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Igor Mitoraj
Światowit. Volume LVII. World Archaeology
Igor Mitoraj’S Accomplishments for European and Polish Art History
Maria Skłodowska-Curie's Warsaw
The Art of Wearing Art Igor Mitoraj's Jewelries
Igor Mitoraj Solo Exhibitions 2016 Mitoraj in Pompeii, Contini Art
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Rome’S Public Art: What’S New, Prospective and Strategies Maurizio Anastasi*
Alison Lapper Pregnant
The City As a Free Art Gallery. the Relationship Between the Exhibit and the Exhibition Space Miasto Galeria Bez Biletu
December 2014 1 Polish American Postageperiodical Paid at Boston, New York and Additional Entry Offices
Public Art at Canary Wharf
Igor Mitoraj Exhibitions 2018 I Gioielli Di Igor Mitoraj – the Art of Wearing
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Adam-Tessier Agam Aillaud Atila Barrias Blanc
Italian Events Newsletter – Autumn 14
Looking-Glass': Para-Classicism and the Trans-Body in the Works of Igor Mitoraj and Marc Quinn
IGOR MITORAJ Between Earth and Sea Bagno Alpemare, Forte Dei Marmi (LU)
Igor Mitoraj
Top View
In Italy, Art Becomes Reality for Centuries the Craftspeople of Pietrasanta Have Translated Artistsʼ Ideas Into Marble and Bronze
Akcent Nr 4(138)2014
Igor Mitoraj, Un Sculpteur Intemporel Une Interview Avec L’Artiste Claude Beaulieu and Christophe Pellet
Top Reasons to Study at Warsaw University of Technology in Poland
The Role of Sculpture in Shaping the Style of Garden Objects Ranga Rzeźby W Kształtowaniu Cech Stylowych Obiektów Ogrodowych
Broken Heroes... Kitsch Or Art? Reception of Igor Mitoraj's Works
12.2% 116,000 120M Top 1% 154 3,900
Vancouver Biennale 2009-2011
Igor Mitoraj (Poland & Italy) Who Made This Sculpture? the Artist Igor Mitoraj Made This Work
Public Art at Canary Wharf
Igor Mitoraj