sign in sign up
<<
Home , Canary Wharf, Heron Quays DLR station, Igor Mitoraj, Michael von Clemm, Westferry Circus

CONSTANCE DE JONG • Speaking of the River JAY BATTLE • Vanishing Point PUBLIC ART AT 1 . 2000 • Audio benches 5. 1999 • Derbyshire stone, steel O • CANARY RIVERSIDE Speaking of the River was O • CANARY RIVERSIDE Vanishing Point sponsored by but was part looks a little like the shell of a mythical sea This map identifies the works of art purchased, commissioned or of a wider project commissioned by Public Art creature that has perhaps been washed loaned by Canary Wharf Group, which include stand-alone pieces Development Trust, which linked the up from the Thames. The stone has been and integrated artist architectural works. The works are numbered in with the river Hudson in New York. De polished to reveal the natural, lined core. sequentially as to their location on the estate from west to east, Jong created a gentle, evocative sound-scape Having trained as a stone mason in Canada, and the text indicates whether they are sited inside ‘I’ with blue using recorded interviews and stories that relate Battle came to to study stone numbering, or outside ‘O’ with orange numbering. the human experience of both these locations, told carving and in 1997 became Head Carver by people for whom the river is a daily presence. at Salisbury Cathedral, contributing to Two audio benches are located 100m apart on the its constant restoration works as well as Artists and key to works on map: riverside promenade. running his own studio where he creates Bob Allen 1 7 Giusseppe Lund 3 contemporary, self expressive work. Ron Arad 2 Michael Lyons 52 55 Jay Battle 5 Antoni Malinowski 60 RON ARAD • Windwand HUGH CHAPMAN • Growth Form 2012 Oliver Barratt 1 0 Bruce McLean 24 2. 2000 • Carbon fibre 6. 2012 • Bronze Alexander Beleschenko 58 59 47 O • CANARY RIVERSIDE Windwand is as tall O • Hugh Chapman’s Jeff Bell 18 Igor Mitoraj 9 37 70 as some of the buildings that surround it, a Growth Form 2012 was cast at the nearby Emma Biggs 28 34 39 19 50-metre high needle made of red carbon Bronze Age foundry in . Suffering Helaine Blumenfeld 42 74 Peter Newman 53 fibre. It was designed to flex gently in the wind, a head injury as a teenager, Chapman turned subverting one’s expectations of what tall his back on academia to concentrate first on Jon Buck 26 Eilis O’Connell 68 objects in this area should do. Ron Arad came ceramics before turning to photography. Andrew Burton 7 Tatiana Orloff 12 to London from Israel in 1973 to study at the He later returned to ceramics and sculptural 20 Lynn Chadwick 21 Ottotto Architectural Association and is now regarded form but soon began experimenting in other Hugh Chapman 6 Lawson Oyekan 48 as one of Britain’s most inventive designers, media, creating larger and bolder works. His Bill Culbert 66 Giles Penny 14 23 whose work crosses boundaries between art, work expresses what his experiences have Constance De Jong 1 Julius Popp 30 design and architecture. taught him: the importance of life and light, contrast and reflection. ART Yvonne Domenge 40 Wendy Ramshaw 11 Suresh Dutt 67 Peter Randall Page 65 Sergio Fermariello 46 Keith Rand 41 GIUSSEPPE LUND • Gate • Sculptural Railings ANDREW BURTON • Chimney 1992 • Steel, bronze 2008 • Recycled fired bricks, steel Konstantin Grcic 49 Martin Richman 29 54 3. 7. Gillie & Marc 50 Nigel Ross 69 O • WESTFERRY CIRCUS Inspired by the cycle of the seasons, Lund’s Gate O • WESTFERRY CIRCUS Andrew Burton has Charles Hadcock 32 36 Michal Rovner 57 forms the entrance to the gardens at Westferry Circus, a remarkable work created a number of works using miniature Nigel Hall 64 Sophie Smallhorn 43 44 that incorporates delicate flowers flowing from a single stem set against clay bricks, collaborating with artisans and artists in India, Korea and the Netherlands, Sean Henry 73 Leo Stevenson 13 a chunky grid, complemented by his Sculptural Railings that surround the investigating brick-making as a vehicle for Maureen Anne Holley 38 Sinta Tantra 31 gardens. Lund has had a long career culpture. He first visited India in 1983. Close MAP James Horrobin & SOM 15 27 William Turnbull 45 working with metal, and has been influential in form to chimneys of brick kilns the world Richard Hudson 35 72 Camille Walala 51 in encouraging its creative use in the UK, over, Chimney is also a tribute to India’s Philip Jackson & SOM 22 Wales & Wales 25 organising exhibitions and advising bodies tallest brick minaret of the Qutub Minar Do König Vassilakis 4 Julian Wild 56 71 including the Crafts Council. near Delhi. This work was first shown at Canary Wharf as part of his exhibition in Gerald Laing 16 Terence Woodgate 61 Jubilee Park in spring 2008. Danny Lane 63 Robert Worley 8 LBO Lichtbank 62 Catherine Yass 33 DO KÖNIG VASSILAKIS • Sasso Cosmico ROBERT WORLEY • Avatar 4. 2007 • Bronze, steel 8. 2009 • Aluminium Photographs by Aurelio Amendola, Alexander For further information contact O • WESTFERRY CIRCUS Robert Worley ARBS Beleschenko, Theresa Bergne, Rod Dorling, Public Art, Canary Wharf Group O • WESTFERRY CIRCUS Sasso Cosmico, Suresh Dutt, David Hoffman, Lesley Johnson, One , Canary Wharf which translated from the Italian means was the winner of the First@108 Public Art Melissa Kojan, Joe Low, Iain McLean, Peter London E14 5AB ‘Cosmic Stone’, has been installed in the Award in 2009, a new annual award by the Matthews & Folio Photography, Nunzio Prenna, Telephone 020 7418 2000 Royal Society of Sculptors to provide an Heini Schneebeli, Andy , Philip Vile, [email protected] peaceful garden at Westferry Circus. The Richard Waite, Keith Watson, Sally Williams reflective surface captures the surrounding opportunity for artists new to public art to Photographs of Henry Moore Draped Seated Copyright © Canary Wharf Group, 2020 planting, foliage, architecture, sky and create a large-scale sculpture commission. Woman © Henry Moore Foundation clouds. In this way it provides a constantly The Award was sponsored by Canary Wharf changing manifestation of the seasons and Group, who subsequently purchased Worley’s canarywharf.com Public art at the weather systems. König Vassilakis’ work sculpture Avatar for its permanent collection. yourcanarywharf is strongly influenced by the mythology and Avatar portrays a hawk-like beast with a human Canary Wharf canarywharflondon culture of ancient Greece and . form embedded in its back. IGOR MITORAJ • Centurione I LEO STEVENSON • The Hibbert Gate BOB ALLEN • It Takes Two LYNN CHADWICK • Couple on Seat 9. 1987 • Bronze 13. 2000 • Bronze, stone 17. 2002 • Bronze 21. 1984 • Bronze

O • COLUMBUS COURTYARD Igor Mitoraj O • ADJACENT TO NORTH DOCK, WEST This O • Following a serious O • CABOT SQUARE Courtesy of the Lypiatt (1944–2014) was born in East of replica of the main gate was commissioned operation, Bob Allen was advised to take up Studios and Pangolin Editions. Lynn Polish/French parents and studied classical to commemorate the original entrance to the carving to strengthen his left arm. Discovering Chadwick (1914–2003) began his career as an in Krakow before moving to in , built in 1803. The ship on top he had talent, Allen began creating sculpture, architectural draughtsman but after World War 1968, and later travelled in South America. of the arch is a West Indiaman named Hibbert, taking his inspiration from nature, often carving II he took up sculpture. Couple on Seat is one His enigmatic and monumental sculptures which went to sea between 1785 and 1813 and wood using traditional tools and working in the of his later works. He produced many pieces combine the surreal with the antiquity of Greece travelled extensively to the West Indies, bringing open air. It Takes Two is a bronze cast of a with figures in various positions, following in and Rome. At Canary Wharf there are three of back sugar, rum, cotton, coffee and tropical carving from the fallen bough of an ancient the tradition of sculptor Henry Moore. Chadwick his works, representing some of the themes that hardwoods. All drawings of the ship are now English Yew listed in the Domesday Book. Allen’s created a permanent exhibition of his work at occupied him. Centurione I represents the head lost but this model by Leo Stevenson was made aim is to reveal the hidden quality he sees in the his home at Lypiatt Park in Gloucestershire. An as an incomplete mask, suggesting the surviving based on extensive research into records of wood. Allen first carved the female form before exhibition of his work was held in Canary Wharf part of an enormous whole. West Indiamen of the period. adding the male. in 2004.

OLIVER BARRATT • Opening Lines • 2010 GILES PENNY • Man with Arms Open JEFF BELL • Cast Glass Panels PHILIP JACKSON & SOM • Bronze Bowls 10. Turning Point • 2014 • Fibreglass, resin, stainless steel 14. 1995 • Bronze 18. 1992 • Cast lead crystal 22. 1992 • Bronze

O • COLUMBUS COURTYARD O • WEST INDIA AVENUE Giles Penny’s Man with O • CABOT SQUARE Jeff Bell’s Cast Glass O • CABOT SQUARE Philip Jackson CVO is Oliver Barratt studied at Falmouth Arms Open is a roughly hewn bronze figure with Panels form the cladding for the four ventilation best known for his figurative bronze sculptures, School of Art and was Henry Moore his head thrown back and arms outstretched. shafts in Cabot Square that service the car park such as the equestrian statue of the Queen Fellow in 1990-92. He has shown Penny came to the attention of Canary Wharf below, turning the functional into a spectacle commissioned for her Golden Jubilee, the regularly in the UK and around the Group when this work, together with another of light and colour. Born in Yorkshire, Bell memorial statue of The Queen Mother in The Mall world, and his commissions have ranged of his bronzes, Two Men on a Bench, was shown established his studio in London in 1986 and has unveiled in 2009, and his group of seven figures from the Everest Memorial at Base as part of the Millennium exhibition, The Shape built up a reputation for making unique cast glass for the Bomber Command Memorial in Green Camp, Mount Everest in Nepal to a work of the Century in 1999, held in Salisbury and sculpture, furniture and architectural pieces. He Park in 2012. At Canary Wharf he worked with to celebrate Liverpool as European City at Canary Wharf. Both sculptures were then enjoys pushing the boundaries of the application architects Skidmore, Owings & Merrill (SOM) of Culture. purchased and form part of the permanent of his chosen material and has cast the most to design the unique planters for the entrance collection of works of art on the estate. unlikely structures, including a bath tub and a steps into Cabot Square, and also found at spiral staircase. Wren Landing.

WENDY RAMSHAW • Columbus Screen JAMES HORROBIN & SOM • Cabot Square Railings HENRY MOORE • Draped Seated Woman GILES PENNY • Two Men on a Bench 11. 2000 • Steel, Perspex 15. 1992 • Steel 19. 1957-58 • Bronze • 2 in an edition of 6 23. 1995 • Bronze O • COLUMBUS COURTYARD When Canary Wharf commissioned jewellery O • CABOT SQUARE A master craftsman in O • CABOT SQUARE Henry Moore’s Draped Seated Woman was O • WREN LANDING Giles Penny’s Two Men on designer Wendy Ramshaw (1939-2018), the Columbustheme led her to a architectural and domestic forged ironwork, purchased in 1962 under London County Council’s Patronage of the a Bench is a large bronze work in the classical design based on the navigational charts James Horrobin worked with architects Arts Scheme for the Stifford Estate in . In 1997, when the estate’s figurative tradition, which has a contemplative used by the great explorer, an apposite Skidmore, Owings & Merrill (SOM) to design tower blocks were due for demolition, the sculpture was moved for air as well as an element of fun. Simplified choice given the proximity of two sets of railings for Canary Wharf. safekeeping to Yorkshire Sculpture Park. surfaces and contours imbue it with a and its associations with maritime history. The perimeter Cabot Square Railings are In 2015 the new monumental presence and narrative sculptural Best known for her jewellery, intricate reminiscent of the cogs on a steam engine, pledged to bring the sculpture back to the language. Penny came to the attention of brooches and rings, which can be seen and make a subtle addition to the ambiance borough and Cabot Square was chosen as Canary Wharf when this and another of his at the V&A Museum and other collections, of this popular square. Horrobin has created its temporary home. The reinstatement of this bronzes, Man with Arms Open, were shown as she also tackled large-scale architectural a wide diversity of architectural, ecclesiastic, important piece of the borough’s artistic heritage part of the Millennium exhibition The Shape of works, such as the Edinburgh Gate at domestic and sculptural works from his has been funded by Canary Wharf Group on the Century in 1999. Both works were Hyde Park, 2010. Doverhay Forge Studios in Somerset. behalf of London Borough of Tower Hamlets. purchased by Canary Wharf Group.

TATIANA ORLOFF • Planters GERALD LAING • Relief Portrait of OTTOTTO • The Clew BRUCE MCLEAN • Sculptural Railings 12. 2001–02 • Bronze 16. 1998 • Bronze 20. 2020 • LED lighting, steel 24. 1992 • Steel

O • COLUMBUS COURTYARD Tatiana O • CABOT SQUARE A bronze relief O • CUBITT STEPS Commissioned O • FISHERMAN’S WALK, WREN LANDING Bruce Orloff is perhaps best known for her portrait by Gerald Laing (1936–2011) set on for the Canary Wharf Winter Lights McLean’s intervention at Canary Wharf is the portrait sculpture. During her career a Portland stone plinth commemorates festival 2020. The Clew is made from sculptural railing alongside Fisherman’s Walk. she has worked in a variety of materials Michael von Clemm (1935–1997), ‘investment 100 circles of red light, is a beautiful The 40-metre long charcoal steel rail is heavily and techniques, which include welding banker and pioneer of the Euromarkets whose structure created by Ottotto, a worked with shapes, faces, circles and squares, in mild steel. The mastering of each vision helped to create this ’. portuguese architectural firm. This true to his style. McLean challenges the traditional new discipline has had an influence on Laing first came to fame as one of the significant minimal and elegant construction structure of the railing, subverting the straight her work as a whole. These 12 planters British Pop artists in the 1960s, known for creates stunning reflections of line with wit and vigour. McLean has worked on reflect her skill in ceramics transposed that commented on the contemporary scene. sunset on the water and frames the numerous architectural schemes in collaboration here into sculpture in bronze. They are unique, designed specifically for He later focused on sculpture, first abstract then bridge, making you see this familiar with architect Will Alsop, including the Queen Canary Wharf, and were originally located either side of a short flight of figurative subjects, and undertook a number of landmark in a brand new way. Mary College School of Medicine & Dentistry steps in Canada Square Park. high profile commissions. in . WALES & WALES • Benches MARTIN RICHMAN • Float CATHERINE YASS • Descent: HQ3 IGOR MITORAJ • Testa Addormentata 25. 1992 • Beech 29. 2002 • Light, glass, steel 33. 2002 • Photographic lightbox 37. 1983 • Bronze

O • WREN LANDING AND THROUGHOUT ESTATE O • NORTH COLONNADE Martin Richman’s I • HERON WALK LINK TO JUBILEE PLACE, O • BANK STREET, OUTSIDE WEST Husband and wife design team Wales & Wales Float was designed to transform an otherwise LOWER LEVEL Between November 2001 WINTERGARDEN The bandaged face of have created many of the wooden benches unremarkable space into an uplifting visual and January 2002 Catherine Yass was Testa Addormentata (‘Head Asleep’) is that are found in Canary Wharf’s exterior experience after dusk. His working life began given permission to take photographs and one of three sculptures by Igor Mitoraj and interior spaces. Their work is influenced as a lighting designer in the music industry, film from one of the Canary Wharf towers (1944–2014) located in Canary Wharf. by architecture, characterised here by the but from 1985 he started his artistic career under construction, for a body of work His enigmatic works combine the surreal subtle sensitivity with which the benches exploring the medium of light. He has had exhibited for her Turner Prize nomination in with the antiquity of Greece and Rome. relate to their surroundings. Originally trained numerous exhibitions as well as permanent 2002. Descent: HQ3 is one of three large- His earlier sculpture was predominantly as cabinet makers, they soon became more public commissions and temporary projects. scale photographic images subsequently in terracotta or bronze, but he turned to interested in the design process and the scale In 2010 he completed a scheme with Eric Parry commissioned by Canary Wharf Group. Yass marble following a trip to Carrara, of their production increased. Architects, illuminating the faience façade of is noted for her films and intensely-coloured photographs that often combine the in 1979. In 2012 he was awarded the Knight Commander’s Cross, one of ’s a building in Bond Street, London. positive and the negative. highest honours.

JON BUCK • Returning to Embrace JULIUS POPP • bit.fall ‘London Games’ EMMA BIGGS • Sartor Resartus MAUREEN ANNE HOLLEY • The Spirit of 26. 1999 • Bronze 30. 2012 • Valves, pump, computer 34. 2003 • Stone and glass mosaic 38. 2007 • Photographic lightbox OCT-MARCH DUSK UNTIL MIDNIGHT O • 10 CABOT SQUARE FORECOURT I • HERON WALK TO JUBILEE PLACE, LOWER I • WEST WINTERGARDEN, GROUND Jon Buck’s sculpture appears to show a O • CHANCELLOR PASSAGE UNDER DLR LEVEL Emma Biggs’ Mosaic Workshop is one LEVEL Maureen Anne Holley has always been couple locked together, gazing into each BRIDGE OVER MIDDLE DOCK Julius Popp’s of Britain’s leading studio workshops, creating fascinated by London: its architecture, urban other’s eyes. Closer examination reveals bit.fall produces an ever-changing cascade walls, floors and small-scale artworks using landscape and people. The Spirit of East a strange fusion of forms, their bodies so of words, taken from live newsfeeds from the ancient method of mosaic. Sartor Resartus London was purchased by Canary Wharf far intertwined as to have become a single the media. Using sophisticated technology, depicts a playful collage of the different forms Group from her 2007 degree exhibition at the organism. Central to Buck’s work is an interest a series of valves open at exactly the of dress of the office workers of Canary Wharf. University of East London, a photographic in our connection to the natural world and right moment to let droplets of water fall Between the two wall panels, a floor roundel montage set within a composite lightbox his figures depict not only men and women to form letters. The words appear in mid- shows an amusing collage of footwear, from that captures the spirit and atmosphere of but also Man and Nature. He has long been air, illuminated from above as they move office brogues to dance slippers. Additional docklands, the vibrancy of regeneration as well as her East End childhood, fascinated by art outside the Western downwards, and are only visible for the time it mosaics by Biggs are found in Cabot Place where her father worked in the . tradition, particularly African sculpture. takes to drop before dissolving forever. and Jubilee mall.

JAMES HORROBIN & SOM • Promenade Railings SINTA TANTRA • A Beautiful Sunset Mistaken for a Dawn RICHARD HUDSON • Tear EMMA BIGGS • Wharf Walk 27. 1992 • Steel 31. 2012 • Paint 35. 2018 • Polished mirrored steel, Edition 1/3 39. 2003 and 2013 • Stone and glass mosaic

O • MACKENZIE WALK AND DOCKSIDE O • DLR BRIDGE OVER MIDDLE DOCK Sinta O • BANK STREET, OUTSIDE JUBILEE I • JUBILEE PLACE MALL, LOWER LEVEL PERIMETER A master craftsman in Tantra’s inspiration was drawn from the PARK Richard Hudson is a British Emma Biggs’ Wharf Walk takes us through architectural and domestic forged natural elements, ever-changing light sculptor renowned for his organic Jubilee Place, following a trail of floor mosaics ironwork, James Horrobin worked with and towering buildings of Canary Wharf. artistic language. Hudson says ‘ depicting some of the trades passing through architects Skidmore, Owings & Merrill Sunset and sunrise influenced her palette: his work is influenced by the flux, the dockyards that flourished here. Each image (SOM) to design two sets of railings for blues and greys working well during the shape and movement of billions of is framed by a piece of evocative text, derived Canary Wharf. The Promenade Railings day; purples and pinks at night. LDI’s particles that nature draws together from Biggs’ careful research for the commission along the entire perimeter of the docks lighting scheme brings the bridge to life from their unbridled chaos to create in 2003. In 2013, when the mall was extended echo sails on a sailing boat. Horrobin at dusk. LED projectors wash soft light beauty’. What I attempt to capture, to to a lower floor, Biggs was invited to create four has created a wide diversity of works, from each end, changing from early to enclose, as a kind of homage, is a form new mosaics on the same theme. Wharf Walk encompassing architectural, ecclesiastic, late evening. around which on every surface it is now comprises 17 floor mosaics in all. domestic and sculptural pieces. possible to trace a continuous line.

EMMA BIGGS • Pattern for Democracy CHARLES HADCOCK • Helisphere CHARLES HADCOCK • Torsion II YVONNE DOMENGE • Coquino Coral 28. 2008 • Mosaic 32. 2009 • Cast iron 36. 2009–11 • Cast iron 40. 2015 • Polymer with onyx powder, stainless steel base

I • CABOT PLACE MALL, GROUND O • HERON QUAYS DLR STATION In O• BANK STREET, OUTSIDE JUBILEE PARK Charles O• JUNCTION OF BANK STREET / LEVEL Emma Biggs’ floor mosaic in Helisphere Charles Hadcock has combined Hadcock’s Torsion II has been described as being UPPER BANK STREET Yvonne Domenge was Cabot Place, Pattern for Democracy, the characteristics of the sphere with that of like a stairway to the stars. It is an example of the one of four contemporary Mexican artists is a contemporary take on a traditional the helix – a curve in 3-dimensional space. The artist’s practice of revisiting his sculptures over exhibiting their work at Canary Wharf as part geometrical floor. Instead of striving sphere is made in horizontal sections, which time, transforming them in the process, part of of UK Year of the Arts 2015. Her work for machine-like precision, elements spin out of alignment with its skin, causing a his strategy to kick-start new ideas and new is defined by its abstract and organic nature, of the design vary in colour, form curved and stepped distortion that is the helix sources of inspiration. Here Hadcock added her subject-matter reflecting the relationship and even direction, the differences curve. Walking around the sculpture provides further sections to an existing work Torsion I, between man and the natural world. She combining to create a harmonious whole, the viewer with a multiplicity of gently changing already a tall spiralling form, as he was preparing evokes a marine scene, inviting the viewer much like the way we as individuals can harness our variety to create shapes. Helisphere and Torsion II, also in the for his exhibition in Canary Wharf’s Jubilee Park to step back from the commotion of urban a benign society. A second, smaller roundel is located at the entrance from permanent collection, were exhibited in in spring 2011. Torsion II and Helisphere were life to contemplate the beauty and fragility Cabot Square. Jubilee Park in 2011. purchased for the collection. of coral formations. KEITH RAND • Original Form WILLIAM TURNBULL • Blade of Venus KONSTANTIN GRCIC • Six Public Clocks MARTIN RICHMAN • We Could Meet 41. 1999 • Douglas fir 45. 1985 • Bronze 49. 1999 • Steel, glass 54. 2015 • Acrylic, fibre optics, electronics

O • NORTH DOCKSIDE, REAR OF 25 NORTH I • LOBBY, GROUND O • NASH COURT Six Public Clocks by O • PLACE, QUAYSIDE Martin COLONNADE Original Form was made LEVEL Blade of Venus by William Turnbull Konstantin Grcic was the winning design Richman is interested in how art can improve specifically for Canary Wharf as a part of (1922–2012) is part of a series of bronzes that in a competition inviting proposals for this the quality of life in cities, helping to give the Millennium exhibition The Shape of the originated tg knives. The metamorphosis of these public space. His playful installation is based locations a sense of place. We Could Meet Century. Rand established his reputation hidden references adds an element of ambiguity on the iconic Swiss railway clock but here consists of a grid of over 500 illuminated for innovative sculpture and sensitively and the surreal, giving the image a wide frame of each of the 12 faces shows a single and acrylic rods installed in the water channel informed landscape works inspired by the reference and a compelling figurative identity. different numeral. German designer Grcic and visible from above, programmed so that natural world, realising his ideas through Turnbull’s bronzes are distinguished by has won numerous prestigious awards. it changes colour and frequency throughout a poetic vision and technical rigour. a rich contrast in surface, patina and detail, the day and evening. As the lights change which create a kind of skin. colour, the juxtapositions of our colour perception change as well - red in a GILLIE & MARC • Tandem Lovers field of blue appears different to the same red in an orange field. 50. 2020 • Bronze FROM SEPTEMBER

HELAINE BLUMENFELD OBE • Fortuna SERGIO FERMARIELLO • Guerrieri (Warriors) O • PLAZA ‘Tandem Lovers’ 42. 2016 • Bronze 46. 2013 • Aluminium laser cut-out, paint takes you on an adventure with Gillie and MICHAEL LYONS • Shepherd of the Sun Marc’s iconic characters, Rabbitwoman 55. 1994 • Steel, painted O • JUBILEE PARK Fortuna is Helaine Blumenfeld’s I • ONE CANADA SQUARE LOBBY, Initially and Dogman. Since they met while most ambitious work to date. This monumental studying sciences at the University of Naples, travelling, exploring has been a huge I • CROSSRAIL PLACE ROOF GARDEN. While creating sculpture was inspired by Fortuna, the Roman Sergio Fermariello soon turned his attention inspiration in their work. Tandem is their Shepherd of the Sun Michael Lyons began to think goddess of luck, and evokes the fullness to art, focussing on ideas around collective favourite as they have to work as one, of the good shepherd of Christianity, but the discs and complexity of the human condition. unconscious memory. In 1993 he represented which is how they work best. also seemed to have a planetary or solar reference, Best known for her large-scale outdoor Italy at the Venice Biennale with a body of work bringing a more primitive or pagan association. commissions, Blumenfeld is passionate developing his exploration of ‘The Warrior’, Both notions are reflected in the title: Orion, the about bringing sculpture into public spaces. taking archetypal symbols and shapes from CAMILLE WALALA • Captivated by Colour mythological hunter, is often referred to as Notable works in London include Tempesta antiquity and mythology. In 1995 he began 51 2020 • Vinyl The Shepherd and the constellation is associated overlooking Hyde Park, and Meridiana in making works that were part painting part with the sun-god. This work and Unity of Opposites: I • ADAM’S PLAZA BRIDGE Created for the first Holland Park. sculpture, as in the pair of works here. Vortex were purchased following Lyons’ exhibition London Mural Festival in September 2020, local at Canary Wharf in 2014. artist, Camille Walala has designed colourful geometric shapes, playing with the long SOPHIE SMALLHORN • Colour West KEITH MILOW • Twentieth Century Thames perspective of the tunnel. The design shows an 43. 2004 • Vinyl 47. 1998 • Oxidised iron optical pattern that shrinks and elongates as it JULIAN WILD • Origin (Vertical) moves across the panel of the bridge – creating a 2017 • Painted steel, polished stainless steel I • STATION, NORTH-WEST I • ONE CANADA SQUARE LOBBY, GROUND 56. distorted effect as visitors pass through. ESCALATORS TO MALL, LOWER LEVEL LEVEL Twentieth Century Thames, Keith Milow’s I • CROSSRAIL PLACE ROOF GARDEN Geometry and flat saturated colour are series of works for Canary Wharf’s signature Julian Wild uses a range of materials from focal points of Sophie Smallhorn’s practice. building, are millennial in their conception. If MICHAEL LYONS • Unity of Opposites: Vortex polished and painted stainless steel to glass Her palette is deceptively simple: proportion you look closely at the apparently rusty discs, 52. 2001 • Copper, patinated and waxed and ceramic. Recent work includes a series and composition are manipulated to create hundreds of embossed names are revealed. of sculptures that act as man-made versions playful and pleasing juxtapositions. Smallhorn Some are immediately recognisable, others O • ADAM’S PLAZA Unity of Opposites: of natural structures. Wild also looks at the trained in furniture design, and moved into more obscure, but all are artists, composers, Vortex is one of a number of works inspired relationship between colour and sculpture. sculpture after graduating. She has since writers and architects who made their mark by Michael Lyons’ (d. 2019) visits to China, In some works the surface of the material undertaken a range of international exhibitions in the twentieth century. A prolific sculptor, for whose culture he developed a deep underneath is revealed as he leaves areas and commissions, including an installation in painter and installation artist, Milow has affinity. Echoing the writings of Chinese unpainted or splits open a coloured sculpture One Canada Square in 2004. exhibited extensively since the 1960s. philosophers, this sculpture has been to reveal its shiny metallic core. described as embodying the tensions within modern society between materialistic cravings and spiritual needs. SOPHIE SMALLHORN • Colour East LAWSON OYEKAN • Trail with Light (LIP) Series MICHAL ROVNER • Transitions 44. 2004 • Vinyl 48. 1998 • Terracotta 57. 2019 • LED screen, video PETER NEWMAN • Skystation I • JUBILEE LINE STATION, NORTH-EAST I • ONE CANADA SQUARE LOBBY, GROUND I • CROSSRAIL PLACE, EVERYMAN 53. 2005 • Steel ESCALATORS TO MALL, LOWER LEVEL LEVEL Four works from Lawson Oyekan’s LOBBY Michal Rovner’s Transitions, Geometry and flat saturated colour are the series Trail with Light, rough-hewn terracotta O• ADAM’S PLAZA Skystation is a is a new, site-specific, 16-metre-long focal points of Smallhorn’s practice. Her palette vessels that have been described by Oyekan new concept in public seating, both screen-based artwork addressing of coloured vinyls is deceptively simple: as reflecting emotional experiences in their sculptural and interactive, the work themes of humanity, history and proportion and composition are manipulated surface treatment. They look as if they have allows you to gaze up at the sky and time. The large-scale video artwork to create playful and pleasing juxtapositions. been exploded and put back together again. gain a different perspective of the city. references the striking architecture Smallhorn trained in furniture design, moving In 2001 he won the Grand Prix Award in the 1st The shape draws from Le Corbusier’s of Canary Wharf and capture the into sculpture after graduating. She World Ceramic Biennale, held in Korea. He had iconic LC4 chaise lounge, encouraging lively character of the new Canary collaborated with Populous Architects to a solo exhibition at Canary Wharf in 2011. passers-by to lie down and contemplate Wharf Elizabeth line station. design a spectrum of colours for the exterior the vast expansive space that Part of The Crossrail Art Programme. and internal of the 2012 Olympic Stadium. surrounds them. ALEXANDER BELESCHENKO • Art Glass Wall LBO LICHTBANKOBJEKTE • Lightbenches ‘Classic’ BILL CULBERT • Coup de Foudre II IGOR MITORAJ • Centauro 58. 2002 • Antique mouth-blown glass 62. 2011 • Translucent glass, LED 66. 2009 • Neon 70. 1984 • Bronze

I • , GROUND LEVEL Not publicly O • CANADA SQUARE PARK Created by I • CHURCHILL PLACE MALL, LOWER LEVEL O • MONTGOMERY SQUARE Mitoraj’s Centauro shows accessible without permission from Citi. German design duo Heidi and Bernd Bill Culbert (1935-2019) was one of the the great mythological beast partially incomplete Alexander Beleschenko specialises in Spiecker, the ten benches are illuminated world’s leading light artists, working in this but ready for battle. A truly European artist, Mitoraj architectural glass, using a variety of through a programmed sequence, adding medium for over forty years, with works in public (d.2014) was born in East Germany of Polish/French techniques to produce beautiful and dramatic a new dimension to taking the weight collections worldwide. His neon light sculpture, parents and initially studied classical painting in Krakow effects. His two glass walls for Canary Wharf off your feet. The Lightbenches were Coup de Foudre II, consists of lines of coloured before moving to Paris in 1968. Two other sculptures demonstrate different aspects of his work. launched as part of the Festival of Lights light that move effortlessly inside and outside the are located on the estate, in Columbus Courtyard and Both are illuminated through computer in Berlin in 2011. Bernd explains ‘the building creating the illusion of one continuous outside West Wintergarden. controlled lighting, creating slowly changing emotional interaction of light and colours piece. It was fabricated by the Birmingham-based effects. Here ‘walls of light’ create a corridor should get the park bench out of its City Neon Sign Company Ltd, whose director JULIAN WILD • ScribbleForm made of antique mouth-blown glass infilled conventional context and open up a new Laszlo Gregor has collaborated with Culbert 2020 • Painted Steel FROM AUGUST 2020 with white resin. perception of these objects to the viewer’. and other artists. 71. O • MONTGOMERY SQUARE ScribbleForm is ALEXANDER BELESCHENKO • Art Glass Wall DANNY LANE • Parting of the Waves SURESH DUTT • Drawing Cube (Blue) part of series of works in Wild’s practice that 59. 2002 • Glass, lighting 63. 2003 • Glass, steel 67. 2010 • Mild steel investigates the gesture in relation to sculptural form. A flamboyant doodle is created in heavy-duty I • CITIGROUP ENTRANCE, CANADA I • LOBBY, GROUND LEVEL O • MONTGOMERY SQUARE Suresh Dutt was the structural steel that articulates into the sky with PLACE MALL, LOWER LEVEL Not publicly accessible without permission. winner of the First@108 Public Art Award in 2010, irregular twists and turns. ScibbleForm disrupts the Not publicly accessible without Danny Lane is well known for his monumental the second year of this award by the Royal Society minimal aesthetic by weaving and tangling itself into permission from Citi. Alexander sculptures made of horizontally stacked glass. of Sculptors to provide an opportunity for artists a complex form that defies gravity and sense. Beleschenko’s second glass wall for His work ranges from glass furniture combined new to public art to create a large-scale sculpture Canary Wharf is visible from the with wrought iron, to large-scale architectural commission. The Award was sponsored by Canary commissions. At Canary Wharf he explored for Wharf Group in its first two years. Part of the public walkway. Here he employed a RICHARD HUDSON • The Knot the first time the potential of stacking in the Award was the opportunity to display the finished new technique using poured resin infill 2018 • polished mirrored steel combined with enamel glass to create vertical and created two undulating glass walls, sculpture at Canary Wharf, and Drawing Cube 72. swirling shapes. Beleschenko has undertaken numerous public commissions, which transform this space into an experience (Blue) has now been added to Canary Wharf’s O • WATER STREET Richard Hudson is including works for the Welsh Assembly Building in Cardiff, the Met Office in likened to the ‘parting of the seas’. permanent collection. a sculptor with a profound interest for Exeter and Millennium Place in Coventry. nature and the geometric harmony of its purest, most seductive forms. He is ANTONI MALINOWSKI • Untitled NIGEL HALL RA • Kiss EILIS O’CONNELL • Sacrificial Anode intrigued by the visual dialogue that will 60. 2000 • Acrylic on canvas 64. 2000 • Painted steel 68. 2007 • Cast bronze, stainless steel originate between the infinite curves of his sculptures, straddling the boundary I • CANADA PLACE MALL, LOWER O • SOUTH COLONNADE Nigel Hall’s Kiss O • MONTGOMERY SQUARE Made in varying between figuration and abstraction and LEVEL Antoni Malinowski’s comprises two elements, a cone and a materials from steel and bronze to plastics and in this case the rectangular structures of painting in brilliant blue is executed wedge, positioned to balance naturally, but found objects, Eilis O’Connell’s sculptures Canary Wharf. in his trademark pure pigment, – held slightly apart at the base – a tension show her meticulous attention to surface resulting in a vivid and vibrant shimmers between them. Often informed detail and close observation of the world matt finish. It evokes dreams of by his intense interest in landscape, Hall’s around her. A ‘sacrificial anode’ refers to an SEAN HENRY • Standing Man 2019, Standing Woman river currents, shoals of fish, and sculptures explore spatial ambiguity in anode attached to a metal object, such as a 73. 2020 • Painted bronze the gentle play of light on water. deceptively simple compositions, which boat or underground tank, in order to inhibit The original floor of the adjacent mall, since replaced, was designed by often employ mathematical constructs its corrosion. This sculpture was purchased O • PARK DRIVE Newly created by Sean Henry, Malinowski. He has undertaken a number of public commissions working with in their resolution. Kiss was exhibited as following O’Connell’s exhibition in Jubilee Park two figures standing opposing each other, architects including the Royal Court Theatre, London where he created a wall part of Hall’s exhibition at Canary Wharf in autumn 2016, which focused on his in spring 2013. are they here to meet each other, passing drawing of 86 sq m. use of elliptical and orbital configurations. one another, strangers or friends? Looking at their gaze, you might decide for yourself. Sean’s sculptures, based on family, friends TERENCE WOODGATE • Seating PETER RANDALL PAGE • Between Theory and Practice NIGEL ROSS • Cross Way • 2003 • European larch and acquaintances 61. 2000 • Bead-blasted aluminium 65. (A Bridge from Euclid and Rorschach) 2019 • Vinyl 69. Arbor • 2013 • Oak

I • CANADA PLACE MALL, LOWER LEVEL I • BRIDGE OVER BELLMOUTH PASSAGE O • MONTGOMERY SQUARE Cross Way and HELAINE BLUMENFELD • Metamorphosis Terence Woodgate designed the public seating Peter Randall-Page’s new work, is the latest Arbor were carved by hand from single 74. 2019 • Bronze in the Canada Place mall to complement the example of his interest n the relationship tree trunks. Self-taught sculptor Nigel Ross original floor design by Antoni Malinowski, between variations in the natural world and developed his skills after working as a tree O • PARK DRIVE Blumenfeld is a renowned artist since replaced, which evoked a sense of water. the geometric themes which underlie them. surgeon in London and as a forest contractor who is appreciated all over the world. In 2007 In response, Woodgate decided to create The five images on the north side use Euclidean on the Isle of Arran. By 1995, he was working she became the first woman to win the Il Premio aluminium seating with invisible fixings that geometry to construct egg-shaped forms using fulltime as a sculptor and maker, usually Pietrasanta e la Versilia Nel Mondo, adding appear to float like rafts across the floor and only a compass. The five polychrome images using fallen trees and taking inspiration from her name to the list of winners of this honour reflect the light from above. Woodgate to the south are overlaid on these geometric the rhythms and energy of nature. Some of including Botero, Pomodoro and Marc Quinn. established his design studio in 1988 specialising constructions using a technique akin to his works have a functional element and his Metamorphosis, has been conceived using in furniture and lighting, and has designed public Hermann Rorschach’s famous psychoanalytic sculptural benches are found in rural and digital technology including a 5 axis CNC router, seating for many varied environments. ‘ink blot’ test. urban settings. laser scanning and 3D printing. POPLAR DLR

WEST INDIA QUAY PUBLIC ART DLR LOCATIONS NORTH QUAY N

ELIZABETH LINE ELIZABETH LINE CROSSRAIL PLACE NORTH DOCK CROSSRAIL NORTH DOCK POPLAR DOCK 13 MARINA ONTARIO WAY 55 56 54 57 UPPER BANK STREET WESTFERRY ROAD FISHERMAN’S WALK 53 27 52

10 11 WREN COLUMBUS 51 65 COURTYARD LANDING 9 ADAMS 12 24 PLAZA 25 29 23 26 1 NORTH COLONNADE NORTH COLONNADE

P 16 22 BELLMOUTH THE IVY PASSAGE 47 E 8 58 59 P CL 21 R 3 ONE CANADA I BLACKWALL BASIN C WEST INDIA AVENUE CANADA WESTFERRY CABOT SQUARE PARK 60 CHURCHILL PLACE R

14 CABOT SQUARE SQUARE E

6 28 CANARY PAVILION 66 I

CIRCUS PLACE T

WHARF PARK R

A

C

2 4 WEST INDIA AVENUE 15 61 DLR 45 62 7 17 18 19 48 P DO CNG RA VI P 46 SOUTH COLONNADE SOUTH COLONNADE

CANARY WHARF RIVERBUS PIER UPPER BANK STREET 50 64 WESTFERRY ROAD 63 TIMBER QUAY LOVEGROVE WALK CUBITT 5

STEPS STREET CHARTER

NASH K COURT BERNERS BRANNAN STREET 20 30 PLACE 49 MONTGOMERY SQUARE SOUTH COLONNADE

31 67 RIVINGTON WALK MONTGOMERY STREET MONTGOMERY 43 44 69 WATER SQUARE MIDDLE DOCK 70 68 UNION SQUARE

PRESTO N O R T H L A N E 42 HARBORD WRAYBURN PLACE

E N A L T S E W MONTGOMERY E N A L T S A E SQUARE RIVERSIDE SOUTH CANARY JUBILEE PARK CANARY WATER STREET WHARF WHARF SQUARE

N 72 DRIVE PARK

72 ’

S ROAD S 8 WATER STREET OUTDOOR WORK OF ART BANK STREET 35 10 P PARK DRIVE 32 34 RETAIL ENTRANCE INDOOR WORK OF ART C O M P T O N GEORGE STREET CHARTER STREET 33 AND PARKING G A R D E N S

HAZELTON WALK HAZELTON RIVERBUS PIER 36 10 BANK STREET 39 73 10 GEORGE STREET PARK BANK STREET ONE P CAR PARKING 37 40 PARK DRIVE PARK DRIVE74 HERON BUS STOP HARBOUR QUAY QUAYS G A R D E N S DLR 38 HARBOUR QUAY WEST EAST JUBILEE LINE WINTER WINTER GARDEN GARDEN 41 DLR SOUTH DOCK

ELIZABETH LINE SOUTH DOCK (OPENING 2022)