Procession in Renaissance Venice Effect of Ritual Procession on the Built Environment and the Citizens of Venice
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The Paintings and Sculpture Given to the Nation by Mr. Kress and Mr
e. FOR IMMEDIATE RELEASE THE COLLECTIONS OF THE NATIONAL GALLERY OF ART \YASHINGTON The National Gallery will open to the public on March 18, 1941. For the first time, the Mellon Collection, deeded to the Nation in 1937, and the Kress Collection, given in 1939, will be shown. Both collections are devoted exclusively to painting and sculpture. The Mellon Collection covers the principal European schools from about the year 1200 to the early XIX Century, and includes also a number of early American portraits. The Kress Collection exhibits only Italian painting and sculpture and illustrates the complete development of the Italian schools from the early XIII Century in Florence, Siena, and Rome to the last creative moment in Venice at the end of the XVIII Century. V.'hile these two great collections will occupy a large number of galleries, ample space has been left for future development. Mr. Joseph E. Videner has recently announced that the Videner Collection is destined for the National Gallery and it is expected that other gifts will soon be added to the National Collection. Even at the present time, the collections in scope and quality will make the National Gallery one of the richest treasure houses of art in the wor 1 d. The paintings and sculpture given to the Nation by Mr. Kress and Mr. Mellon have been acquired from some of -2- the most famous private collections abroad; the Dreyfus Collection in Paris, the Barberini Collection in Rome, the Benson Collection in London, the Giovanelli Collection in Venice, to mention only a few. -
The Master of the Unruly Children and His Artistic and Creative Identities
The Master of the Unruly Children and his Artistic and Creative Identities Hannah R. Higham A Thesis Submitted to The University of Birmingham For The Degree of DOCTOR OF PHILOSOPHY Department of Art History, Film and Visual Studies School of Languages, Art History and Music College of Arts and Law The University of Birmingham May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis examines a group of terracotta sculptures attributed to an artist known as the Master of the Unruly Children. The name of this artist was coined by Wilhelm von Bode, on the occasion of his first grouping seven works featuring animated infants in Berlin and London in 1890. Due to the distinctive characteristics of his work, this personality has become a mainstay of scholarship in Renaissance sculpture which has focused on identifying the anonymous artist, despite the physical evidence which suggests the involvement of several hands. Chapter One will examine the historiography in connoisseurship from the late nineteenth century to the present and will explore the idea of the scholarly “construction” of artistic identity and issues of value and innovation that are bound up with the attribution of these works. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Architecture and the City in Humanist Urban Culture – the Case of Venice
Proceedings of the 11th Space Syntax Symposium #104 CITY-CRAFT AND STATECRAFT: Architecture and the City in Humanist Urban Culture – the case of Venice SOPHIA PSARRA UCL, London, United Kingdom [email protected] ABSTRACT Architecture is defined by intentional design, while cities are the product of multiple human actions over a long period of time. This seems to confine us between a view of architecture as authored object and a view of the city as authorless socio-economic process. This debate goes back to the separation of architecture from its skill base in building craft that took place in the Renaissance, including its division from the processes by which cities are produced by clients, users, regulatory codes, markets and infrastructures. As a result, architecture is confined in exceptional cases to the status of iconic buildings, or more generally to the status of buildings as economic production. Currently, buildings and cities are appropriated by digital technology and ubiquitous computing as a way of managing the city’s assets. Digital technologies integrate designing with making, informational models of buildings with geographic information systems and digital mapping. What had to be separated from city-making practices in order to raise architecture to a different status is increasingly re-integrated through digital infrastructure. As for architecture, traditionally engaged with the design of objects rather than networks or systems, is deprived of relevance in shaping social capital, politically and intellectually sidelined. Focusing on the Piazza San Marco in relationship to the urban fabric of Venice this paper traces the interlocking spheres of self-conscious architecture, the institutional and intellectual resources mobilised by Venetian statecraft and the networked spaces of everyday action. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Humanism and Spanish Literary Patronage at the Roman Curia: the Role of the Cardinal of Santa Croce, Bernardino López De Carvajal (1456–1523)
2017 IV Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456–1523) Marta Albalá Pelegrín Article: Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523) Humanism and Spanish Literary Patronage at the Roman Curia: The Role of the Cardinal of Santa Croce, Bernardino López de Carvajal (1456-1523)1 Marta Albalá Pelegrín Abstract: This article aims to analyze the role of Bernardino López de Carvajal (1456 Plasencia-1523 Rome) as a literary patron, namely his contributions to humanism in Rome and to Spanish letters, in the period that has been loosely identified as Spanish Rome. Carvajal held the dignities of orator continuus of Isabella of Castile and Ferdinand of Aragon, titular cardinal of Santa Croce in Gerusalemme, and Latin Patriarch of Jerusalem, and was even elected antipope with the name of Martin VI in the Conciliabulum of Pisa (1511) against Julius II. He belonged to the avant-garde of humanists devoted to creating a body of Neo-Latin and Spanish literature that would both foster the Spanish presence at Rome and leave a mark on the Spanish literary canon. He sponsored a considerable body of works that celebrated the deeds of the Catholic Kings and those of the Great Captain, Gonzalo Fernández de Córdoba. He also commissioned literary translations, and was involved in the production of theatrical pieces, such as those of Bartolomé Torres Naharro. Key Words: Benardino López de Carvajal; Literary Patronage; Catholic Kings; Erasmus; Bartolomé Torres Naharro; Gonzalo Fernández de Córdoba. -
Libraries: Architecture and the Ordering of Knowledge
Libraries: Architecture and the Ordering of Knowledge English text of March 29, 2009, by J. Connors for “Biblioteche: l’architettura e l’ordinamento del sapere,” with Angela Dressen, in Il Rinascimento Italiano e l’Europa, vol. 6, Luoghi, spazi, architetture, ed. Donatella Calabi and Elena Svalduz, Treviso-Costabissara, 2010, pp. 199-228. All the texts describing ancient libraries had been rediscovered by the mid-Quattrocento. Humanists knew Greek and Roman libraries from the accounts in Strabo, Varro, Seneca, and especially Suetonius, himself a former prefect of the imperial libraries. From Pliny everyone knew that Asinius Pollio founded the first public library in Rome, fulfilling the unrealized wish of Juliuys Caesar ("Ingenia hominum rem publicam fecit," "He made men's talents public property"). From Suetonius it was known that Augustus founded two libraries, one in the Porticus Octaviae, and another, for Greek and Latin books, in the temple of Apollo on the Palatine, where the sculptural decoration included not only a colossal statue of Apollo but also portraits of celebrated writers. The texts spoke frequently of author portraits, and also of the wealth and splendor of ancient libraries. The presses for the papyrus rolls were made of ebony and cedar; the architectural order and the revetments of the rooms were of marble; the sculpture was of gilt bronze. Boethius added that libraries were adorned with ivory and glass, while Isidore mentioned gilt ceilings and restful green cipollino floors. Senecan disapproval of ostentatious libraries, of "studiosa luxuria," of piling up more books than one could ever read, gave way to admiration for magnificent libraries. -
OGGETTO: Venezia – Ex Palazzo Reale
MINISTERO PER I BENI E LE ATTIVITA’ CULTURALI DIREZIONE REGIONALE PER I BENI CULTURALI E PAESAGGISTICI DEL VENETO Soprintendenza per i Beni Architettonici e Paesaggistici di Venezia e Laguna Palazzo Ducale, 1 V e n e z i a PERIZIA DI SPESA N. 23 del 2 luglio 2012 D.P.C.M. 10 Dicembre 2010 di ripartizione della quota dell’otto per mille dell’IRPEF a diretta gestione statale per l’anno 2010 RELAZIONE STORICA E RELAZIONE TECNICA CON CRONOPROGRAMMA VENEZIA – PIAZZA SAN MARCO LAVORI DI CONSERVAZIONE DELLA FACCIATA, DEL PORTICO E DELLE COPERTURE DELLE PROCURATIE NUOVE – Campate XI – XXXVI C.U.I. 13854 CUP F79G10000330001 Venezia, 2 LUGLIO 2012 IL PROGETTISTA Visto:IL SOPRINTENDENTE Arch. Ilaria Cavaggioni arch. Renata Codello IL RESPONSABILE DEL PROCEDIMENTO Arch. Anna Chiarelli Venezia - Procuratie Nuove o Palazzo Reale Intervento di conservazione della facciata principale e dalla falda di copertura (…) guardatevi dal voler comparire sopra le cose fatte: accomodatele, assicuratele, ma non aggiungete, non mutilate, e non fate il bravo. Giuseppe Valdier L’Architettura Pratica, III, p. 115 Relazione illustrativa con cenni sulla storia della fabbrica SOMMARIO 1. Introduzione 2. Cenni sulla storia della fabbrica 3. Caratteri stilistici 4. Caratteri costruttivi 5. La ricerca d’archivio 6. Stato di conservazione 7. Descrizione dell’intervento: linee guida e tecniche 8. Riferimenti bibliografici 1. Introduzione Molti degli aspetti descritti in questa relazione, relativi alla vicenda storica della fabbrica delle Procuratie Nuove, alle caratteristiche stilistiche e costruttive della facciata principale del palazzo, al suo stato di conservazione, ecc., si basano su ipotesi fondate sull’osservazione a distanza, ai piedi della fabbrica, sulla letteratura artistica consultata, su precedenti restauri documentati, su analogie con le Progetto definitivo 2 Venezia - Procuratie Nuove o Palazzo Reale Intervento di conservazione della facciata principale e dalla falda di copertura fabbriche coeve, sulle raccomandazioni dei manuali storici, ecc. -
VENICE Grant Allen's Historical Guides
GR KS ^.At ENICE W VENICE Grant Allen's Historical Guides // is proposed to issue the Guides of this Series in the following order :— Paris, Florence, Cities of Belgium, Venice, Munich, Cities of North Italy (Milan, Verona, Padua, Bologna, Ravenna), Dresden (with Nuremberg, etc.), Rome (Pagan and Christian), Cities of Northern France (Rouen, Amiens, Blois, Tours, Orleans). The following arc now ready:— PARIS. FLORENCE. CITIES OF BELGIUM. VENICE. Fcap. 8vo, price 3s. 6d. each net. Bound in Green Cloth with rounded corners to slip into the pocket. THE TIMES.—" Good work in the way of showing students the right manner of approaching the history of a great city. These useful little volumes." THE SCOTSMAN "Those who travel for the sake of culture will be well catered for in Mr. Grant Allen's new series of historical guides. There are few more satisfactory books for a student who wishes to dig out the Paris of the past from the im- mense superincumbent mass of coffee-houses, kiosks, fashionable hotels, and other temples of civilisation, beneath which it is now submerged. Florence is more easily dug up, as you have only to go into the picture galleries, or into the churches or museums, whither Mr. Allen's^ guide accordingly conducts you, and tells you what to look at if you want to understand the art treasures of the city. The books, in a word, explain rather than describe. Such books are wanted nowadays. The more sober- minded among tourists will be grateful to him for the skill with which the new series promises to minister to their needs." GRANT RICHARDS 9 Henrietta St. -
Venetian Foreign Affairs from 1250 to 1381: the Wars with Genoa and Other External Developments
Venetian Foreign Affairs from 1250 to 1381: The Wars with Genoa and Other External Developments By Mark R. Filip for the Degree of Bachelor of Arts in History College of Liberal Arts and Sciences University of Illinois Urbana, Illinois 1988 Table of Contents Major Topics page Introduction 1 The First and Second Genoese Wars 2 Renewed Hostilities at Ferrara 16 Tiepolo's Attempt at Revolution 22 A New Era of Commercial Growth 25 Government in Territories of the Republic 35 The Black Death and Third ' < 'ioese War 38 Portolungo 55 A Second Attempt at Rcvoiut.on 58 Doge Gradenigo and Peace with Genoa 64 Problems in Hungary and Crete 67 The Beginning of the Contarini Dogcship 77 Emperor Paleologus and the War of Chioggia 87 The Battle of Pola 94 Venetian Defensive Successes 103 Zeno and the Venetian Victory 105 Conclusion 109 Endnotes 113 Annotated Bibliography 121 1 Introduction In the years preceding the War of Chioggia, Venetian foreign affairs were dominated by conflicts with Genoa. Throughout the thirteenth and fourteenth centuries, the two powers often clashed in open hostilities. This antagonism between the cities lasted for ten generations, and has been compared to the earlier rivalry between Rome and Carthage. Like the struggle between the two ancient powers, the Venetian/Gcnoan hatred stemmed from their competitive relationship in maritime trade. Unlike land-based rivals, sea powers cannot be separated by any natural boundary or agree to observe any territorial spheres of influence. Trade with the Levant, a source of great wealth and prosperity for each of the cities, required Venice and Genoa to come into repeated conflict in ports such as Chios, Lajazzo, Acre, and Tyre. -
“Talk” on Albanian Territories (1392–1402)
Doctoral Dissertation A Model to Decode Venetian Senate Deliberations: Pregadi “Talk” on Albanian Territories (1392–1402) By: Grabiela Rojas Molina Supervisors: Gerhard Jaritz and Katalin Szende Submitted to the Medieval Studies Department Central European University, Budapest In partial fulfillment of the requirements for the degree of Doctor of Philosophy in Medieval Studies, Budapest, Hungary 2020 CEU eTD Collection To my parents CEU eTD Collection Table of Contents Acknowledgments .................................................................................................................................. 1 List of Maps, Charts and Tables .......................................................................................................... 2 Introduction ............................................................................................................................................ 3 A Survey of the Scholarship ........................................................................................................................... 8 a) The Myth of Venice ........................................................................................................................... 8 b) The Humanistic Outlook .................................................................................................................. 11 c) Chronicles, Histories and Diaries ..................................................................................................... 14 d) Albania as a Field of Study ............................................................................................................. -
Best of ITALY
TRUTH IN TRAVEL TRUTH IN TRAVEL Best of ITALY VENICE & THE NORTH PAGE S 2–9 Venice Milan VENICE NORTHERN The Prince of Venice ITALY Viewing Titian’s paintings in their original basilicas and palazzi reveals a Venice of courtesans and intrigue. Pulitzer Prize—winning critic Manuela Hoelterhoff’s walking guide to the city amplifies the experience of reliving the tumultuous times of Florence the Old Master—and finds some aesthetically pleasing hotels and restaurants along the way. TUSCANY (Trail of Glory map on page 5) FLORENCE & TUSCANY PAGE S 10 –1 5 Best of ITALYCENTRAL ITALY TUSCAN COAST Rome Tuscany by the Sea Believe it or not, Tuscany has a shoreline—145 miles of it, with ports large and small, hidden beaches, a rich wildlife preserve, and, of course, the blessings of the Italian table. Clive Irving Naples discovers a sexy combo of coast, cuisine, and Pompeii Caravaggio—and customizes a beach-by-beach, Capri harbor-by-harbor map for seaside fun. SARDINIA SOUTHERN ITALY ROME & CENTRAL ITALY PAGE S 16–2 0 ROME Treasures of the Popes You’re in Rome, but the Vatican is a city in itself. (In fact, a nation.) What should you see? John Palermo Julius Norwich picks his masterpieces, and warns of the potency of Vatican hospitality. SICILY VENICE & THE NORTH PAGE 2 Two miles long, spanned by three bridges and six gondola ferries, the Grand Canal is an avenue of palaces built between the fourteenth and eigh- teenth centuries. A rich, luminous city, her beauty reflected at every turn, Venice was the perfect muse for an ambitious Renaissance artist.