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Jacopo Sansovino
The Paintings and Sculpture Given to the Nation by Mr. Kress and Mr
The Master of the Unruly Children and His Artistic and Creative Identities
The Architecture of the Italian Renaissance
Architecture and the City in Humanist Urban Culture – the Case of Venice
ART HISTORY of VENICE HA-590I (Sec
Libraries: Architecture and the Ordering of Knowledge
OGGETTO: Venezia – Ex Palazzo Reale
Procession in Renaissance Venice Effect of Ritual Procession on the Built Environment and the Citizens of Venice
Best of ITALY
Titian (Tiziano Vecellio)
The Thin White Line: Palladio, White Cities and the Adriatic Imagination
00 Prelims 1630
Palladio's Religious Architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College,
[email protected]
Making-Architecture.Pdf
The Historic Procuratie Vecchie Building Renovation Project Kicks Off
Forum of Caesar Forum of Nerva and Temple of Peace
Persistence and Polychronicity in Roman Churches Dale Kinney Bryn Mawr College,
[email protected]
The «Gran Scuola» of Guglielmo Della Porta, the Rise of the «Aurifex Inventor», and the Education of Stefano Maderno*
Top View
Medium Perspecta 51 Would Like to Thank the Following Donors for Their Ongoing Generosity in Supporting This Journal: Editors Marc
Case Western Reserve University
Jacopo Sansovino's Monument to Doge Francesco Venier in San
Booknotes Notes De Lecture
The Sculptor-Architect's Drawing and Exchanges Between the Arts
Jacopo Sansovino's ' Loggetta Di San Marco'
Procuratie Vecchie
Titian, ,A Singular Friend'
In Renaissance Venice, Titian Was Prince of Painters
Lorenzo Il Magnifico's Façade for the Cathedral of Florence And
Francesco Sansovino As a Detractor of Michelangelo? – an Unnoticed Biographical Profile of Michelangelo Between Praise and Blame
Contemporary Interpretation of Three Paintings by Titian (Tiziano Vecellio, C
February 2020 Lorenzo Principi the Master of the Unruly
“Finding Rome in Rome”: Reexamining Raphael's
Introduction S
Body and Apparition: Material Presence in Sixteenth-Century Italian Religious Sculpture Erin Giffin a Dissertation Submitted In
Introduction to Serlio