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Jia Zhangke
A Reconsideration of Still Life Dai Jinhua Translated by Lennet Daigle
Distribution Agreement in Presenting This
1 Chinese Cinema Survey: 1980–Present Film S142 / Eall
Mountains May Depart
MOUNTAINS MAY DEPART (SHAN HE GU REN) a Film by Jia Zhangke
Violence, Sin and Art in Jia Zhangkeâ•Žs Touch Of
The Individual and the Crowd in Jia Zhangke's Films Jung Koo Kim A
Uvic Thesis Template
Four Asian Filmmakers Visualize the Transnational Imaginary Stephen Edward Spence University of New Mexico
Popular Music in Jia Zhangke's Unknown Pleasures
1 Chinese Cinema Survey: 1980–Present
Temporalities of Modernity in Jia Zhangke's Still Life**
Sample Syllabus
Chinese Aesthetics in Film and Television
MLAL 3030 Masterpieces of Chinese Film Film:F
A Touch of Sin Press
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From Documentary to Fiction and Back: Reality and Contingency in Wang Bing’S and Jia Zhangke’S Films
Top View
THE EERIE in the FILMS of JIA ZHANGKE Sarah Dodd
Jia Zhangke's Journey Toward Modernity
SURFACE, WORK and the PRODUCTION of SPACE: a TEXUAL ANALYSIS of THREE JIA ZHANGKE DOCUMENTARIES Will Linhares Stacey Woelfel
China Perspectives, 60 | July - August 2005 the World of Jia Zhangke 2
Tan, Jia. "Provincializing the Chinese Mediascape: Cantonese Digital
Jia Zhangke, a Guy from Fenyang
JIA ZHANGKE, a GUY from FENYANG a Film by Walter Salles
Shanxi's Yellow Millet Taking Root in Chinese and Overseas Markets
Copyright © and Moral Rights for This Phd Thesis Are Retained by the Author And/Or Other Copyright Owners
Chinese Scifi Enters Pivotal New Phase
The Surreal Realist Cinema of Jia Zhangke
Independent Chinese Documentary
Introduction 1 Mapping Independent Chinese Documentary
Realisms Within Conundrum the Personal and Authentic Appeal in Jia Zhangke’S Accented Films
Jia Zhangke's 'Hometown Trilogy': Xiao Wu, Platform, Unknown Pleasures Series: BFI Film Classics
Jia Zhangke – Dialects in His Films
World Cinema Essay Thompson.Docx
A Window to Our Times China's Independent Film Since the Late
SLOWLY EMBRACING the CINEMA of ACTION a Thesis Submitted To
Research Workshop on Contemporary Chinese Art-House Cinema
Conclusion: Pursuing Film Art in the Era of Reform
Jia Zhangke's Cinematic Discontent in a Touch Of