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- Contact: a Journal for Contemporary Music (1971-1988) Citation
- John Tilbury Cornelius Cardew
- Beckett, Music, Intermediality John Tilbury’S Worstward Ho
- Cornelius Cardew Behind the Iron Curtain Cornelius Cardew Derrière Le Rideau De Fer Monika Żyła
- Polwechsel & John Tilbury
- Associating Places: Strategies for Live, Site Specific, Sound Art Performance
- International Piano Nguyen's Subtle Touch, but There Is Faintly Gamelan-Inspired
- STRANGE ATTRACTOR 1 - 30 April a Residency Developing Sound and Visual Possibilities Through Live Events, Collaborative Performances and Video Documentation
- Keith Rowe, by Brian Olewnick [Review]
- An Evening of Works by Ichiyanagi, Kosugi, Ono, and Shiomi Please—Silence All Cellular Telephones, Pagers, and Electronic Watches
- Forum: Improvisation Author(S): Barney Childs, Christopher Hobbs
- TANIA CHEN Bio Web Site 2016
- Upon Reflection of Edwin Prévost's Second Book, I Am Drawn to a Quotation on the Dust Jacket of David Borgo's New Book
- Instrumental Agency and Modularity in Electroacoustic Improvisation
- The Music of Laurence Crane and a Post-Experimental Performance Practice
- Dave Liebman No Slowing Down by Ted Panken
- A Ng ELICA 2 1 Programma
- NOTES on PLAYING FELDMAN (2016) by John Tilbury
- Not Necessarily Captured, Except As a Fleeting Glance
- A More Attractive 'Way of Getting Things Done'
- 1 Cornelius Cardew
- INTERPRETING the OCTET '61 by CORNELIUS CARDEW on the PIANO by ALEKSANDER JOZEF SZRAM a THESIS SUBMITTED in PARTIAL FULFILLMENT