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Jean Rouch

  • Memories of the Origins of Ethnographic Film / Beate Engelbrecht (Ed.)

    Memories of the Origins of Ethnographic Film / Beate Engelbrecht (Ed.)

  • John Marshall and the Marshall Family Kalahari Project

    John Marshall and the Marshall Family Kalahari Project

  • Bulletin of the ICTM Vol

    Bulletin of the ICTM Vol

  • Editor's Introduction

    Editor's Introduction

  • Journal De La Société Des Océanistes, 148 | 2019 the Rise of Film Authorship in Papua New Guinea

    Journal De La Société Des Océanistes, 148 | 2019 the Rise of Film Authorship in Papua New Guinea

  • Cahiers D'ethnomusicologie, 14

    Cahiers D'ethnomusicologie, 14

  • Jean Rouch Talks About His Films to John Marshall and John W. Adams Source: American Anthropologist, New Series, Vol. 80, No. 4 (Dec., 1978), Pp

    Jean Rouch Talks About His Films to John Marshall and John W. Adams Source: American Anthropologist, New Series, Vol. 80, No. 4 (Dec., 1978), Pp

  • Redalyc.People and Sounds

    Redalyc.People and Sounds": Filming African Music Between Visual

  • Cumulative Index for Studies in the Anthropology of Visual Communication, Volumes 1-5

    Cumulative Index for Studies in the Anthropology of Visual Communication, Volumes 1-5

  • Conversation with Hugo Zemp

    Conversation with Hugo Zemp

  • Ethno-Cinema, Youths and Public Health: the Social Practice of The

    Ethno-Cinema, Youths and Public Health: the Social Practice of The

  • Bulletin of the ICTM Vol

    Bulletin of the ICTM Vol

  • Documenting and Presenting Intangible Cultural Heritage on Film

    Documenting and Presenting Intangible Cultural Heritage on Film

  • Bulletin of the ICTM Vol. 145 — January 2021 — Page 1 SECRETARIAT and EXECUTIVE BOARD

    Bulletin of the ICTM Vol. 145 — January 2021 — Page 1 SECRETARIAT and EXECUTIVE BOARD

  • Filming African Music Between Visual Anthropology and Television Por Artículo > Por Autor > Documentary

    Filming African Music Between Visual Anthropology and Television Por Artículo > Por Autor > Documentary

  • Drawing with a Camera? Ethnographic Film And

    Drawing with a Camera? Ethnographic Film And

  • A Brief History of Radical Film Collectives from the 1960S to the 80S: Interview with Federico Rossin on the Retrospective ‘United We Stand, Divided We Fall’

    A Brief History of Radical Film Collectives from the 1960S to the 80S: Interview with Federico Rossin on the Retrospective ‘United We Stand, Divided We Fall’

  • Ethnographic Film Syllabus Public

    Ethnographic Film Syllabus Public

Top View
  • Culture & Power Timetable 2011-12
  • SO103 Representing the ‚Other': Anthropological Research Methods
  • The Ethnographic Cinema of Jean Rouch O Cinema
  • FELD Long Cv
  • Transcending the Documentary: the Films of Arthur Lipsett
  • Th E M Useum O F R H Yth M
  • Using Film in Ethnographic Field Research
  • Cumulative Index: Vol.1 No. 1 Through Vol. 4 No. 1 1974-77
  • Picture Perfect (?): Ethical Considerations in Visual Representation
  • The Camera and Man
  • Jean Rouch on the Gold Coast Jaguar (Shot 1954–55, Premiered 1967) Preceded by Les Maîtres Fous (The Mad Masters, 1955)
  • ': the Inherent Tensions in Rouch's Opus As a Metonymy for The
  • STÁHNOUT Digitální Verzi
  • Moving Images. Visual Anthropology at the Institute for Scientific Film in Germany
  • Jean Rouch Cited Filmography
  • Methodologies, Sounds, and Experiences in Cairo Vincent Battesti
  • Some Thoughts Regarding Reflexivity in Ethnographic Films
  • Aug 0 8 1985


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