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Hugo Becker
Please Note That This Transcript Is Being Made Available for Research Purposes Only and May Not Be Reproduced Or Disseminated in Any Way
June 1911) James Francis Cooke
390 Tonkünstlerfest (40. Jahresversammlung) Frankfurt A. M., [Heidelberg, Mannheim], 27. Mai – 1. Juni 1904
Vorwort Gel, Mit Folgenden Worten: „Mein Lie- Uraufführungsdaten Der Drei Suiten Ber! Soeben Sind Meine Drei Suiten Op
Fingering Strategies in the Prelude of J.S. Bach's Sixth
557541Bk Kelemen 3+3 15/8/11 9:38 PM Page 1
SWR2 Musikstunde
Three Transcriptions for Viola and Piano
Performance Practices in Johannes Brahms's Chamber Music" by Clive Brown, Neal Peres Da Costa, and Kate Bennett Aw Dsworth Michael Musgrave the Juilliard School
Brahms and Clara Schumann
Boston Symphony Orchestra Concert Programs, Season 29,1909
Progrt^AAE Established 1833
Viewed the Thesis/Dissertation in Its Final Electronic Format and Certify That It Is an Accurate Copy of the Document Reviewed and Approved by the Committee
Boston Symphony Orchestra Concert Programs, Season 29,1909
318 XXXI. Tonkünstler-Versammlung Braunschweig, [11.] 12. – 16. Juni
International Influence on the Development and Reception of Cello Playing in England, 1870–1930: Robert Hausmann, Auguste Van Biene, and Guilhermina Suggia
The New York Chamber Music Society, 1915-1937: a Contribution to Wind Chamber Music and a Reflection of Concert Life in New York City in the Early 20Th Century
The Cello: an Amazing Musical Instrument
Top View
Boston Symphony Orchestra Concert Programs, Season 29,1909-1910, Trip
Most Commonly Used Etude Books by Cello Teachers in American Colleges and Universities Ozan Evrim Tunca
Changing Aesthetics in Cello Performance Practice 1920-1960
The Evolution of the Cello Endpin and Its Effect on Technique And
A Foucauldian Experiment with Nineteenth-Century HIP
3. Ostpreußisches Musikfest
The Dresden School of Violoncello in the Nineteenth Century