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John Rich (producer)
Handel's Oratorios and the Culture of Sentiment By
An A2 Timeline of the London Stage Between 1660 and 1737
A Christian Hero at Drury Lane
Information to Users
Ballad Opera in England: Its Songs, Contributors, and Influence
Revisiting Shakespeare's Lost Play
Pregnancy and Performance on the British Stage in the Long Eighteenth Century, 1689-1807
John Larpent Plays
The Re-Creation of Early English Pantomime
The Chinese Festival and the Eighteenth-Century London Audience
Colley Cibber - Poems
Proquest Dissertations
Slavery and the British Country House
Management of Covent Garden
THE SCRIBLERIAN Spring 2014 Vol. XLVI, No. 2 RECENT ARTICLES Behn: ÅSTRÖM, BERIT. “Referred Pain: Privileging Male Emotions
Presented to the Graduate Council of the North Texas State University In
Much Ado About Nothing 360°
Mid-Eighteenth Century Theater in London and in the American Colonies| a Comparison
Top View
Escapist Catharsis: Representation, Objectification, and Parody on the Pantomime Stage
Century British Ballad Opera
Political Farce on the London Stage, 1717-1737
Music and the Arts in England, C. 1670–1750
