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Heinrich Glarean

  • GLAREANUS's CHRONOLOGIA the Bibliothèque Nationale De France

    GLAREANUS's CHRONOLOGIA the Bibliothèque Nationale De France

  • Reception of Josquin's Missa Pange

    Reception of Josquin's Missa Pange

  • Concerning the Ontological Status of the Notated Musical Work in the Fifteenth and Sixteenth Centuries

    Concerning the Ontological Status of the Notated Musical Work in the Fifteenth and Sixteenth Centuries

  • MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor

    MUSIC in the RENAISSANCE Western Music in Context: a Norton History Walter Frisch Series Editor

  • The Secular Latin-Texted Works of Adrian Willaert

    The Secular Latin-Texted Works of Adrian Willaert

  • Aspects of the Performative in Medieval Culture Trends in Medieval Philology

    Aspects of the Performative in Medieval Culture Trends in Medieval Philology

  • English Music Theory C.1590-C.1690 : the Modal Systems, Changing Concepts, and the Development of New Classification Systems

    English Music Theory C.1590-C.1690 : the Modal Systems, Changing Concepts, and the Development of New Classification Systems

  • Heinrich Glareans Dodekachordon Zu Den Textuellen Bezügen Des Musiktraktats HORZ

    Heinrich Glareans Dodekachordon Zu Den Textuellen Bezügen Des Musiktraktats HORZ

  • University of Cincinnati

    University of Cincinnati

  • Music of the New Lusitania: the Impact of Humanist Thought on Polyphony in Sixteenth-Century Portugal

    Music of the New Lusitania: the Impact of Humanist Thought on Polyphony in Sixteenth-Century Portugal

  • Josquin Des Prez's Motet Qui Velatus Facie and the Canonization of St

    Josquin Des Prez's Motet Qui Velatus Facie and the Canonization of St

  • 1 Heinrich Glarean's World

  • Ockeghem's Fuga Trium Vocum

    Ockeghem's Fuga Trium Vocum

  • Heinrich Glarean's Books

    Heinrich Glarean's Books

  • AN AURAL SKILLS HANDBOOK for MODAL MUSIC a Thesis Submitted to the College of Arts of Kent State University in Partial Fulfillme

    AN AURAL SKILLS HANDBOOK for MODAL MUSIC a Thesis Submitted to the College of Arts of Kent State University in Partial Fulfillme

  • The Renaissance Musician and Theorist Confronted with Religious Fragmentation: Conflict, Betrayal and Dissimulation

    The Renaissance Musician and Theorist Confronted with Religious Fragmentation: Conflict, Betrayal and Dissimulation

  • AMS Boston 2019 Abstracts 48 Thursday Afternoon 2:15–3:45 AMS Boston 2019

    AMS Boston 2019 Abstracts 48 Thursday Afternoon 2:15–3:45 AMS Boston 2019

  • The Renaissance Musician and Theorist Confronted with Religious Fragmentation : Conflict, Betrayal and Dissimulation Inga Mai Groote, Philippe Vendrix

    The Renaissance Musician and Theorist Confronted with Religious Fragmentation : Conflict, Betrayal and Dissimulation Inga Mai Groote, Philippe Vendrix

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  • The Renaissance Society of America Annual Meeting Program And
  • Renaissance' of the Phrygian Mode and the Rise of Negative Affect In
  • Some General Observations on Mass Composition in the Renaissance Charles Lathan Hill
  • The British Museum Manuscript Additional 35087
  • © in This Web Service Cambridge University Press
  • Compositional Strategies in Mensuration and Proportion Canons, Ca. 1400 to Ca. 1600
  • SPEAKING in TONES: PLAINCHANT, MONODY, and the EVOCATION of ANTIQUITY in EARLY MODERN ITALY by BARBARA DIANNE SWANSON Submit
  • Luther's Polyphony: Petreius's Liber Quindecim Missarum in Protestant
  • AN OVERVIEW of the EVOLUTION of AFFECT in the MUSIC of WESTERN CIVILIZATION from the ANCIENT GREEKPERIODTHROUGHTHEBAROQUE By
  • Blicke Über Den Seitenrand. Der Humanist Heinrich Glarean Und
  • De Musica, Book Ii


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