity Act Resource Center. Three main units on contemporary topics are presented in both this "Teacher's Guide" and the "Student Manual." Each unit of the teacher's guide contains an overview of the unit, an introduction to the topic and background on the topic, ideas for additional student activities, and selected annotated resources.
    [Show full text]
  • Camille Billops and James V. Hatch Archives at Emory University
    Camille Billops and James V. Hatch archives at Emory University Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Title: Camille Billops and James V. Hatch archives at Emory University Call Number: Manuscript Collection No. 927 Extent: 47.25 linear feet (95 boxes), 12 oversized papers boxes and 16 oversized papers folders (OP), 6 extra oversized papers (XOP), AV Masters: 9.25 linear feet (9 boxes and LP1-4), and 10 GB born digital material (231 files) Abstract: The Camille Billops and James Hatch Archives at Emory University consists of a variety of materials relating to African American culture and art. Language: Materials entirely in English. Administrative Information Restrictions on Access Special Restrictions: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library in advance for access to this material. Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Please note that some of the items in this collection are copies of materials held in other archival repositories. The Library will not provide researchers with copies of those items. Researchers wishing to obtain copies of these materials should contact the repository that owns the originals. Related Materials in Other Repositories Hatch-Billops Oral History at the City College of New York Emory Libraries provides copies of its finding aids for use only in research and private study.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Julie Dash
    Finding Aid to The HistoryMakers ® Video Oral History with Julie Dash Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Dash, Julie Title: The HistoryMakers® Video Oral History Interview with Julie Dash, Dates: November 20, 2006 Bulk Dates: 2006 Physical 5 Betacame SP videocasettes (2:09:36). Description: Abstract: Filmmaker Julie Dash (1952 - ) was the first African American woman to have a full-length general theatrical release in the United States with her film from 1991, 'Daughters of the Dust,' which the Library of Congress placed on the National Film Registry in 2004. Dash was interviewed by The HistoryMakers® on November 20, 2006, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2006_147 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Writer, producer, and director Julie Ethel Dash was born on October 22, 1952, in Manhattan, New York, to Rhudine Henderson and Charles Edward Dash. After graduating from Jamaica High School, Dash received her B.A. degree in film production from City Colleges of New York in 1974, and her M.F.A. degree in film and television at the University of California Los Angeles. Prior to receiving her M.F.A. degree, Dash was a two year Conservatory Fellow (Producing/Writing) at the American Film Institute’s Center for Advanced Film Studies. Dash began her study of film in 1969 at the Studio Museum of Harlem’s Cinematography Workshop, with a special interest in foreign film.
    [Show full text]
  • Blackstar Announces Programs, Closing Night World Premiere for 10Th Anniversary Film Festival
    BlackStar Announces Programs, Closing Night World Premiere for 10th Anniversary Film Festival Features parties, conversations, panels, daily outdoor screenings, and more World Premiere of Oscar-nominated filmmaker and artist Sophia Nahli Allison’s Hallowed Ground Added to Lineup Menelik Shabazz Awarded 2021 Richard Nichols Luminary Award (Philadelphia, PA - July 20, 2021) –– BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, today announced the programs accompanying this year’s 10th annual BlackStar Film Festival, as well as the addition of a new world premiere to the film slate. The BlackStar Film Festival is also proud to announce it has been selected by the Academy of Motion Picture Arts and Sciences as a qualifying festival for both documentary and narrative short films, making BlackStar Best Narrative and Documentary Short Award- winners eligible for entrance at the Academy Awards®. This year’s Festival will take place virtually, with select in-person presentations, screenings, and events, August 4-8, 2021. Tickets for the festival are available for order here. An all-access pass is $125, a virtual festival pass is $100, and an in-person screening pass is $45. Requests for press credentials are available here. In advance of this years’ Festival, BlackStar has announced the late Menelik Shabazz as the recipient of the 2021 Richard Nichols Luminary Award, recognizing outstanding contributions in the arts and social change. Director of the acclaimed Burning an Illusion, among many other films, Shabazz was also the founder and publisher of Black Filmmaker Magazine. Shabazz, who passed away in June, was one of the most groundbreaking filmmakers of our time, eternally changing Black, Caribbean, British, and global cinema as we know it.
    [Show full text]
  • Beyoncé Feminism: Popular Music and Black Feminist Theory
    AFR 372C, Spring 2018 Professor Omise’eke Natasha Tinsley MW 11-12 Email: [email protected] Office hours: W 12-2 Office: BUR 536C Beyoncé Feminism: Popular Music and Black Feminist Theory “Texas. Texas. Texas.” In her musical film Lemonade, Beyoncé—costumed in a spectacularly African-print dress—sings these opening words to “Daddy Lessons” while swaying to a single guitar at Fort Macomb, New Orleans. Departing from the wide-ranging locations of her self-titled album, this shot encapsulates the vision of her current work: an unapologetically black feminism that situates itself in the historical and political landscape of the U.S. South in general, and Texas and Louisiana in particular. In this course, we follow Beyoncé’s invitation to consider the U.S. South as a fertile site for black feminist imaginations and projects. Beginning with close readings of Lemonade and Beyoncé, we enter into conversation with other black feminist texts that engage black women’s aesthetic, spiritual, erotic, and political traditions in Louisiana, Texas, and Alabama. The course provides students with an introduction to media studies methodology as well as black feminist theory, and challenges us to imagine what gender politics look like when black women, and the U.S. South, become central rather than peripheral to our worldviews. Required Texts As part of its commitment to linking black feminism with popular culture, the course requires students to engage three kinds of texts: black feminist scholarship, on-line blogs and op-eds, and music videos. All course content will be available electronically, either on Canvas or through links provided in the syllabus.
    [Show full text]