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Hodegetria
Kreinath, Jens. "Aesthetic Sensations of Mary: the Miraculous Icon Of
Maestà (Madonna and Child with Four Angels) C
Religious Imagery of the Italian Renaissance
Hodegetria 1 Hodegetria
THE FLYING HODEGETRIA the MIRACULOUS ICON AS BEARER of SACRED SPACE by Alexei Lidov
Images of the Mother Of
Alexei Lidov Research Centre for Eastern Christian Culture, Moscow
Engelina S. Smirnova Professor of Art History, Moscow State Lomonosov University Senior Research Fellow, Institute of Art Studies, Moscow, Russia
Enthroned Madonna and Child C
From Domestic Devotion to the Church Altar: Venerating Icons in the Late Medieval and Early Modern Adriatic
Experiencing Miraculous Icons in Byzantium the Examples of the Icon of the “Usual Miracle” and the Hodegetria in Constantinople
Icons and the Object of Pilgrimage in Middle Byzantine Constantinople Author(S): Annemarie Weyl Carr Reviewed Work(S): Source: Dumbarton Oaks Papers, Vol
THE Byzantine Empire Succeeded the Roman Empire in About 500 AD
Mauro Salis the Virgin Hodegetria Iconography in the Crown Of
Our Lady Asks for Establishment of an Order for Redeeming Captives
15. Some Thoughts on Greco-Venetian Artistic Interactions in the Fourteenth and Early-Fifteenth Centuries
Different Attitudes of the Holy Virgin Mary in Coptic Art
The 2015 Art for Meditation Archive
Top View
The Virgin and Child Hodegetria Was a Widely Venerated Byzantine Image Depicting the Virgin Holding and Pointing to Her Son As the Way to Salva- Tion
Salus Populi Romani
The Image of Mary in Twentieth-Century Art
Byzantine Images L
Our Lady of Lourdes
THE MIRACULOUS MADONNA in FIFTEENTH-CENTURY ROMAN PAINTING Eunice D
Bizans Ikonalarından Günümüze Sanatta Meryem Ve Çocuk Motifi1
The Role of Popular Piety-Final
The Meek One and Her Icon: Hodegetria's Presence In
Duccio Di Buoninsegna
The Representation of Virgin and Child on a “Thokos” on Seals of the Constantinopolitan Patriarchs (Pl