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- The Huguenot Psalter in the Low Countries: a Study of Its Monophonic and Polyphonic Manifestations in the Sixteenth Century
- CANTUS FIRMUS CHANSONS by ALEXANDER AGRI COLA By
- Plague, Performance and the Elusive History of the Stella Celi Extirpavit
- Representation, Emotion, and the Madrigal in Sixteenth-Century Italy
- Quomodo Cantabimus Canticum? Edward H. Roesner
- Ornamented Intabulations and Derived Fantasias: Parody, Imitatio, and Genre in Vincenzo Galilei's Lute Arrangments of Alessand
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- University Microfilms, Inc., Ann Arbor, Michigan the UNIVERSITY of OKIAHOMA
- CRITICAL EDITION and COMMENTARY Presented to The
- The-Stanley-Boorman-Collection.Pdf
- Chapter 1 Introducing Renaissance Polyphony
- The Four-Voice Madrigals
- AMS Newsletter February 2018
- 1939, New York International Congress
- The Era and Its Terms
- Noah Greenberg and the New York Pro Musica: the Career, Reception, and Impact
- THE INSTEUMENTAL MUSIC of Thomas TONKINS (1572-1 6) John Alan Irving Submit Ted in Partial Fulfilment of the Requirements for Th
- 31295004326160.Pdf (3.089Mb)
- AMS NEWSLETTER 1 \) American Musicological Society, Incorporated Vol
- THE PLACE of MUSICOLOGY Sponsored by the American Council of Learned Societies in American Institutions of Higher Learning
- (Re-)Constructing Renaissance Music
- De Musica, Book Ii